Obsidian III: Literature in the African Diaspora invites scholars from
all fields to celebrate the 50th anniversary of the independence of Ghana.
 The issue is set for publication in the summer of 2007. When Ghana began
the first African nation to gain it independence from England, it not only
set the stage for the liberation of Africa, but it precipitated cultural
changes across the African Diaspora and, indeed, across the globe. Essays
are solicited the literary and cultural legacy of Ghanaian independence in
Ghana, in Africa, in the African Diaspora and throughout the world. We
seek papers on individual works, authors and genres as well previously
unpublished creative works.

Obsidian III: Literature in the African Diaspora invites scholars from
all fields to celebrate the 50th anniversary of the independence of Ghana.
 The issue is set for publication in the summer of 2007. When Ghana began
the first African nation to gain it independence from England, it not only
set the stage for the liberation of Africa, but it precipitated cultural
changes across the African Diaspora and, indeed, across the globe. Essays
are solicited the literary and cultural legacy of Ghanaian independence in
Ghana, in Africa, in the African Diaspora and throughout the world. We
seek papers on individual works, authors and genres as well previously
unpublished creative works.

"Post-Millennial Queer Pop Culture and the Construction of Community"
A Panel at the 2007 NEMLA Convention in Baltimore Maryland, March 1-4 2007

This panel seeks papers that explore recent queer pop culture (including tv, film, art, comics, porn, music, theater, the internet) and how this pop culture cultivates and/or constructs community. To what extent do these pop culture products make and/or perpetuate assumptions about queer community? To what extent do they reflect the evolution of a queer community? Papers may examine representations of queer life in mainstream popular culture as long as the papers focus on the depiction of queer community.

Please email 250-300 word abstracts to Andrew Schopp at schoppa_at_ncc.edu.

 
H. G. Wells: New Directions
 
The Annual H. G. Wells Society Conference 23 September 2006
 
 

UDATE: Deadline extended to July 15th, 2006/ new information about keynote
speakers

Pressure to Experiment

A two day international conference on experimentation in contemporary
writing

Organised by the Centre for Contemporary Writing

To be held at the University of Southampton, UK on

28th and 29th September 2006

Keynote speakers:

Michael Davidson

Joan Retallack

Jena Osman

Lisa Jarnot

Caroline Bergvall

Call for Papers: Comparative Approaches to Indigenous Literary Studies

University of Auckland, (NZ) Saturday August 5, 2006.

Closing date for expressions of interest: July 5, 2006=20

The Centre for Cultural Inquiry and the English Department of the
University of Auckland are hosting a one-day symposium on comparative
approaches to indigenous literary and cultural studies. This is the
first time that such a symposium has been offered at the University of
Auckland and we invite you to join us in our discussions and to actively
participate with us in our workshops. There is no registration fee.

Call for Papers: Comparative Approaches to Indigenous Literary Studies

University of Auckland, (NZ) Saturday August 5, 2006.

Closing date for expressions of interest: July 5, 2006=20

The Centre for Cultural Inquiry and the English Department of the
University of Auckland are hosting a one-day symposium on comparative
approaches to indigenous literary and cultural studies. This is the
first time that such a symposium has been offered at the University of
Auckland and we invite you to join us in our discussions and to actively
participate with us in our workshops. There is no registration fee.

Panel: Critically Reading the Films of Todd Solondz

Conference: 2007 NEMLA Convention (March 1-4; Baltimore, MD)

The deadline for submission of abstracts for the 2006 Victorians Institute Conference in Spartanburg, SC, has been extended to June 15. The conference theme is "Gender and Victorian Reform." You may access the call for papers and conference registration form at www.converse.edu/vi

Send paper abstracts to anita.rose_at_converse.edu

Anita R. Rose, Ph. D.
Associate Professor of English
Converse College
580 E. Main St.
Spartanburg, SC 29302

Ph: 864/596-9114

Converse College: The College of Choice for Women

Call for Submissions

Untitled Book Project:

 Essays and Criticism on Contemporary Great Plains/High Plains Poets

Dear Poetry Reader, Scholar, Lover, Writer,

Greg Kosmicki of The Backwaters Press and I both love good poetry criticism
and would like to put together a book of critical articles about Great
Plains/High Plains poetry. Is there enough good criticism of the poets and
poetry of the Great Plains/High Plains out there in America to make a book?
It never hurts to ask.

Call for Submissions

Untitled Book Project:

 Essays and Criticism on Contemporary Great Plains/High Plains Poets

Dear Poetry Reader, Scholar, Lover, Writer,

Greg Kosmicki of The Backwaters Press and I both love good poetry criticism
and would like to put together a book of critical articles about Great
Plains/High Plains poetry. Is there enough good criticism of the poets and
poetry of the Great Plains/High Plains out there in America to make a book?
It never hurts to ask.

International Interdisciplinary Conference

Literature, Culture, and Tolerance
(Lodz, 28 â€" 30th of May, 2007)

Call for Abstracts: Collection of Critical Essays
=20
Narratives of Community: Women's Short Story Sequences
=20
While James Joyce's Dubliners (1926) is often credited as the first short =
story sequence, or collection of linked short stories reading like a =
novel, and while Sherwood Anderson claimed that he had invented the genre =
with Winesburg, Ohio, sequences by Grace King, Grace Sartwell Mason, and =
Sarah Orne Jewett (and likely others) predate them both. Since then, this =
form of narrative has appealed particularly to women writers who often =
use it to negotiate the tensions between individual identity and community.=

Call for Abstracts: Collection of Critical Essays
=20
Narratives of Community: Women's Short Story Sequences
=20
While James Joyce's Dubliners (1926) is often credited as the first short =
story sequence, or collection of linked short stories reading like a =
novel, and while Sherwood Anderson claimed that he had invented the genre =
with Winesburg, Ohio, sequences by Grace King, Grace Sartwell Mason, and =
Sarah Orne Jewett (and likely others) predate them both. Since then, this =
form of narrative has appealed particularly to women writers who often =
use it to negotiate the tensions between individual identity and community.=