all recent posts

CFP: Beckett, Contemporary Art and New Media (6/30/06; 11/9/06-11/10/06)

updated: 
Saturday, May 27, 2006 - 5:28pm
alison syme

18:Beckett
Symposium to be held 9-10 November 2006
Toronto, Canada

The prevalence of Beckettian references and formal strategies in =20
contemporary art, new media and theatre attests to the urgency felt =20
by cultural producers to negotiate his challenging legacy. This =20
symposium will explore recent reinventions of Beckettian themes or =20
strategies, such as repetition, fragmentation, abstraction, =20
absurdity, negativity and humour, in relation to contemporary issues. =20=

CFP: Beckett, Contemporary Art and New Media (6/30/06; 11/9/06-11/10/06)

updated: 
Saturday, May 27, 2006 - 5:28pm
alison syme

18:Beckett
Symposium to be held 9-10 November 2006
Toronto, Canada

The prevalence of Beckettian references and formal strategies in =20
contemporary art, new media and theatre attests to the urgency felt =20
by cultural producers to negotiate his challenging legacy. This =20
symposium will explore recent reinventions of Beckettian themes or =20
strategies, such as repetition, fragmentation, abstraction, =20
absurdity, negativity and humour, in relation to contemporary issues. =20=

CFP: Beckett, Contemporary Art and New Media (6/30/06; 11/9/06-11/10/06)

updated: 
Saturday, May 27, 2006 - 5:28pm
alison syme

18:Beckett
Symposium to be held 9-10 November 2006
Toronto, Canada

The prevalence of Beckettian references and formal strategies in =20
contemporary art, new media and theatre attests to the urgency felt =20
by cultural producers to negotiate his challenging legacy. This =20
symposium will explore recent reinventions of Beckettian themes or =20
strategies, such as repetition, fragmentation, abstraction, =20
absurdity, negativity and humour, in relation to contemporary issues. =20=

CFP: Language Attitudes (7/1/07; collection)

updated: 
Saturday, May 27, 2006 - 5:28pm
Patricia Donaher

Call for Papers on Language Attitudes

I am looking for papers for a possible publication of collected essays on
language attitudes, both historical and contemporary. Possible topics
include but are not limited to the following:

CFP: Language Attitudes (7/1/07; collection)

updated: 
Saturday, May 27, 2006 - 5:28pm
Patricia Donaher

Call for Papers on Language Attitudes

I am looking for papers for a possible publication of collected essays on
language attitudes, both historical and contemporary. Possible topics
include but are not limited to the following:

CFP: Language Attitudes (7/1/07; collection)

updated: 
Saturday, May 27, 2006 - 5:28pm
Patricia Donaher

Call for Papers on Language Attitudes

I am looking for papers for a possible publication of collected essays on
language attitudes, both historical and contemporary. Possible topics
include but are not limited to the following:

CFP: The Medieval World: From the Secular to the Spiritual (10/1/06; 2/24/07)

updated: 
Saturday, May 27, 2006 - 5:27pm
Britt C Rothauser

24th Annual New England Medieval Studies Consortium Graduate Student Conference

University of Connecticut

The Medieval World: From the Secular to the Spiritual
Saturday, February 24, 2007

Plenary Speaker: James Simpson, Harvard University
Professor of English and American Literature and Language; Life Fellow, Girton College Cambridge;
Honorary Fellow, Australian Academy of the Humanities

Abstracts from graduate students are now being accepted on all topics concerning late antiquity through the late Middle Ages. We strongly encourage papers from a variety of disciplines, including:

CFP: The Medieval World: From the Secular to the Spiritual (10/1/06; 2/24/07)

updated: 
Saturday, May 27, 2006 - 5:27pm
Britt C Rothauser

24th Annual New England Medieval Studies Consortium Graduate Student Conference

University of Connecticut

The Medieval World: From the Secular to the Spiritual
Saturday, February 24, 2007

Plenary Speaker: James Simpson, Harvard University
Professor of English and American Literature and Language; Life Fellow, Girton College Cambridge;
Honorary Fellow, Australian Academy of the Humanities

Abstracts from graduate students are now being accepted on all topics concerning late antiquity through the late Middle Ages. We strongly encourage papers from a variety of disciplines, including:

CFP: Tolkien and the Inklings (7/1/06; 9/14/06-9/16/06)

updated: 
Saturday, May 27, 2006 - 5:27pm
kjt9t

The University of Virginia's College at Wise, Medieval-Renaissance Conference
is pleased to announce a call for a panel on JRR Tolkine and the Inklings for
the upcoming Medieval-Renaissance Conference, September 14-16, 2006.

Papers covering all aspects of the works of Tolkien and his peers are welcome,
with special consideration given to papers that discuss their works in
relation to medieval and/or renaissance art, literature, and culture.
Abstracts for papers should be 250-300 words in length and may be submitted
electronically or by snail-mail by July 1 to:

CFP: Tolkien and the Inklings (7/1/06; 9/14/06-9/16/06)

updated: 
Saturday, May 27, 2006 - 5:27pm
kjt9t

The University of Virginia's College at Wise, Medieval-Renaissance Conference
is pleased to announce a call for a panel on JRR Tolkine and the Inklings for
the upcoming Medieval-Renaissance Conference, September 14-16, 2006.

Papers covering all aspects of the works of Tolkien and his peers are welcome,
with special consideration given to papers that discuss their works in
relation to medieval and/or renaissance art, literature, and culture.
Abstracts for papers should be 250-300 words in length and may be submitted
electronically or by snail-mail by July 1 to:

CFP: Tolkien and the Inklings (7/1/06; 9/14/06-9/16/06)

updated: 
Saturday, May 27, 2006 - 5:27pm
kjt9t

The University of Virginia's College at Wise, Medieval-Renaissance Conference
is pleased to announce a call for a panel on JRR Tolkine and the Inklings for
the upcoming Medieval-Renaissance Conference, September 14-16, 2006.

Papers covering all aspects of the works of Tolkien and his peers are welcome,
with special consideration given to papers that discuss their works in
relation to medieval and/or renaissance art, literature, and culture.
Abstracts for papers should be 250-300 words in length and may be submitted
electronically or by snail-mail by July 1 to:

CFP: Image, Sound, & Touch in the Nineteenth Century (7/31/06; collection)

updated: 
Saturday, May 27, 2006 - 5:27pm
Margaret Linley

Call for Papers: Image, Sound, & Touch in the Nineteenth Century (Collection)

We are seeking submissions for a collection of previously unpublished
essays on Image, Sound, and Touch in the Nineteenth Century.

How might the image look if we approach it through the sensations and
technologies of sound and touch? What can the nineteenth century teach us
about the inter-related and remedial qualities of media? In what ways do
we reproduce the apparent ocular-centrism of the nineteenth century in our
current critical practices?

CFP: Image, Sound, & Touch in the Nineteenth Century (7/31/06; collection)

updated: 
Saturday, May 27, 2006 - 5:27pm
Margaret Linley

Call for Papers: Image, Sound, & Touch in the Nineteenth Century (Collection)

We are seeking submissions for a collection of previously unpublished
essays on Image, Sound, and Touch in the Nineteenth Century.

How might the image look if we approach it through the sensations and
technologies of sound and touch? What can the nineteenth century teach us
about the inter-related and remedial qualities of media? In what ways do
we reproduce the apparent ocular-centrism of the nineteenth century in our
current critical practices?

CFP: Image, Sound, & Touch in the Nineteenth Century (7/31/06; collection)

updated: 
Saturday, May 27, 2006 - 5:27pm
Margaret Linley

Call for Papers: Image, Sound, & Touch in the Nineteenth Century (Collection)

We are seeking submissions for a collection of previously unpublished
essays on Image, Sound, and Touch in the Nineteenth Century.

How might the image look if we approach it through the sensations and
technologies of sound and touch? What can the nineteenth century teach us
about the inter-related and remedial qualities of media? In what ways do
we reproduce the apparent ocular-centrism of the nineteenth century in our
current critical practices?

Pages