Accepting Submissions for NeMLA 2027 Roundtable:

In this in-person roundtable conference session, we are looking to open conversation about the unique ways that educators are innovating with forms of gaming, play, and playfulness in the classroom. We are interested in discussing the incorporation of any and all forms of games and gaming, including, but not limited to:
- board, tabletop, and card games
- social deduction games
- tabletop role-playing systems such as Dungeons and Dragons
- invented role-playing scenarios
- gamification of in-class activities
- video and digital games

Abstract / Overview

At its most ambitious, the New Hollywood was a movement intended to cut film free of its evil twin, commerce, enabling it to fly high through the thin air of art. The filmmakers of the '70s hoped to overthrow the studio system, or at least render it irrelevant, by democratizing filmmaking, putting it into the hands of anyone with talent and determination.

Call for Chapter Proposals for an Edited Book

Digital Precarity and Speculative Narratives in the South Asian Context

Labour is deeply intertwined with caste, gender and class in the socioeconomic fabric of India. However, caste and gender are the two factors that remain ignored in this discourse. In the Hindu social order, the caste system assigns vocations through arbitrary hierarchy, producing pernicious structures of marginalisation. Labour performed by Dalits is often stereotyped through casteist assumptions that naturalise certain kinds of work as “belonging” to these peripheral communities. These stereotypes that are perpetuated historically, culturally and socio-politically, are furthered through mechanisms of caste that operate in the material and affective realms. 

Call for Papers
NeMLA 2027 Annual Convention
Rethinking the Fantastic: Impossibility, Ontology, and Alternative Realities

What makes a text fantastic? While traditional definitions often emphasize the supernatural or the uncanny, many literary works generate the fantastic through impossibility itself. Impossible worlds, contradictory realities, unstable identities, infinite spaces, and paradoxical temporalities challenge readers' assumptions about reality and invite new ways of understanding existence.

As Sidonie Smith and Julia Watson argue, “autobiographical storytelling is a performative act through which narrators construct rather than simply describe selves.” In recent times, “life writing” has become a familiar term in literary and cultural studies, encompassing a range of written texts, including autobiographies, biographies, letters, memoirs, slave narratives, prison narratives, captivity narratives, travel narratives, confessionals, conversion narratives and even in recent times, personal diaries. However, rather than remain transparent records of lived experience, life writings actively shape identities, produce historical knowledge, preserve cultural memory, and intervene in social and political worlds.

The Southern Humanities Conference, 2027

Call for Papers

Conference Theme: Divergence, Convergence, Emergence

Knoxville, TN, January 28-31, 2027

The Southern Humanities Conference offers an opportunity for scholars, artists, writers, musicians, performers, and humanists of all kinds to share their knowledge, research, work, and experiences in an interdisciplinary, welcoming, and engaging intellectual space.

Ecocriticism and Representations of the Sea in the Arts in Portugal

5 and 6 November 2026

Call for Papers

Special issue on the « Contemporaneities of Indigenous Poetry in the United States »

Edited by Aurore Clavier (U. Paris Cité), Mathilde Louette (U. Paris Cité) and Baptiste Rembert (Sorbonne U.)

ARGUMENT:

Masculinity in Crisis: Hegemony, Marginality, and Aesthetics of Failure in the Arts

In recent decades, the paradigm of masculinity has been increasingly problematized and challenged in the fields of social sciences, cultural studies, gender and queer studies (Connell 1995). Far from being stable or universally applicable, the colossal stature of masculinity has emerged as a space traversed by tensions, counter-narratives, fractures, and processes of symbolic delegitimization.

Anglica Wratislaviensia 65.2/2027

Anglica Wratislaviensia invites scholarly submissions for its forthcoming issue, which focuses on Anglophone literary and cultural studies and related interdisciplinary fields. While the journal's scope encompasses linguistics, translation studies, and language teaching methodology, this issue welcomes contributions in literary and cultural studies specifically. We seek rigorous, critically engaged work that brings together diverse critical traditions and perspectives from around the world. Comparative and methodologically innovative contributions are particularly welcome.

Submission Guidelines

Delta Ecologies asks how delta worlds are shaped by water’s movement, land’s instability, infrastructural promises, and the public stories through which communities remember loss, claim responsibility, and imagine survival. This issue begins from the Bengal-Gangetic world--especially the Ganges-Brahmaputra-Meghna delta, where river systems meet the Bay of Bengal--but it treats the delta not simply as a vulnerable climate zone. It understands the delta as a public world where environmental change becomes a matter of shared interpretation, memory, and responsibility.

Who owns mythological creatures? What do they do in modern literature? Based on the reemerging prevalence of mythological influences in popular culture – cf. Madeline Miller, Jennifer Saint, Rick Riordan, etc. – it can be read that monstrosity is having a cultural renaissance and reimagining. With new interpretations and uses of mythology, what happens when a lens of modern feminist or queer theory is applied to these stories?

CFP for NeMLA 2027 Conference

Virtual Only Panel

Oral Community Knowledge as Antidote for Empire in Anglophone Literature

OMNIALANG: International Journal of Language Continuum (Omnia-LC) invites original, unpublished manuscripts for Volume 1, Issue 2.

Omnia-LC is an international, peer-reviewed, open-access journal dedicated to advancing interdisciplinary scholarship on language, literature, linguistics, translation, education, and related fields. The journal welcomes innovative theoretical, empirical, and methodological contributions that deepen our understanding of language and its diverse cultural, social, and literary contexts.

We welcome submissions in (but not limited to) the following areas:

Media, Press Freedom, and Cultural Production in an Authoritarian Age (Submission Deadline Extended, Now July 19, 2026)

CFP: Media, Press Freedom, and Cultural Production in an Authoritarian Age

 Co-sponsored by the Union for Democratic Communications, Project Censored and the Park Center for Independent Media

Oct. 23-24, 2026

Ithaca College, Ithaca, NY

Repetition governed the rhythms of early modern life through the practices of liturgy and prayer, the rote drills of grammar-school pedagogy, the iterative logic of print, and the rhetorical schemes (anaphora, epistrophe, ploce, tautology) that early modern writers were trained to use. Repetition could consolidate memory and community, generate affect, structure devotion, or signal decorum. Yet it could also misfire—becoming tedious, compulsive, alienating, or a mark of failure, excess, or exclusion. This panel asks what repetition did in early modern literature and culture, and for whom, treating it simultaneously as a stylistic device and a lived cultural practice.

How does lyric address create forms of relation across difference? This panel invites papers examining the intersections of poetry, lyric address, and peacebuilding, with particular attention to coexistence, care, responsibility, witness, repair, and collective life.

Northeast Modern Language Association 58th Annual Convention, Newport, RI, March 6-9, 2027 (Salve Regina University)

Deadline for abstract submissions: September 30, 2026 

Please submit abstracts via the NeMLA portal: https://cfplist.com/nemla/User/SubmitAbstract/22533

Philip Kan Gotanda’s play Yankee Dawg You Die centers a conflict between two Asian American actors. The aging Vincent Chang built his career playing bumbling Japanese soldiers and one-dimensional Asian stereotypes in classic Hollywood. He’s confronted by the up-and-coming Bradley Yamashita, who insists that Asian (American) characters should be played with dignity and accuracy. The heart of the play is an ambivalence about Asian (American) representation and whether viewers should sympathize with Chang for taking the only acting jobs available or with Yamashita in his condemnation of the racist roles—or with both.

Editors: Ruth V. Gross, Peter Beicken & Gernot Wimmer

Publisher: Brill

Theme: The Kafkaesque

CFP Reminder:

Special Session: Cultural Patrimony in Wartime: Destruction, Protection, and the Question of Ruling Classes

123rd Annual Conference, Seattle, Washington / Pacific Ancient and Modern Language Association (PAMLA)

Submission process:
Please send a 300-word abstract and a short bio (100 words) to amazuet@stanford.edu.

Final extended submission deadline: July 15, 2026.

This virtual seminar takes its inspiration from Saidiya Hartman’s citation of the Greek etymology of the word chorus: “to dance within an enclosure.” For Hartman, the chorus also furnishes a paradigm for thinking—to play on Jean-Luc Nancy’s notion—Black (non)being singular plural. In Wayward Lives, Hartman suggests that any of the minor figures can stand in for the others, not as a claim of homogeneity, but rather as a contention that their singularity can be read as paradigmatic of waywardness—in its queer heterogeneity—in general. The chorus of black femme and queer youth is thus at once a singular plurality and a plural singularity as they make beautifully riotous lives within the enclosure of social death.

How do medieval texts and artistic traditions conceptualize peace, forgiveness, mediation, and reconciliation? This virtual session invites papers exploring the representation of conflict resolution across literary, visual, religious, legal, and historical materials from the medieval world.

Contributions may examine emotional, political, spiritual, or communal dimensions of reconciliation, as well as tensions between violence and peace-making in narrative and artistic forms. Comparative and interdisciplinary approaches are especially welcome.

Call for Papers

Imagining the Global Past:
Antiquities, Early Modernities, and the Humanities Today

Research Symposium, May 17–18, 2027

University of Washington Division of the Humanities

Keynote Speakers: Russ Leo (Princeton, English Literature) and Andrew Hui (National University of Singapore, Comparative Literature and Sinology)

Organizer: Rhema Hokama (University of Washington, English Literature and Religious Studies)