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Special Issue: ‘Sounding South Asia: From Silence to Noise’

updated: 
Wednesday, October 26, 2022 - 12:12am
The Soundtrack (Journal) Intellect Books
deadline for submissions: 
Monday, October 31, 2022

For Don Ihde, as long as humans find themselves living in and breathing through air, sound becomes, for them, an existential singularity. In fact, this air itself, Ihde continues, is ‘not neutral or lifeless’ but finds animation in and with ‘sound and voice’. It is, finally, this vibrant tract of air (for what else is sound?) which relates and marks the human in its existential prospects by not only producing an ambience of the world but also, simultaneously, being subjected to reciprocal manipulation by humans who invariably seek constructive teleologies.

Reminder: New Perspectives on the Metal Gear Solid Series

updated: 
Tuesday, October 25, 2022 - 4:45pm
Steven Kielich and Chris Hall
deadline for submissions: 
Thursday, December 1, 2022

Call for Chapter Proposals: New Perspectives on the Metal Gear Solid Series (edited collection)

 

Editors: Steven Kielich (University at Buffalo) and Chris Hall (University of the Ozarks)

 

In 2015, Hideo Kojima and his company Kojima Productions split from Konami after the release of Metal Gear Solid V: The Phantom Pain. Kojima’s departure from Konami marked an unfortunate, but understandable, end to the Metal Gear Solid series. Now, in this “post-Phantom Pain” era, it has become both possible and essential to make a retrospective study of the critically, commercially, and culturally resonant series that was Metal Gear Solid.

Horses in Film: 4 Volumes by Decade

updated: 
Tuesday, October 25, 2022 - 12:10am
University of Southern Mississippi
deadline for submissions: 
Tuesday, March 14, 2023

These edited collections are part of the upcoming series Equine Creations: Imagining Horses in Literature and Film.

The scope of the present call is broad. All topics regarding the themes and impact of horses in film will be considered. 

1) Horses in Film Through the 1950s

2) Horses in Film in the 1960s and 1970s

3) Horses in Film in the 1980s and 1990s

4) Horses in Film since 2000

 

Deadline for proposals: February 14, 2023

First Draft deadline: August 15, 2023

How to submit your proposal

Illusion & Delusion: Boston University Romance Studies Graduate Student Conference

updated: 
Monday, October 24, 2022 - 2:59pm
Illusion & Delusion / Boston University Romance Studies Graduate Student Conference
deadline for submissions: 
Friday, February 10, 2023

BU Romance Studies Graduate Student Conference 

Call For Papers: Illusion & Delusion 

From the Coronavirus pandemic to the Russo-Ukrainian War, researchers are arguably more aware now than ever of their presence at the crossroads of perceived and misconstrued conflicts. The  global political and ecological crises that confront us are strongly linked to imperialism, colonization, capitalism, and exploitation of resources. Literature and film offer pathways to explore global conflict and as a result - whether on the page or the screen - lines are blurred between what is real and what is perceived. 

Perry Mason and The Case of America’s Favorite Lawyer

updated: 
Monday, October 24, 2022 - 11:40am
Elizabeth Erwin & Dawn Keetley
deadline for submissions: 
Sunday, January 8, 2023

Erle Stanley Gardner’s Perry Mason has been a vibrant part of the cultural conversation for nearly 90 years. The titular trial lawyer with a penchant for detective work first debuted in the novel The Case of the Velvet Claws (1933), setting in motion a publishing streak that would eventually become the third best selling series of all time. Successful radio, film, and television adaptations soon followed, solidifying the character’s presence within the cultural lexicon. Indeed, Perry Mason’s crossover appeal demonstrates a cultural importance that transcends medium and generational divide.

17th International Connotations Symposium: “And this gives life to thee” - Textual Reasons for Canonicity

updated: 
Monday, October 24, 2022 - 1:11am
Connotations: Society for Critical Debate
deadline for submissions: 
Wednesday, November 30, 2022

Recent debates on canonicity have focused on how canons are a product of social and historical conditions as well as of reception. Texts become canonical when they are felt to embody the spirit of an age or to voice concerns considered universal at a particular moment. But what about the texts themselves? Can any text become canonical in any way? Or are there any specific textual reasons for such an elevated status? This latter question is what our symposium wishes to address.

4th Singapore Literature Conference

updated: 
Sunday, October 23, 2022 - 10:36pm
Poetry Festival Singapore
deadline for submissions: 
Monday, October 31, 2022

Organised by Poetry Festival Singapore, the Singapore Literature Conference is slated to take place on 29 July 2023 (Saturday). The conference, currently in its fourth year, is now calling for abstracts of papers that are in any way related to the theme of "Sojourners." The deadline for submissions is 31 October 2022 (Monday).

When There is Nothing More to Say. – Silence – The Dissolution of Meaning

updated: 
Sunday, October 23, 2022 - 4:58pm
ACLA 2023
deadline for submissions: 
Monday, October 31, 2022

“Silence is constituted by the absence of words but is therefore and simultaneously the presence of their absence” (The language of Silence. Schlant, Ernestine).  

There will always come that specific moment, – and then there is silence. Many great thinkers and artists reached a point, after their most productive phase where they had become silent, and silence exists as a decision and punishment.

Wittgenstein concluded, “Whereof one cannot speak, thereof one must be silent.”

Call for Contributions Edited Volume "Women Who Write Animals"

updated: 
Sunday, October 23, 2022 - 4:57pm
Lorraine Kerslake / University of Alicante
deadline for submissions: 
Friday, December 23, 2022

Contributions are sought for a volume that seeks to rethink and recover the history and future of English-speaking female authors who wrote about animals (as scientists, popularizers, storytellers, novelists and poets) from the late eighteenth to the early twenty-first century. We seek to explore the question of how female writers conceive nature and represent animals from a feminist perspective by examining their role in the reconstruction of nature and looking at how they represent non-human animals and their/our relationship with them. The collection aims to pay tribute to what Anglophone female writers did in the name of nature and local wildlife by recovering their contributions and reviewing history.

BL: Queer Vernaculars in World Literature (ACLA 2023)

updated: 
Sunday, October 23, 2022 - 4:52pm
Alvin K. Wong
deadline for submissions: 
Monday, October 31, 2022

This seminar proposes a collaborative theorization of Boys Love (BL), a transnational Asian media phenomenon conventionally associated with adolescent heterosexual female fan subcultures who create, consume, and circulate content depicting male-male romance and sexuality. We invite papers that theorize BL as vernacular forms of world literature with a reach beyond their targeted demographics to unsettle norms of gender and sexuality across national, linguistic, and cultural borders.

The “Safe Animal” Sensibility - ACLA 2023

updated: 
Sunday, October 23, 2022 - 4:51pm
Jiwon Rim and Yea Jung Park
deadline for submissions: 
Monday, October 31, 2022

This panel invites discussions on the contemporary politics of the “safe animal” in literature and media—in all the registers and valences of “safe.” An overworked but underexplored cultural trope, safe animals are constantly in demand across various forms of popular media: animal memes and pet-related small talk are the safest conversation starters, “cute” cat pictures always promise to comfort, and ample cultural scaffolding is in place to help us stick to animals that are safe. For example, the website Does the Dog Die, a crowdsourced platform for “emotional spoilers” about movies and other popular media, promises to protect viewers from “upsetting” material including the death of animals.

Queer Studies Conference (Asheville NC)

updated: 
Sunday, October 23, 2022 - 4:50pm
Queer Studies Conference
deadline for submissions: 
Tuesday, November 15, 2022

Confernce Theme
Blooming: Metamorphoses and Seasons of Queerness

Nothing stays static in the natural world. The cold and dead of winter gives way to the green shoots of spring, which flower out in summer’s long, warm days, only to wither and fall as the end of the year comes again. In this age of cold-hearted and unenlightened legislators attacking trans rights, a false spring of marriage equality, and (somewhat) greater representation in popular culture, we wonder what season are we in today as queer and trans people? How can we bloom in an ever-changing world and shape those changes to promote better, more just, and warmer-hearted treatment for all?

The Short Story's Global Dimensions

updated: 
Sunday, October 23, 2022 - 4:49pm
Gavin Jones / Stanford University
deadline for submissions: 
Monday, October 31, 2022

***CALL FOR PAPERS***

The Short Story’s Global Dimensions

 

A Seminar at the American Comparative Literature Association Annual Meeting, Chicago, March 16-19 2023. Organizers: Gavin Jones (grjones@stanford.edu) and Mike Collins (michael.collins@kcl.ac.uk).

 

The Gay return: Queer Representation revisits, challenges, and new directions.

updated: 
Sunday, October 23, 2022 - 4:48pm
Sarah Baker Auckland University of Technology
deadline for submissions: 
Thursday, December 22, 2022

It has been around 40 years since Vito Russo wrote the pioneering book The Celluloid Closet (1981) that catalogued the long painful history of gay representation in Hollywood film. The Celluloid Closet was produced during the AIDS epidemic and was one of many texts that drew attention to the lack of gay representation both before the 1980s and catalogued the changes that were occurring in gay media representation at the time. Lesbian representation has been historically represented by invisibility though was also impacted by the change in representation that the AIDS epidemic started. Gay male representation was always problematic while lesbians were invisible and heavily affected by the stigma of AIDS at this time.

"Pornography, Propaganda, Representation"

updated: 
Sunday, October 23, 2022 - 4:47pm
ACLA
deadline for submissions: 
Monday, October 31, 2022

This seminar investigates “pornography” and “propaganda” as two categories that attempt to set boundaries around acceptable language. They work as genre designations as often as they work as aesthetic judgements and denunciations. When an object, a picture, or a text is accused of being pornographic or propagandistic, it stands accused of using representational force in an unacceptable way – too direct, too explicit, too symbolic, too something to accord with the idealized sincerity and critical openness of acceptable, normal, or mainstream discourse, of speech that should be unquestionably “free.” 

AlterNative: An International Journal of Indigenous Peoples

updated: 
Sunday, October 23, 2022 - 4:44pm
AlterNative
deadline for submissions: 
Wednesday, March 22, 2023

AlterNative: An International Journal of Indigenous Peoples
Call for Papers: Indigenous Modernities
Link: http://www.alternative.ac.nz
Indigenous societies around the world are reimagining themselves, foregrounding elements of historic and/or traditional cultures and emphasizing their ‘indigeneity’. Within the context of Western modernities and urbanization, indigenous identities are being renewed or reconstructed and new conceptions of the indigenous self are emerging.

National Virtual Conference on Contemporary Readings in Literature, Arts and Aesthetic

updated: 
Sunday, October 23, 2022 - 4:39pm
Centre for Integrated Social Development and Research (CISDR)
deadline for submissions: 
Monday, October 31, 2022

This National Virtual Conference on Contemporary Readings in Literature, Arts and Aesthetics is an academic platform for meaningful dialogue and discussion on the aesthetic reflections in our socio-cultural, literary and political life. The conference is a joint venture and the following academic institutions areactively taking part in this event:

 

OUR COLLABORATING INSTITUTIONS:

 

James Baldwin Review, Vol 9 (2023)

updated: 
Sunday, October 23, 2022 - 4:37pm
James Baldwin Review
deadline for submissions: 
Monday, January 16, 2023

James Baldwin Review Volume 9 (2023) CFP

 

James Baldwin Review (JBR), an annual peer-reviewed journal, is seeking submissions for its ninth volume. An online, open access publication, James Baldwin Review brings together a wide array of peer-reviewed critical and creative non-fiction on the life, writings, and legacy of James Baldwin. JBR publishes essays that invigorate scholarship on James Baldwin, catalyse explorations of the literary, political, and cultural influence of Baldwin’s writing and political activism, and deepen our understanding and appreciation of this complex and luminary figure.

 

Inclusive Fantasy

updated: 
Sunday, October 23, 2022 - 4:37pm
Camille D. G. Mustachio, McFarland and Company
deadline for submissions: 
Friday, December 9, 2022

The vast worlds of fantasy fiction often mirror our own. Through this mirror, readers may reflect on their values when they see real-world problems staged in speculative spaces. As a result, fantasy has the power to open the boundaries of pedagogy for today’s students, especially when learning through a Diversity, Equity, and Inclusion (DEI) lens. This ground-breaking, edited essay collection published by McFarland and Company will take two crucial paths: one that celebrates critical analyses educators and scholars can use to empower students and readers, and another that inspires fans and gamers to be more civically engaged with the texts they consume and communities they inhabit.

 

‘I wished to tell the truth’: Anne Brontë at 200, a Special Issue of Brontë Studies

updated: 
Sunday, October 23, 2022 - 4:35pm
Brontë Studies
deadline for submissions: 
Thursday, December 15, 2022

Brontë Studies is delighted to announce that it is hosting a Special Issue to celebrate the life and work of Anne Brontë. Led by articles emerging from the Brontë Society’s conference, ‘I wished to tell the truth’: Anne Brontë at 200 that was originally scheduled for 2020 but, due to the pandemic, was reorganised and held online in 2021, the Special Issue presents an ideal opportunity to challenge the long-held perception that the youngest Brontë sibling was the least talented and lacked the genius of her sisters. With Anne Brontë’s marginalisation in mind, potential topics for articles to be explored could include, but are not limited to, the following:

CFP: Journal of American Studies of Turkey (JAST), Spring 2023 General Issue

updated: 
Sunday, October 23, 2022 - 4:34pm
Journal of American Studies of Turkey
deadline for submissions: 
Saturday, December 31, 2022

An international biannual print and online publication of the American Studies Association of Turkey, the Journal of American Studies of Turkey operates with a double-blind peer review system and publishes work (in English) on American literature, history, art, music, film, popular culture, institutions, politics, economics, geography and related subjects.
The Editorial Board welcomes articles which cross conventional borders between academic disciplines, as well as comparative studies of the United States. 

Zombie Studies Network Conference

updated: 
Sunday, October 23, 2022 - 4:33pm
Ulster University/Zombie Studies Network
deadline for submissions: 
Monday, December 5, 2022

THE ZOMBIE STUDIES NETWORK IS EXCITED TO ANNOUNCE OUR UPCOMING ZOMBIE CONFERENCE FOR HALLOWEEN, 2023. HOSTED BY ULSTER UNIVERSITY IN NORTHERN IRELAND,  THE CONFERENCE COINCIDES WITH THE DERRY HALLOWEEN FESTIVAL, EUROPE'S LARGEST HALLOWEEN FESTIVAL.

ACLA 2023: Memory in the Movies and TV Series (Chicago, March 16-19, 2023)

updated: 
Sunday, October 23, 2022 - 4:31pm
ACLA
deadline for submissions: 
Monday, October 31, 2022

Following the success of its previous ACLA seminar “Stories of Memory in the 21st Century” in 2022, this seminar invites paper proposals to discuss how memory is represented and imagined diversely in the movies and TV series from different cultural contexts. Living in an age saturated with memory and forgetting, we see the protagonists unsettled by their lost memory in films such as Memento (2000), The Bourne Identity (2002), The Girl On the Train (2015), etc.. These amnesic protagonists, haunted by déjà vu they can never make sense of, often experience trauma and violence. Their attempts to repeat or re-enact the past complicate one’s understanding of temporalities as well as their identity.

CFP REMINDER - Humanities Bulletin 5.2 November 2022

updated: 
Sunday, October 23, 2022 - 4:31pm
Humanities Bulletin/London Academic Publishing, UK
deadline for submissions: 
Wednesday, October 26, 2022

Humanities Bulletin Journal - Call for papers
Submission Deadline: October 25, 2022
Vol. 5, No. 2 - November, 2022

ISSN 2517-4266

Humanities Bulletin is a multidisciplinary peer-reviewed Journal which features original studies and reviews in the various branches of Humanities, including History, Literature, Philosophy, Arts.
This journal is not allied with any specific school of thinking or cultural tradition; instead, it encourages dialogue between ideas and people with different points of view. Our aim is to bring together different international scholars, in order to promote the dialogue between cultures, ideas and new academic researches.
The Journal is hosted by London Academic Publishing, London, UK.

Literature, Politics, and Society

updated: 
Sunday, October 23, 2022 - 4:29pm
Michael Blouin / PCA/ACA
deadline for submissions: 
Tuesday, December 20, 2022

Call for papers on any topic dealing with literature, politics, and society.

ACLA 2023 seminar: Imperial Mobilities: 20 and 21st-Century “Auto-fictions”

updated: 
Sunday, October 23, 2022 - 4:28pm
Columbia University
deadline for submissions: 
Monday, October 31, 2022

Theorists like Henri Lefebvre (1968), Guy Debord (1981), and John Urry (2004) have long drawn attention to the shifting social and cultural significance of the automobile. In the US, Paul Gilroy argues,“Cars emerged as a potent presence in the newly imperial nation’s potent fantasies of metropolitan order, commerce, and reform” (Gilroy 2010, 33).

VLT #93: Reconsidering Mass Media

updated: 
Sunday, October 23, 2022 - 4:27pm
The Velvet Light Trap
deadline for submissions: 
Tuesday, January 31, 2023

VLT #93: Reconsidering Mass Media

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