Call for papers

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Special issue of the Journal of the Short Story in English.
Les Cahiers de la Nouvelle

on the Short Stories of Virginia Woolf

to appear at Presses Universitaires d'Angers in 2008

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Papers (15-20 minutes) are invited for the Interdisciplinary
19th-century studies session of the Pacific Ancient and Modern Language
Association (the west coast MLA) conference, meeting Nov 2-3, 2007 at
Western Washington University in Bellingham, WA. Send a 1-2 page
(double-spaced) proposal to Prof. Victoria Myers by March 1, 2007:
victoria.myers_at_pepperdine.edu. Inquiries are welcome.

The Lillian Hellman Society seeks papers for a panel to be proposed
for the American Literature Association Conference May 24-27, 2007 in
Boston. Papers addressing any aspect of Hellman's writing or life are
welcome.

Submit abstracts of 250-500 words by January 20 to Kelly Reames @
kelly.reames_at_wku.edu

Kelly Reames
Assistant Professor
English Department
Western Kentucky University
1906 College Heights Blvd., #11086
Bowling Green, KY 42101-1086
270-745-5779

Pacific Coast Philology, the journal of the West Coast regional MLA,
invites submissions in any area of scholarship in the classical and
modern languages and literatures for its fall 2007 issue. Essays of
4,500-8,000 words should be submitted by 1/15/07 in triplicate hard copy
to Prof. Victoria Myers, Humanities Div., Pepperdine Univ., 24255
Pacific Coast Highway, Malibu, CA 90263-4225. Pacific Coast Philology
is a peer-reviewed journal, indexed in the MLAIB and ABELL and archived
on J-STOR. Publication takes place within six months of acceptance.
Queries to victoria.myers_at_pepperdine.edu.

Call for Papers-Transgressive/Exploitation/Trash/Horror/Experimental Cinema Extended Deadline

Southwest/Texas Popular & American Culture Associations 28th Annual
Conference

The Area chair is seeking paper submissions and presentations on ANY aspect of Transgressive/Exploitation/Trash/Horror Cinema All proposals considered.

According to one critic, Transgressive cinema is film that pushes the envelope to the point of tearing it. Films, which are sometimes disturbing in tone, but still may have significant value. A Transgressive film may also just be exploitive trash as well. Certain horror films can also be considered “Transgressive.” One could also put some experimental films in this category.

   
  Whose Play is it Anyway?:
                 Translations/Adaptations/Versions
In a very real sense, every live staging of a printed play could theoretically be considered an adaptation in its performance.

CALL FOR PAPERS

Entralogos: Romance Studies Graduate Conference 2007
Feb. 9-10, 2007
Cornell University

Enamored, Romanized, Romanced: Spells of "Romance"

UPDATE: Confirmed keynote: Sterling Professor of French Howard Bloch
(Yale) will be speaking on French literature. Other keynotes pending.

*UPDATE FOR CFP -- "Black People Don't Read": An Analysis of the Role
Literacy, Reading, and Writing in African American Culture *

CALL FOR PAPERS

Entralogos: Romance Studies Graduate Conference 2007
Feb. 9-10, 2007
Cornell University

Enamored, Romanized, Romanced: Spells of "Romance"

UPDATE: Confirmed keynote: Sterling Professor of French Howard Bloch
(Yale) will be speaking on French literature. Other keynotes pending.

61st Annual Rocky Mountain Modern Language Association Conference
Calgary, Canada at the Westin Calgary Hotel
October 4-6, 2007

CFP "Recontextualized Images" (grad) (1/5/07;
(dis)junctions, 4/6/07-4/7/07)

CFP "Recontextualized Images" (grad) (1/5/07;
(dis)junctions, 4/6/07-4/7/07)

CFP "Recontextualized Images" (grad) (1/5/07;
(dis)junctions, 4/6/07-4/7/07)

Art and Life in Aestheticism: De-Humanizing and Re-Humanizing Art, the Artist,
and the Artistic Receptor (Edited Collection, under contract with Palgrave
Macmillan):

I am seeking 2-3 additional chapters (approximately 20 double-spaced pages
each) to fill some gaps in an edited collection that considers the extent to
which art for art's sake can be viewed as an attempt to re-humanize (rather
than merely de-humanize) art, the artist, and the artistic receptor.