|
a service provided by www.english.upenn.edu |
FAQ changelog |
all recent posts
CALL FOR PAPERS, PRESENTATIONS, PANELS AND PARTICIPANTS
THE JOINT JOURNALISM HISTORIANS CONFERENCE
(The American Journalism Historians Association and the AEJMC History Division joint spring meeting)
When: SATURDAY, MARCH 24, 2007
Time: 8:30 AM to 5:00 PM
Place: Kimball Hall, New York University, 246 Greene Street, New York, NY
Cost: $40
Call for papers for ASA panel on the histories of race and pragmatism
American Studies Association Annual Meeting, October 11-14, 2007,
Philadelphia, PA
Call for papers for ASA panel on the histories of race and pragmatism
American Studies Association Annual Meeting, October 11-14, 2007,
Philadelphia, PA
CALL FOR PAPERS, PRESENTATIONS, PANELS AND PARTICIPANTS
THE JOINT JOURNALISM HISTORIANS CONFERENCE
(The American Journalism Historians Association and the AEJMC History Division joint spring meeting)
When: SATURDAY, MARCH 24, 2007
Time: 8:30 AM to 5:00 PM
Place: Kimball Hall, New York University, 246 Greene Street, New York, NY
Cost: $40
Call for papers for ASA panel on the histories of race and pragmatism
American Studies Association Annual Meeting, October 11-14, 2007,
Philadelphia, PA
CALL FOR PAPERS, PRESENTATIONS, PANELS AND PARTICIPANTS
THE JOINT JOURNALISM HISTORIANS CONFERENCE
(The American Journalism Historians Association and the AEJMC History Division joint spring meeting)
When: SATURDAY, MARCH 24, 2007
Time: 8:30 AM to 5:00 PM
Place: Kimball Hall, New York University, 246 Greene Street, New York, NY
Cost: $40
Deadline Extended to January 15, 2007!
What's Avant-Garde About the Avant-Garde?
The Fourth Annual Interdisciplinary Jazz Studies Colloquium
University of Kansas
March 30-31, 2007
Deadline Extended to January 15, 2007!
What's Avant-Garde About the Avant-Garde?
The Fourth Annual Interdisciplinary Jazz Studies Colloquium
University of Kansas
March 30-31, 2007
Deadline Extended to January 15, 2007!
What's Avant-Garde About the Avant-Garde?
The Fourth Annual Interdisciplinary Jazz Studies Colloquium
University of Kansas
March 30-31, 2007
Deadline Extended to January 15, 2007!
What's Avant-Garde About the Avant-Garde?
The Fourth Annual Interdisciplinary Jazz Studies Colloquium
University of Kansas
March 30-31, 2007
CFP: Gothic Science Fiction (graduate) (UK) (1/31/07; 4/28/07)
Organised by the School of Creative Industries, Napier University, Edinburgh, UK.
This one-day conference looks to bring together graduate students and early career researchers to discuss science fiction with a gothic slant. We invite short (20 minute) paper proposals focusing on identifying, untangling, or savouring gothic elements in science fiction, both past and present, and across a range of media - written texts, film, graphic novels, and visual media are all invited.
CFP: Gothic Science Fiction (graduate) (UK) (1/31/07; 4/28/07)
Organised by the School of Creative Industries, Napier University, Edinburgh, UK.
This one-day conference looks to bring together graduate students and early career researchers to discuss science fiction with a gothic slant. We invite short (20 minute) paper proposals focusing on identifying, untangling, or savouring gothic elements in science fiction, both past and present, and across a range of media - written texts, film, graphic novels, and visual media are all invited.
CFP: Gothic Science Fiction (graduate) (UK) (1/31/07; 4/28/07)
Organised by the School of Creative Industries, Napier University, Edinburgh, UK.
This one-day conference looks to bring together graduate students and early career researchers to discuss science fiction with a gothic slant. We invite short (20 minute) paper proposals focusing on identifying, untangling, or savouring gothic elements in science fiction, both past and present, and across a range of media - written texts, film, graphic novels, and visual media are all invited.
CFP: Gothic Science Fiction (graduate) (UK) (1/31/07; 4/28/07)
Organised by the School of Creative Industries, Napier University, Edinburgh, UK.
This one-day conference looks to bring together graduate students and early career researchers to discuss science fiction with a gothic slant. We invite short (20 minute) paper proposals focusing on identifying, untangling, or savouring gothic elements in science fiction, both past and present, and across a range of media - written texts, film, graphic novels, and visual media are all invited.
The Ninth Annual Conference of the Marxist Reading Group
Moments of Futurity: From Present Conditions to Material(izing)
Horizons
Keynote Speaker: Fredric Jameson
March 29-31 at the University of Florida
==========================================================
From the Literary Calls for Papers Mailing List
CFP_at_english.upenn.edu
Full Information at
http://cfp.english.upenn.edu
or write Jennifer Higginbotham: higginbj_at_english.upenn.edu
==========================================================
Received on Sat Jan 06 2007 - 17:59:01 EST
==========================================================
From the Literary Calls for Papers Mailing List
CFP_at_english.upenn.edu
Full Information at
http://cfp.english.upenn.edu
or write Jennifer Higginbotham: higginbj_at_english.upenn.edu
==========================================================
Received on Sat Jan 06 2007 - 17:59:01 EST
Teaching Toni Morrison
Calls for Papers
Midwest Modern Language Association
8-11 November 2007
Cleveland
This panel seeks papers that address pedagogical responses to Toni Morrison. Proposals should
explore/discuss the following issues:
·Representations of black male masculinity
·Sexuality
·Whiteness
·Class difference
·Gender
·Community
·Canon formation: Where do we situate Morrison in the teaching of American and/or African-American
literatures?
Email 200 word abstracts, full-length papers, or questions by March 31, 2007 to:
Melissa Daniels
PhD Student
Department of English,
Northwestern University
m-daniels_at_northwestern.edu
CALL FOR PAPERS
Documentation, Demonstration, Dematerialization:
American Art and Cinema of the Late 1960s and 1970s
Keynote address by J. Hoberman, cultural critic & author
April 27-28, 2007 (rescheduled from November 2006)
University of California, Berkeley
The late 1960s and 1970s mark a period of dramatic change in the visual
culture of the United States, from avant-garde art and filmmaking
practices to documentary, Hollywood cinema, and the dissemination of
video. This is, after all, the period when:
CALL FOR PAPERS
Documentation, Demonstration, Dematerialization:
American Art and Cinema of the Late 1960s and 1970s
Keynote address by J. Hoberman, cultural critic & author
April 27-28, 2007 (rescheduled from November 2006)
University of California, Berkeley
The late 1960s and 1970s mark a period of dramatic change in the visual
culture of the United States, from avant-garde art and filmmaking
practices to documentary, Hollywood cinema, and the dissemination of
video. This is, after all, the period when:
==========================================================
From the Literary Calls for Papers Mailing List
CFP_at_english.upenn.edu
Full Information at
http://cfp.english.upenn.edu
or write Jennifer Higginbotham: higginbj_at_english.upenn.edu
==========================================================
Received on Sat Jan 06 2007 - 17:59:01 EST
Teaching Toni Morrison
Calls for Papers
Midwest Modern Language Association
8-11 November 2007
Cleveland
This panel seeks papers that address pedagogical responses to Toni Morrison. Proposals should
explore/discuss the following issues:
·Representations of black male masculinity
·Sexuality
·Whiteness
·Class difference
·Gender
·Community
·Canon formation: Where do we situate Morrison in the teaching of American and/or African-American
literatures?
Email 200 word abstracts, full-length papers, or questions by March 31, 2007 to:
Melissa Daniels
PhD Student
Department of English,
Northwestern University
m-daniels_at_northwestern.edu
Teaching Toni Morrison
Calls for Papers
Midwest Modern Language Association
8-11 November 2007
Cleveland
This panel seeks papers that address pedagogical responses to Toni Morrison. Proposals should
explore/discuss the following issues:
·Representations of black male masculinity
·Sexuality
·Whiteness
·Class difference
·Gender
·Community
·Canon formation: Where do we situate Morrison in the teaching of American and/or African-American
literatures?
Email 200 word abstracts, full-length papers, or questions by March 31, 2007 to:
Melissa Daniels
PhD Student
Department of English,
Northwestern University
m-daniels_at_northwestern.edu
Teaching Toni Morrison
Calls for Papers
Midwest Modern Language Association
8-11 November 2007
Cleveland
This panel seeks papers that address pedagogical responses to Toni Morrison. Proposals should
explore/discuss the following issues:
·Representations of black male masculinity
·Sexuality
·Whiteness
·Class difference
·Gender
·Community
·Canon formation: Where do we situate Morrison in the teaching of American and/or African-American
literatures?
Email 200 word abstracts, full-length papers, or questions by March 31, 2007 to:
Melissa Daniels
PhD Student
Department of English,
Northwestern University
m-daniels_at_northwestern.edu
Final call for papers.
Deadline for submission of abstracts now 31st March 2007.
Notification of acceptance by 27th April 2007.
==========================================================
From the Literary Calls for Papers Mailing List
CFP_at_english.upenn.edu
Full Information at
http://cfp.english.upenn.edu
or write Jennifer Higginbotham: higginbj_at_english.upenn.edu
==========================================================
Received on Sat Jan 06 2007 - 17:58:53 EST
Final call for papers.
Deadline for submission of abstracts now 31st March 2007.
Notification of acceptance by 27th April 2007.
==========================================================
From the Literary Calls for Papers Mailing List
CFP_at_english.upenn.edu
Full Information at
http://cfp.english.upenn.edu
or write Jennifer Higginbotham: higginbj_at_english.upenn.edu
==========================================================
Received on Sat Jan 06 2007 - 17:58:53 EST
Digital Poetry
This call for papers is for a proposed panel to be
held at (dis)junctions 2007: Malappropriation Nation
at the University of California Riverside's 14th
Annual Humanities Graduate Conference on April 6-7,
2007.
Contributors are invited to submit critical works on
digital poets and poetry. These papers can examine
texts by the authors and/or relevant critical works.
How have new technologies influenced and changed the
poetic genre? How has digital poetry called for a
questioning of traditional understandings of poetic
texts?
Potential topics include:
Digital Poetry
This call for papers is for a proposed panel to be
held at (dis)junctions 2007: Malappropriation Nation
at the University of California Riverside's 14th
Annual Humanities Graduate Conference on April 6-7,
2007.
Contributors are invited to submit critical works on
digital poets and poetry. These papers can examine
texts by the authors and/or relevant critical works.
How have new technologies influenced and changed the
poetic genre? How has digital poetry called for a
questioning of traditional understandings of poetic
texts?
Potential topics include:
Digital Poetry
This call for papers is for a proposed panel to be
held at (dis)junctions 2007: Malappropriation Nation
at the University of California Riverside's 14th
Annual Humanities Graduate Conference on April 6-7,
2007.
Contributors are invited to submit critical works on
digital poets and poetry. These papers can examine
texts by the authors and/or relevant critical works.
How have new technologies influenced and changed the
poetic genre? How has digital poetry called for a
questioning of traditional understandings of poetic
texts?
Potential topics include:
Digital Poetry
This call for papers is for a proposed panel to be
held at (dis)junctions 2007: Malappropriation Nation
at the University of California Riverside's 14th
Annual Humanities Graduate Conference on April 6-7,
2007.
Contributors are invited to submit critical works on
digital poets and poetry. These papers can examine
texts by the authors and/or relevant critical works.
How have new technologies influenced and changed the
poetic genre? How has digital poetry called for a
questioning of traditional understandings of poetic
texts?
Potential topics include: