CFP: Queering the Modern (12/15/05; ASU, 2/24/06-2/26/06)
(Re)Markable Identities: Confronting, Corrupting, and Conflating Cultural
Discourses
February 24-26, 2006
Arizona State University œ Tempe, Arizona
Queering the Modern:
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FAQ changelog |
(Re)Markable Identities: Confronting, Corrupting, and Conflating Cultural
Discourses
February 24-26, 2006
Arizona State University œ Tempe, Arizona
Queering the Modern:
(Re)Markable Identities: Confronting, Corrupting, and Conflating Cultural
Discourses
February 24-26, 2006
Arizona State University œ Tempe, Arizona
Queering the Modern:
Call for Papers:
CFP: Rutgers University-Camden English Graduate Student Conference
in Camden, NJ (home of Walt Whitman!) close to Philadelphia, PA
Re-visioning the Canon
Visit our website at http://clam.rutgers.edu/~rcegsa/rcegsc/
Rutgers-Camden English Graduate Student Association (RCEGSA) invites papers from graduate students for an interdisciplinary conference on the theme of "Re-visioning the Canon". Papers may demonstrate a wide range of approaches including, but not restricted to:
Children's literature
Gothic Literature
Multicultural approaches
Theory and criticism's place in the "canon"
Call for Papers:
CFP: Rutgers University-Camden English Graduate Student Conference
in Camden, NJ (home of Walt Whitman!) close to Philadelphia, PA
Re-visioning the Canon
Visit our website at http://clam.rutgers.edu/~rcegsa/rcegsc/
Rutgers-Camden English Graduate Student Association (RCEGSA) invites papers from graduate students for an interdisciplinary conference on the theme of "Re-visioning the Canon". Papers may demonstrate a wide range of approaches including, but not restricted to:
Children's literature
Gothic Literature
Multicultural approaches
Theory and criticism's place in the "canon"
CALL FOR PAPERS
Remnants, Remainders, and Reconceptualizations
March 23-25, 2006
English Graduate Students Association
Department of English
York University
Toronto, Canada
Due to the nature of cultural production, both academic and creative,
it is inevitable that particular texts, objects, subjects, cultures,
and concepts will be marginalized or excluded, giving a confusing and
often contradictory cultural landscape to a coherence that is abstract
and problematic. How might we account for the remnants and remainders
that are scattered about our fields of inquiry? How might we begin to
reconceptualize these grounds?
CALL FOR PAPERS
Remnants, Remainders, and Reconceptualizations
March 23-25, 2006
English Graduate Students Association
Department of English
York University
Toronto, Canada
Due to the nature of cultural production, both academic and creative,
it is inevitable that particular texts, objects, subjects, cultures,
and concepts will be marginalized or excluded, giving a confusing and
often contradictory cultural landscape to a coherence that is abstract
and problematic. How might we account for the remnants and remainders
that are scattered about our fields of inquiry? How might we begin to
reconceptualize these grounds?
CALL FOR PAPERS
Remnants, Remainders, and Reconceptualizations
March 23-25, 2006
English Graduate Students Association
Department of English
York University
Toronto, Canada
Due to the nature of cultural production, both academic and creative,
it is inevitable that particular texts, objects, subjects, cultures,
and concepts will be marginalized or excluded, giving a confusing and
often contradictory cultural landscape to a coherence that is abstract
and problematic. How might we account for the remnants and remainders
that are scattered about our fields of inquiry? How might we begin to
reconceptualize these grounds?
The Politics of Affect in Trauma Texts
The Politics of Affect in Trauma Texts
The Politics of Affect in Trauma Texts
United States Association for Commonwealth Literature and Language Studies (USACLALS)
4th International Conference Oct. 27-29 2006
Santa Clara University, California (SF Bay area)
Fissures and Sutures:
Sources of Division and Mutual Aid in Postcolonial Reflections on History and Literature
(The US chapter of this international organization takes as its special mandate the incorporation of US ethnic literatures into the larger domain of postcolonial literatures)
Conference theme:
United States Association for Commonwealth Literature and Language Studies (USACLALS)
4th International Conference Oct. 27-29 2006
Santa Clara University, California (SF Bay area)
Fissures and Sutures:
Sources of Division and Mutual Aid in Postcolonial Reflections on History and Literature
(The US chapter of this international organization takes as its special mandate the incorporation of US ethnic literatures into the larger domain of postcolonial literatures)
Conference theme:
United States Association for Commonwealth Literature and Language Studies (USACLALS)
4th International Conference Oct. 27-29 2006
Santa Clara University, California (SF Bay area)
Fissures and Sutures:
Sources of Division and Mutual Aid in Postcolonial Reflections on History and Literature
(The US chapter of this international organization takes as its special mandate the incorporation of US ethnic literatures into the larger domain of postcolonial literatures)
Conference theme:
United States Association for Commonwealth Literature and Language Studies (USACLALS)
4th International Conference Oct. 27-29 2006
Santa Clara University, California (SF Bay area)
Fissures and Sutures:
Sources of Division and Mutual Aid in Postcolonial Reflections on History and Literature
(The US chapter of this international organization takes as its special mandate the incorporation of US ethnic literatures into the larger domain of postcolonial literatures)
Conference theme:
Please note our new address for submissions: clsa_at_sfsu.edu
Please note our new address for submissions: clsa_at_sfsu.edu
CFP: The Stories Photographs Tell
Editors: Jeanne Perreault, Linda Warley and Marlene Kadar
11/17/2005
CFP: The Stories Photographs Tell
Editors: Jeanne Perreault, Linda Warley and Marlene Kadar
11/17/2005
CFP: The Stories Photographs Tell
Editors: Jeanne Perreault, Linda Warley and Marlene Kadar
11/17/2005
CFP: The Stories Photographs Tell
Editors: Jeanne Perreault, Linda Warley and Marlene Kadar
11/17/2005
(1968)
A Symposium
April 7-9, 2006
Roy H. Park School of Communications, Ithaca College
One word on everyone=92s lips in May =9268 was =93contestation.=94 It =20=
expresses a fundamental version of freedom: not freedom to change or =20
to succeed, but freedom to revolt, to call things into question.
-Julia Kristeva
This symposium represents an effort to look at a broad and dramatic =20
historical moment with an eye towards the radical sense of =20
possibility and inquiry that it contained. This event will bring =20
together a dynamic range of scholars and media-makers whose work =20
directly engages the period=92s international breadth of activism and =20=
(1968)
A Symposium
April 7-9, 2006
Roy H. Park School of Communications, Ithaca College
One word on everyone=92s lips in May =9268 was =93contestation.=94 It =20=
expresses a fundamental version of freedom: not freedom to change or =20
to succeed, but freedom to revolt, to call things into question.
-Julia Kristeva
This symposium represents an effort to look at a broad and dramatic =20
historical moment with an eye towards the radical sense of =20
possibility and inquiry that it contained. This event will bring =20
together a dynamic range of scholars and media-makers whose work =20
directly engages the period=92s international breadth of activism and =20=
(1968)
A Symposium
April 7-9, 2006
Roy H. Park School of Communications, Ithaca College
One word on everyone=92s lips in May =9268 was =93contestation.=94 It =20=
expresses a fundamental version of freedom: not freedom to change or =20
to succeed, but freedom to revolt, to call things into question.
-Julia Kristeva
This symposium represents an effort to look at a broad and dramatic =20
historical moment with an eye towards the radical sense of =20
possibility and inquiry that it contained. This event will bring =20
together a dynamic range of scholars and media-makers whose work =20
directly engages the period=92s international breadth of activism and =20=
Please join us for the 60th Annual Convention of the Rocky Mountain
Modern Language Association to be held in Tucson, Arizona on October
12-14, 2006. This year's Women's Caucus Seminar theme is "Earth, Wind,
Water and Fire: Representations of Gender and Natural Elements in
Literature and Film."
Proposals for 15-minute papers are sought from scholars working in all
areas of literature, film, and gender studies. In keeping with this
year's theme, we welcome studies related to how gender is represented or
understood in connection with the natural world and how such
representations help create or shape individual, class, racial and
ethnic identities or mythologies.
UPDATE
Keynote speaker will be Linda Ben-Zvi, a Glaspell biographer, of the University of Tel Aviv.
Call for Papers
Susan Glaspell and Performance
April 28 & 29, 2006
Northland Pioneer College
Snowflake, Arizona 85937
In conjunction with the world premier production of Intimations From the Brook, a fulllength play adapted from Susan Glaspell's novel Brook Evans, Northland Pioneer
College will host Susan Glaspell and Performance, a conference to discuss
Glaspell's work in and for the theatre, as well as her artistry, broadly conceived. The
UPDATE
Keynote speaker will be Linda Ben-Zvi, a Glaspell biographer, of the University of Tel Aviv.
Call for Papers
Susan Glaspell and Performance
April 28 & 29, 2006
Northland Pioneer College
Snowflake, Arizona 85937
In conjunction with the world premier production of Intimations From the Brook, a fulllength play adapted from Susan Glaspell's novel Brook Evans, Northland Pioneer
College will host Susan Glaspell and Performance, a conference to discuss
Glaspell's work in and for the theatre, as well as her artistry, broadly conceived. The
WORD AND IMAGE: VISUAL DIALOGUES
Call for Papers
6th Annual Graduate Humanities Forum Conference
University of Pennsylvania
Philadelphia, Pennsylvania
February 16-17, 2006
Keynote Speaker: Michael Fried, Professor/Director of the Humanities Center and
Professor, History of Art, Johns Hopkins University
WORD AND IMAGE: VISUAL DIALOGUES
Call for Papers
6th Annual Graduate Humanities Forum Conference
University of Pennsylvania
Philadelphia, Pennsylvania
February 16-17, 2006
Keynote Speaker: Michael Fried, Professor/Director of the Humanities Center and
Professor, History of Art, Johns Hopkins University
WORD AND IMAGE: VISUAL DIALOGUES
Call for Papers
6th Annual Graduate Humanities Forum Conference
University of Pennsylvania
Philadelphia, Pennsylvania
February 16-17, 2006
Keynote Speaker: Michael Fried, Professor/Director of the Humanities Center and
Professor, History of Art, Johns Hopkins University
WORD AND IMAGE: VISUAL DIALOGUES
Call for Papers
6th Annual Graduate Humanities Forum Conference
University of Pennsylvania
Philadelphia, Pennsylvania
February 16-17, 2006
Keynote Speaker: Michael Fried, Professor/Director of the Humanities Center and
Professor, History of Art, Johns Hopkins University