Antipodes: A Global Journal of Australian and New Zealand Literature announces a call for papers (CFP) for a special topic.

Submission deadline: October 1, 2021

Antipodes 35.2: Book History in Australia and New Zealand

This special issue seeks to draw together a diverse range of essays about book history and publishing studies in Australia and New Zealand, with an emphasis on social history. By bringing these essays together in a special issue of a journal devoted to Australasian literature and culture, we hope to put them in conversation with one another, thus capturing a unique moment in Australasian cultural history.

This roundtable asks participants to engage with and present the new directions in feminist pedagogy that inevitably emerged in the past two years (2020-2022) during the coronavirus pandemic, but also beyond it. In the words of Kevin M. Gannon in the book Radical Hope: A Teaching Manifesto, “Teaching is a radical act of hope. It is an assertion of faith in a better future in an increasingly uncertain and fraught present. It is a commitment to that future even if we can’t clearly discern its shape. It is a continuing pedagogical practice rather than a set of static characteristics” (5). Grounded in feminism, this roundtable asks participants to present their innovations in pedagogy across a spectrum of challenges.

When reading a text, the reader is often confronted with the issue of voice. Who is speaking? Is it an affirmed voice or, on the contrary, a discreet voice? Is it a single or a collective voice? Voice is polymorphous and can take several aspects in the text: speech, shout, whispering, song. The reader must constantly keep in mind these interactions between voice, writing, and silence. In the Early Modern Period, voice can took many forms; In Montaigne’s Essais, we find occurrences of the term “voice” to designate both “word” and “speaking.” In La Rhétorique Française, Fouquelin refers to voice to talk about pronunciation.

CFP – Panel Submission – C19 2022 (Coral Cables Florida, March 31-April 2)

 Reconstructing Class Analysis

Digital Symposium: 20 November 2021

“Fantastika” – a term appropriated from a range of Slavonic languages by John Clute – embraces the genres of Fantasy, Science Fiction, and Horror, but can also include Alternate History, Gothic, Steampunk, Young Adult Dystopic Fiction, or any other radically imaginative narrative space. Our goal is to bring together academics, independent researchers, creators, and audiences who share an interest in this diverse range of fields with the aim of opening up new dialogues, productive controversies, and critical collaborations.

Edited by Associate Professor Hannah Stark (University of Tasmania) and Associate Professor Katrina Schlunke (Universities of Tasmania and Sydney)

Applying diverse methods from across subject disciplines the conference will explore fashion and style in wide-ranging contexts. It will examine connections between fashion, body and culture and will focus on dress, cosmetics, coiffure and body alterations (piercing, tattooing, circumcision, aesthetic surgery, etc). 

How does our dress or hair style create our identity and status? How is it concerned with sexual and body politics? Is the desire to be "in fashion" universal or unique to Western culture? These and other questions we set out to discuss at the conference.

Papers are invited on topics related, but not limited, to:

A estrema: revista interdisciplinar de humanidades, uma publicação em linha do Centro de Estudos Comparatistas (CEC) da Faculdade de Letras da Universidade de Lisboa (FLUL), está com uma chamada aberta para artigos e recensões para a 1.ª edição da sua Série II ― Inverno 2021/22. A estrema é uma revista digital e de livre acesso que visa proporcionar uma plataforma de publicação, divulgação e debate académico a todos os alunos do ensino superior nacional e estrangeiro, bem como de outros autores interessados, cujos trabalhos serão avaliados num processo de double-blind peer review.

2022 marks a significant anniversary for the celebrated — and divisive — work of Hunter S. Thompson.  His seminal Fear and Loathing in Las Vegas celebrates fifty years since its publication in book form, as do the dispatches from the George McGovern campaign that would later become Fear and Loathing on the Campaign Trail ’72.  This panel aims to reexamine Thompson’s body of work and the refractions of his presence as a cultural signifier in popular conception, as well as to consider the viability of the Gonzo form and style as something that could survive — and evolve beyond — its virtually metonymic association with Thompson.

Call for Papers

The Past as Nightmare

An interdisciplinary conference at the University of Reading (UK)

6-7 September 2022

Confirmed keynote speakers:

Ailise Bulfin (University College Dublin)

Laurence Talairach (Toulouse Jean Jaurès University).

Call for Papers: Special Session-Cyberpunk and the City (in-person panel)

Pacific Ancient and Modern Language Association (PAMLA) Conference

Thurday November 11 to Sunday November 14, 2021, at the Sahara Las Vegas Hotel, Las Vegas, Nevada

Conference Theme: "City of God, City of Destruction" (https://pamla.ballastacademic.com/Home/CFP)

JCCT invites novel researchers to submit their original, unpublished work in Volume 3 (2). JCCT
is an international, open access, double-blind peer-reviewed journal published by the University
of Management and Technology (UMT), Lahore.
JCCT mainly addresses the research articles under the domains of English (American and
Asian) Linguistics, Applied Linguistics,TESOL, ELT, Intercultural Communication, Diversity in
Communication and Cultural trends, anthropological linguistics, etc. The journal covers a wide
range of areas including different aspects of language and culture.
Expected Timeline
Submission Deadline: 15 August 2021
Publication Date: 31 October 2021

Call for Papers

Apocalyptica is an interdisciplinary, international, double-blind peer-reviewed academic journal published by the Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS) at Heidelberg University. The journal publishes incisive analyses and diverse perspectives regarding the end of worlds.

We are seeking submissions that actively explore the apocalypse as a forceful figure of thought in order to grapple with the historical experiences, present confrontations, and future possibilities of (up)ending worlds.

Article length: 8,000-9,000 words

Deadline: 15 November 2021 

“Hope Mirrlees’s Paris: A Poem at 100”

Modernism/modernity Print Plus Cluster Proposal

Call for Papers

2020 marked the 100th anniversary of “modernism’s lost masterpiece,” Hope Mirrlees’s Paris: A Poem. Published by Hogarth Press in the spring of 1920, and typeset by Virginia Woolf, this ground-breaking long poem maps the range of continental avant-garde aesthetics of the 1910s even as it both engages and anticipates the mythical methods and epic conventions of James Joyce, Ezra Pound, and T.S. Eliot.