Deadline for Submission: November 27, 2020

Since the beginning of the COVID-19 pandemic, numerous scholars have been unable to physically access archival records, locked away for an indefinite period of time. In the present, various media industries—studios, streaming services, talent agencies, and more —have continued to announce deals, make public statements, and present a digital front that veils the story underneath. With continued conglomeration and corporate security practices winnowing access to materials, even smaller stakes questions—even the amount of eyes on any particular work on digital platforms—are becoming increasingly impossible to uncover without records.

Theoretical Studies in Literature and Art (ISSN 0257-0254), launched in 1980 and published bimonthly, a most highly recognized peer-reviewed journal in China, publishes original papers in Chinese or English in arts and humanities, especially literary studies. We welcome MLA-style papers of 6000-12000 words in the fields of literary theory, critical theory, aesthetics, philosophy of art, cultural studies, etc.

North American Poetry2000-2020/1: Poetics, Aesthetics, Politics

14-16 October 2021, Institut Universitaire de France, Paris

Organized by Vincent Broqua (Université Paris 8), Olivier Brossard (Université Gustave Eiffel / Institut Universitaire de France), Abigail Lang (Université de Paris)

Anti-Oppressive Pedagogies: Social Justice & Community Engagement in the Classroom

52nd Northeast Modern Language Association Convention

March 11-14, 2021

Philadelphia, PA

Stratified Nature: Women’s Writing and Nature Past, Present, and Future

I would like to invite you to consider submitting one or more chapters to the forthcoming essay collection.

As we continue the study of the Anthropocene and society’s intersections with nature, this collection searches for essays on women’s writing, Anthropocene, and futurism. This anthology’s scope will be broad, with a focus on analysis of women writers, society, and nature in the past, present, and future.

Submissions are solicited for a special edition of the Journal of Modern Periodical Studies on the relationship between periodicals and silent cinema. Work is encouraged which treats the topic in its global, as well as Anglophone, context. 

The rise of silent cinema in the early twentieth century changed the business of writing and publishing forever. Editors, journalists, essayists and authors found themselves catering for readers whose cultural expectations had been transformed by their interactions with cinema. Debates raged over which periodical form would first be rendered obsolete: the daily newspaper? The illustrated magazine? The serialised novel? The weekly comic? The compendium of short fiction?

Death and the Screen

Call for Papers for Special Issue

Guest Editors Dr Bethan Michael-Fox (@bethmichaelfox) and Dr Renske Visser (@Renske_Visser)

Revenant (www.revenantjournal.com) is now accepting abstracts for critical articles, creative writing pieces, and book, film, music, or event reviews for a themed issue on Death and the Screen, examining how screens, in the broad sense of the word, have shaped and continue to shape the way we witness, experience and reflect on death and dying. 

Please consider submitting a manuscript for our special issue, Opening the Ecological Text, in the peer-reviewed, open-access journal, Humanities.  Here is the call for papers and the link where you can submit:

Materialisms: Reconciliations in the Present Graduate Student Conference 

April 9th-10th, 2021

University of Minnesota, Twin Cities
Department of Cultural Studies and Comparative Literature

Call for Papers

We would like to invite you to submit abstracts to the panel Identity, Diversity, and Representation in Video Games, to be held at the 52nd Annual Northeast MLA Conference in Philadelphia, PA on March 11-14, 2021. Please contact Ted Harrison with any questions at tdh70@georgetown.edu.

CULTURAL INTERTEXTS started in 2014, as a result of a yes, we can kind of attitude. The name of the journal was meant to reflect the multi-layered textuality of the world embedded in cultures and embedding cultures in its turn. The first two issues came out at Casa Cărții de Știință Press in a single volume (1-2/ 2014) of 373 pages, with 23 papers on Literature and Cultural Studies, and 11 dealing with Linguistics and Translation Studies. They had all been presented during the 2014 edition of the annual Doctoral Conference of “Dunarea de Jos” University of Galati, Romania. Six years have passed, and seven more issues have been added to the collection.

Theoretical Studies in Literature and Art (ISSN 0257-0254), launched in 1980 and published bimonthly, a most highly recognized peer-reviewed journal in China, publishes original papers in Chinese or English in arts and humanities, especially literary studies. We welcome MLA-style papers of 6000-12000 words in the fields of literary theory, critical theory, aesthetics, philosophy of art, cultural studies, etc.

PAMLA 2020

“Rhetorical Theory”
Las Vegas, 11/12-15, 2020

Chair: Dr. Ryan Leack, USC

“Rhetoric is a coproductive function of circulation in excess of human intention, which collapses rhetoric and persuasion into the rhetorical, a process of world making that extends relationality into future publics.” 

—Byron Hawk, Resounding the Rhetorical (2018)

This panel will explore recent movements in rhetorical theory writ large, either in connection with or apart from composition theory and practice. Special attention will be given to proposals that engage with the conference's theme. 

Navigating Chaos: Living the Apocalyptic Dystopia

Hegel wrote that the only thing we can learn from history is that we learn nothing from history, so I doubt the epidemic will make us any wiser. The only thing that is clear is that the virus will shatter the very foundations of our lives, causing not only an immense amount of suffering but also economic havoc conceivably worse than the Great Recession. There is no return to normal, the new “normal” will have to be constructed on the ruins of our old lives, or we will find ourselves in a new barbarism whose signs are already clearly discernible.                          (Slovaj Žižek, Pandemic!)