Crones, Crime, and the Gothic

In-person Conference

Falmouth University UK, 10-11 June 2022

Older women have traditionally been portrayed negatively in folklore, fairy tales, literature and film, for example. Images of witches, evil stepmothers, shrivelled, bitter 'spinsters', and vindictive, bullying women abusing positions of power are rife in Western culture. Yet,

perhaps things are changing. A new emphasis on the need to discuss and understand the

menopause seems to be at the heart of this. This conference examines historical

Call for Papers: The St. John’s University’s Humanities Review Spring 2022 Issue 

“Crashing the Canon: A Spotlight for the Underrepresented in Higher Education”

Deadline for abstracts: December 22, 2021

Deadline for accepted submissions: February 22, 2022

Editors: Alexander Radison & Kainat Cheema

Contact email: alexander.radison21@my.stjohns.edu & kainat.cheema21@my.stjohns.edu 

The Dangling Modifier: Call for Papers Spring 2022 Issue

Responding in the Writing Center, the Writing Center Responding

Acting out and thinking ahead:

Art/Activism, Literary ProVocations and PerFORMativity

in Literatures and Cultures in English

Oxford Literary Review 45.1, July 2023. "What might Eco-deconstruction be?”

It is not I who deconstruct; rather, something I called ‘deconstruction’ happens to the experience of a world, a culture,

a philosophic tradition: ‘it’ deconstructs, ça ne va pas, there is something that budges, that is in the

process of being dislocated, disjointed, disadjoined, and of which I begin to be aware. Something is

‘deconstructing’ and it has to be answered for.” (Jacques Derrida, in A Taste for the Secret (2001).

The Postwar Area Literature Group invites abstract submissions for our panels at the 2022 meeting of the American Literature Association. The conference will be held at the Palmer House Hilton in Chicago on May 26-29, 2022. We will host two panels this year; please see the full CFPs below:

This seminar departs from the idea that we need a clearer understanding of elemental forms—traditional and non-traditional—that are in different stages of becoming formless (loss, disappearance, transmutation etc.). On the one hand, we build up on the critical genealogy of the formless (l’informe), a concept once popularized by Bataille in the surrealist journal Documents (1929-30) and later taken up by Bataille’s readers, most famously by Rosalind Krauss & Yves-Alain Bois (1997) and Georges Didi-Huberman (1995). While, on the other hand, we also welcome proposals that conceptualize the formless through different disciplinary vantage points and bring it to bear on the question of elemental forms.

As a sport, basketball follows a certain set of rules and conventions which serve as a framework for players, coaches, and teams to play the sport. By their very nature, these rules are meritocratic which means that all participants are equal on the court, play by the same rules, and the only relevant (read as: game deciding) factors are effort, skill, and fortune. Such a perspective on basketball and sports leads certain fans and observers to statements such as “politics should be kept out of sports”.

DEADLINE EXTENDED:

We are seeking chapters for an edited collection on the popular Canadian sitcom, Schitt’s Creek, which had a meteoric rise in the U.S. after airing on Netflix. Schitt’s Creek has been a cultural force with its catchphrases, meme-able moments, and Emmy awards. There is much to unpack to understand the show's popularity and its impact, and, in this edited book collection, we will focus on three central themes: love, place, and identity.

Underlying questions of the project include but are not limited to:

Tipping point: “the critical point in a situation, process, or system beyond which a significant and often unstoppable effect or change takes place.”  Merriam Webster.

Soap operas, wrestling, periodicals, reality television, comic books, literature, video game and film franchises, vlogging, sports, advertising campaigns, and now even politics and political journalism have harnessed the power and popularity of the serialized form to build and sustain audiences in our increasingly fractured media landscape.

This session seeks papers that attend to the affordances of infrastructure for aesthetics and of aesthetics for infrastructure in postcolonial/global South literature. We aim to explore infrastructure's own aesthetic capacities, the ways in which built forms and their materials produce specific aesthetic effects and social uses, or the ways in which infrastructure makes aesthetic perception available to social practice. In turn we are interested in the way aesthetic qualities like form, genre, reception, plot, narrative, or medium are themselves infrastructural and shape encounters with infrastructure.

Keynote speakers: Avtar Brah and Sophie Chao

Plus a reading from Leone Ross

Website: https://buildingbridgesntu.wordpress.com

The heterogenous character of protean form of travel writing—letters, journals, logbooks, diaries, memoir, journalistic pieces, guidebooks, confessional narratives, accounts of seafaring voyages, literary picaresque narratives, scientific explorations, artists’ escapades, ventures of urban flâneurs, self-exiled wanderers, and fiction—resists easy demarcation. Its heterogeneity lies in the revisionary stance brought about in each narrative through the distinguishing figure of the traveller, mode of narration, means of mapping, or redefining of the landscape.