GrGreying the Carnival: Samuel Beckett Inverting / Inverting Samuel Beckett
Samuel Beckett’s drama may not be yet mapped as a site of carnival; nevertheless, the Beckettian dramatic ecosystem is open to a sense of the carnivalesque. In Europe and the northern Americas, the carnival tends to be understood as a secularised Christian tradition, the religious roots of which are enshrined in the epistemology of the word. Originating from the Latin carnem levāre – the removal of the flesh (OED) – the carnival used to be a festive threshold leading into the frugality and modesty of Lent. Yet, such grassroots street performances have thrived beyond this limited cultural, historical and geographical frame.