Call for papers – Series of Workshops on Sacred Writing Traditions

The HaZen (Handschriftenzentrum) project, based at the Institute for Jewish Studies at Freie Universität Berlin, would like to invite international researchers to three workshops in Berlin.

Drama and theatre have long served as dynamic mediums through which societies narrate their myths, record their histories, and preserve traditions. The interplay of myth, history, and tradition shapes the content and form of dramatic expression, influencing storytelling techniques, character archetypes, and performance styles across different cultures and time periods.

Plenary Lecture: Professor Daniel Cook (University of Dundee)

Artist’s Talk: Martin Rowson (in conversation with Brigitte Friant-Kessler)

Venue: St. Bride Library (London, U.K.)

Dates: 23–25 September 2026

Guest editor: Maxime Fecteau

Primordial and born of Chaos, Gaia wears many faces. In Hesiod’s Theogony she is a fertile, earth-bodied mother; she is also an insurgent force—ally to the Titans and to violent births. This constitutive ambivalence—nourishing ground and upheaval, regeneration and revolt—guides the 15th issue of MuseMedusa. We follow the figure to probe the regimes of time and action it exceeds, while noting how modern representational devices have narrowed its plurality of faces (Latour, 1991; 2015). In short, understanding Gaia today means holding Greek myth together with attention to planetary change.

Miloš Forman: Between Europe and Hollywood

Symposium organized by the Department of Theatre and Film Studies, Palacký University Olomouc, Czech Republic
Friday, April 24, 2026
Univerzitní 3, Olomouc, Czech Republic

Explorations: A Journal of Language and Literature is a peer-refereed online journal published by the University of Opole, Poland (for more information and the current issue see http://www.explorations.uni.opole.pl). 

Call for Chapters

Feminine Rage: A Companion

I have a thing about feminine rage. I get a lot of [scripts of] men doing really terrible things and women sitting silently whilst one tear slowly falls. I’m like, ‘No, no, no, no, no. We get mad. And we get angry. – Anya Taylor-Joy

The Medievalism in Popular Culture Area (including Early to Later Middle Ages, Robin Hood, Arthurian Legend, Chaucer, Norse, and other materials connected to medieval studies) accepts papers on all topics that explore either popular culture during the Middle Ages or transcribe some aspect of the Middle Ages into the popular culture of later periods. These representations can occur in any genre, including film, television, novels, graphic novels, gaming, advertising, art, etc. For this year’s conference, I would like to encourage submissions on some of the following topics:

Today, all countries that were colonized by France have gained their independence, yet discussions about its legacy continue. Many films, documentaries, literary works, speeches, and critical writings contribute to the ongoing conversation about liberty and justice in relation to independence. A 2024 documentary produced by Wandrille Lanos, titled Haïti, la rançon de l'indépendance, explores how liberty and justice were interpreted during Haiti’s struggle for independence. From September 22 to 26, 2025, during the United Nations General Debate at the 80th Session, the current president of Ghana, John Dramani Mahama, argued that colonization should be recognized as one of the greatest crimes against humanity.

Today, Bollywood is not merely an industry of Indian films representing the national cinema but also a global cultural phenomenon. From the singsong dance sequences on YouTube to its widespread circulation on Netflix, Amazon Prime, and regional streaming platforms, Bollywood redefines South Asian identities and how they are consumed, contested, and celebrated globally. Moreover, the intertwining of questions on cultural appropriation, culturalized representation, caste, gender, and diasporic negotiations emerges with renewed urgency and visibility.

Epistemologies and Pathways to Truth

Memories & Dreams: Exploring Perspectives on Past, Future and Possibility in Materials for Young People

Call for Paper Proposals

Deadline for Submission: Friday, January 30th, 2026

A peer-reviewed graduate student conference on children’s literature, media, and culture.

University of British Columbia | Unceded traditional territory of the xʷməθkʷəy̓əm (Musqueam) Vancouver, Canada | Friday July 17th & Saturday July 18th, 2026

"Just close your eyes and keep your mind wide open" - Katherine Paterson, Bridge to Terabithia.

https://ucgradconference20.wixsite.com/utopian-impulses We are excited to share the CfP for this year’s interdisciplinary graduate student conference at the University of Cincinnati titled Utopian Impulses in the 2020s! We're also pleased to announce that Dr. Angela Laflen will be this year's keynote speaker. See bio below:  "Dr. Angela Laflen is Associate Professor of English at California State University, Sacramento, and author of Critical Data Storytelling in the Composition Classroom (Utah State UP 2025).

Concept Note:
Theories, or to be precise, Literary and Cultural theories are various (though at
times, overlapping) frameworks or tools used to interpret a given text.
Etymologically, the term, ‘theory’ comes from the Greek ‘Theoria’ which, broadly,
means contemplation and speculation. Every theory proposes its own interpretative
strategies and modes of extracting meaning, helping us to “discriminate between
experiences and evaluate them,” as Richards would have said. Given that meanings
of texts can hardly be considered final, theories shore up our analytical approaches
as well as selection or rejection of meanings.
Theories that have been native to literature, that is, the ones focusing on the

The CUNY Graduate Center’s Cinema Studies Group invites you to:CLAWS

A graduate student conference organized by the student-run Cinema Studies Group, with support from Film and Media Cultures and the Doctoral Graduate Student Council.

Conference Date: March 13th, 2026, 9:00 am- 5:00 pm 

Location: CUNY Graduate Center, 365 5th Avenue, New York, NY (rooms TBA)

Keynote Speaker: TBA

Proposals Due: December 15th, 2025

We are pleased to announce the following Call for Papers for the International Conference “Translating Latin in the Contemporary World”, to be held in June, 11-12, 2026, at the University of Bologna (Italy).

The second International Conference on Globalisation in Languages, Education, Culture and Communication (GLECC2026) is going to be held 28-30 July 2026, Manchester, UK. (https://glecc.org/2026/)

 The past two decades have witnessed remarkable advancements in the studies into Education, Second and Foreign Languages, Translation and Interpreting, Cultural Studies, and Communication. This growth, evident in both the number of active researchers and the volume of scholarly throughput and outcomes, can be largely attributed to the forces of globalisation. Consequently, adopting the globalisation perspective is timely and provides a natural framework for connecting these diverse yet interlinked disciplines.

This issue aims to publish essays on climate fiction and its related topics that are approached through the lens of Christian theological and literary interpretation. 

Call for Papers: Performing Oppositions

Oppositions
Cultural Studies Association (CSA) 2026 Annual Conference

May 28-30, 2026

Fully Online

Deadline for Submissions: Friday, December 19, 2025

Registration

APPEL À COMMUNICATIONS
Colloque international
de l’Association des professeurs des littératures acadienne et québécoise de l’Atlantique
(APLAQA)
CRISES ET TRANSFORMATIONS. REPENSER LES LITTÉRATURES DE LANGUE FRANÇAISE
Université du Manitoba et Université de Winnipeg
Winnipeg, Manitoba, Canada
du 1er au 3 octobre 2026
Le terme « crise » vient du grec krísis qui signifie « jugement, décision, moment critique » et
renvoie à un point de bascule où se produit un choix décisif ou un changement majeur (TLFi, crise).
En français, le mot est d’abord employé au XVe siècle dans le vocabulaire médical pour désigner le

PhD students are invited to submit proposals for a 10‑minute presentation of their thesis project (or other ongoing research) for the inaugural PhD Research Showcase at the 3rd International Meeting of Researchers of Intermediality (IMoRI 2025), held online on 4–5 December 2025. The PhD Research Showcase will take place on Friday, 5 December, 12:15–14:15 CET (UTC+1). IMoRI is traditionally an invitation‑only forum for established scholars. This special session opens the door for emerging researchers to present their work to—and receive feedback from—leading figures in intermedial studies. IMoRI 2025 features panels organized by major research units in the field, two expert roundtables, and will close with a conversation with Prof.

The London Arts-Based Research Centre

Women who Create: The Feminine and the Arts
A Transdisciplinary Conference

Conference webpage: https://labrc.co.uk/2025/11/18/women-who-create-2026/

March 28-30, 2026

Where:
March 28-29: In person participation at Cambridge University and online
March 30: Fully online

Fees (for both presenters and attendees):        
195 GBP (in person)
100 GBP (Online)
Prices exclude eventbrite fees

Abstract: Deadline January 15, 2026

Journal Name: Kaleidoscope : An Interdisciplinary Journal of Humanities and Social Sciences

Website: https://kaleidoscopejournal.in/ 

We invite original, unpublished research papers, review articles, essays, and book reviews from scholars, researchers, and academics for Volume 1, Issue 1, to be published in December 2025.

Theme: Open Theme

For the inaugural issue, we welcome contributions on any topic within the broad ambit of Humanities and Social Sciences, including but not limited to:

- Call for Presentation Proposals -  Great Writing International Creative Writing Conference
Saturday July 11 – Sunday July 12, 2026
University College London (Bloomsbury Campus)

This is the exciting 29th Annual Great Writing International Creative Writing Conference!

Closing Date for Submissions: January 24, 2026*

The conference will be held in person. 

Proposal submission: conference@greatwriting.org.uk