“Where Is a Woman’s Image Safe? Defacement, Erasure and Fabrication in Public and Digital Spaces”
In January 2026, murals of faceless female silhouettes in yoga poses were scratched around the genital area in the Indian city of Gwalior. The figures depicted no identifiable women; they were attacked anyway. In 2024, sexually explicit AI-generated deepfakes of Taylor Swift circulated widely online, demonstrating a very different but related form of image violation. Across a scratched public wall and a fabricated digital image, the same question emerges: what happens when an image of a woman becomes the surface upon which sexualisation, humiliation or punishment is performed? This special issue asks where, if anywhere, a woman’s image can be assumed to be safe.
