OMNIALANG: International Journal of Language Continuum (Omnia-LC) invites original, unpublished manuscripts for Volume 1, Issue 2.

Omnia-LC is an international, peer-reviewed, open-access journal dedicated to advancing interdisciplinary scholarship on language, literature, linguistics, translation, education, and related fields. The journal welcomes innovative theoretical, empirical, and methodological contributions that deepen our understanding of language and its diverse cultural, social, and literary contexts.

We welcome submissions in (but not limited to) the following areas:

Media, Press Freedom, and Cultural Production in an Authoritarian Age (Submission Deadline Extended, Now July 19, 2026)

CFP: Media, Press Freedom, and Cultural Production in an Authoritarian Age

 Co-sponsored by the Union for Democratic Communications, Project Censored and the Park Center for Independent Media

Oct. 23-24, 2026

Ithaca College, Ithaca, NY

Repetition governed the rhythms of early modern life through the practices of liturgy and prayer, the rote drills of grammar-school pedagogy, the iterative logic of print, and the rhetorical schemes (anaphora, epistrophe, ploce, tautology) that early modern writers were trained to use. Repetition could consolidate memory and community, generate affect, structure devotion, or signal decorum. Yet it could also misfire—becoming tedious, compulsive, alienating, or a mark of failure, excess, or exclusion. This panel asks what repetition did in early modern literature and culture, and for whom, treating it simultaneously as a stylistic device and a lived cultural practice.

How does lyric address create forms of relation across difference? This panel invites papers examining the intersections of poetry, lyric address, and peacebuilding, with particular attention to coexistence, care, responsibility, witness, repair, and collective life.

Northeast Modern Language Association 58th Annual Convention, Newport, RI, March 6-9, 2027 (Salve Regina University)

Deadline for abstract submissions: September 30, 2026 

Please submit abstracts via the NeMLA portal: https://cfplist.com/nemla/User/SubmitAbstract/22533

Philip Kan Gotanda’s play Yankee Dawg You Die centers a conflict between two Asian American actors. The aging Vincent Chang built his career playing bumbling Japanese soldiers and one-dimensional Asian stereotypes in classic Hollywood. He’s confronted by the up-and-coming Bradley Yamashita, who insists that Asian (American) characters should be played with dignity and accuracy. The heart of the play is an ambivalence about Asian (American) representation and whether viewers should sympathize with Chang for taking the only acting jobs available or with Yamashita in his condemnation of the racist roles—or with both.

Editors: Ruth V. Gross, Peter Beicken & Gernot Wimmer

Publisher: Brill

Theme: The Kafkaesque

CFP Reminder:

Special Session: Cultural Patrimony in Wartime: Destruction, Protection, and the Question of Ruling Classes

123rd Annual Conference, Seattle, Washington / Pacific Ancient and Modern Language Association (PAMLA)

Submission process:
Please send a 300-word abstract and a short bio (100 words) to amazuet@stanford.edu.

Final extended submission deadline: July 15, 2026.

This virtual seminar takes its inspiration from Saidiya Hartman’s citation of the Greek etymology of the word chorus: “to dance within an enclosure.” For Hartman, the chorus also furnishes a paradigm for thinking—to play on Jean-Luc Nancy’s notion—Black (non)being singular plural. In Wayward Lives, Hartman suggests that any of the minor figures can stand in for the others, not as a claim of homogeneity, but rather as a contention that their singularity can be read as paradigmatic of waywardness—in its queer heterogeneity—in general. The chorus of black femme and queer youth is thus at once a singular plurality and a plural singularity as they make beautifully riotous lives within the enclosure of social death.

How do medieval texts and artistic traditions conceptualize peace, forgiveness, mediation, and reconciliation? This virtual session invites papers exploring the representation of conflict resolution across literary, visual, religious, legal, and historical materials from the medieval world.

Contributions may examine emotional, political, spiritual, or communal dimensions of reconciliation, as well as tensions between violence and peace-making in narrative and artistic forms. Comparative and interdisciplinary approaches are especially welcome.

Call for Papers

Imagining the Global Past:
Antiquities, Early Modernities, and the Humanities Today

Research Symposium, May 17–18, 2027

University of Washington Division of the Humanities

Keynote Speakers: Russ Leo (Princeton, English Literature) and Andrew Hui (National University of Singapore, Comparative Literature and Sinology)

Organizer: Rhema Hokama (University of Washington, English Literature and Religious Studies)

Call for Abstracts/Chapter Proposals

SCREEN STORYTELLERS: The Works of Jaco Van Dormael

Edited by Albert Lee

Artificial Intelligence is reshaping how teaching and learning take place across educational contexts. This seminar explores innovative and evidence-based approaches to integrating AI into classroom practice, language education, skills development, and assessment.

We invite proposals that examine practical applications of AI in teaching and learning, including but not limited to:

Due to the rhetorical challenges of sharing the unmentionable, infertility is often underdiscussed in both Early Modern society and today. It has discomforted and continues to discomfort theologians, medical practitioners, politicians, scholars, and everyday people trying to build identities through societies deeply founded on the structure of the family. The very concept of family is built around parents and children–what happens when a couple is childless, what happens when the children aren’t materially seen, only known to the parents that lost them before birth? It has historically forced thinkers to grapple with their understanding of life and death, grace and agency, reality and the supernatural.

Contact us at gracls@austin.utexas.eduSubmission deadline: Saturday, August 15University of Texas at Austin
“Any thorough reading of a text out of the past of one’s own language and literature is a manifold act of interpretation”
- George Steiner

- LITERATURE FOR PEACE: NARRATIVES OF CO-EXISTENCE

Virginia Woolf’s Mrs Dalloway (1925) remains a cornerstone of the modernist literary canon. Often celebrated as Woolf’s greatest novel, the plot is set in post-World War I London and revolves around a single day in the life of its protagonist, Mrs Clarissa Dalloway, as she prepares to host an evening party. Beneath its seemingly simple plot, the novel exemplifies a profound exploration of consciousness, time, and the inner lives of characters through its extensive use of the stream-of-consciousness technique. Although narrated in a third-person omniscient voice, the narrative primarily focuses on the inner consciousness of the characters.

The International T. S. Eliot Society invites you to propose a conference paper for a guaranteed member society panel at The ALA (American Literature Association) Winter Symposium--"Music and American Literature" Jan 28-30 in Nashville, TN

NeMLA's 58th Annual Convention March 6-9, 2027 | Newport, RI 

I'm seeking participants for an APPA roundtable discussion on "The Poet in the Novel" at the upcoming ALA symposium "The American Novel: Forms, Genres, Traditions," to be held at the Drury Plaza Hotel in Santa Fe, NM, 5-7 November 2026.

Proposals on novels or experimental prose forms that feature a poet as protagonist will be welcome for this session. Our definition of "novel" can be as broad as your claims for it will support. Samuel R. Delany is likely to feature significantly.

For best consideration, please send a precis of no more than 500 words to mrh@unm.edu by Sunday, 19 July  

Please note: This CFP is for the SAMLA Conference in Atlanta, Georgia, Nov. 5-7, 2026.

Religion, Politics, and Cognitive Warfare: Information, Interpretation, Conspiracy, and the Struggle for RealityDetails

• When: October 1-3, 2026
• Where: Online
• Submission Deadline: July 15, 2026
• Sponsored by: The Journal for Cultural and Religious Theory (JCRT) in Collaboration with the University of Denver

Keynote Address: Militarizing the Mind: Cognitive Warfare from the Cold War to the Dark WebJason Ānanda Josephson Storm

How to Be a Global Humanist begins with the tension built into its title. The humanities, as an academic field, emerged through Western histories of learning and the institutions that made those histories legible as scholarship. Yet the practices gathered under that name exceed that narrow genealogy. Across the world, people have made meaning from language and image. They have preserved the past, taught inherited forms of wisdom, and argued over what human life is for. Such work does not need the construct of “the humanities” to authorize it. The better question is what the category reveals about the traditions it encounters, and what it renders difficult to see.

Host Institution: Sapienza University of Rome (Scientific Director: Prof. Federico Batini)

Conference Dates: December 2–3, 2026 (Rome) & December 4, 2026 (Perugia, Italy)

Official Website: www.sharedreadingaloud.com

Call for Papers: Short Fiction in Theory & Practice

Special Issue: ‘Writing Across Languages: Anglophone Short Stories by Multilingual Authors’

Guest edited by Elsa Court (University of Oxford), Nina Ellis (The American University in Cairo), and Sonya Moor (Manchester Metropolitan University).

View the full call here>>

https://www.intellectbooks.com/short-fiction-in-theory-practice#call-for-papers