Edited by Dr Helena Esser, Mollie Clarke, Dr Matt Crofts, and Dr Claire O’Callaghan 

Collaborative research between faculty and their undergraduates is not a new practice, and the pedagogy of collaborative projects has attracted, perhaps more recently, considerable scholarly attention. This roundtable examines the richness in the covenant instructors and their undergraduate research assistants enter when they embark on a scholarly project independent of a course’s requirements and outside the semester’s classroom. Given our undergraduates’ remarkable fortitude, resilient energy, digital literacy, and technological savvy, our work as scholars in our specific disciplines reaps enormous benefit when we harness our students’ creative abilities.

Call for Papers for volume 16, n° 1(31)/ 2023

ESSACHESS – Journal for Communication Studies

www.essachess.com

Crisis Communication and Challenges of Disinformation

in an Era of Information Warfare:

The Ukraine War

Complete call available here: 

https://www.essachess.com/index.php/jcs/announcement/view/37

Guest editors

Sorin NASTASIA, Ph.D., Associate Professor of Public Relations

Call for Chapters:

The Routledge Research Companion to Toni Morrison

Editor: Maureen E. Ruprecht Fadem, CUNY

This is a call for chapter proposals for The Routledge Research Companion to Toni Morrison. This companion text is intended for a scholarly audience and as support for newer Morrison scholars as they approach their research.

Each chapter of the book has a dual function: to offer a new reading of Morrison and to review the Morrison scholarship in whatever general terrain the chapter falls within:

This one-day conference, organised by the Leiden University Centre for the Arts in Society (LUCAS), invites you to share your research ideas and results in practices of comparative medievalism in arts and culture. We therefore invite contributions of papers that analyse cultural representations of the Middle Ages from the Early Modern period until the present.

Book proposals are invited for a series called Gender and Culture in the Romantic Era, published by Anthem Press (http://www.anthempress.com/).

Popular culture has been a rising area of interest in India, with dedicated departments of Game Studies, Media Studies, Visual arts and culture and many more. In the contemporary context, where the world has been miniaturised into the palm of our hands, with information available at the tip of our fingers, it becomes more important to question how we can include popular culture into the larger domain of academia, both in Humanities and in the Social Sciences. The Popular Culture Association, established in the USA in 1971, has taken the study and research in this domain to new heights.

The West Chester University Poetry Center is pleased to announce this Call for Papers and Poems for our virtual poetry and pedagogy conference,The Dramatic I/Eye: Reflections on Voice and Form in Contemporary Poetry, to be held November 11-12, 2022. Early Twentieth Century African American poet Sterling Brown once said, “every I is a dramatic I.” How many times must we remind our students (and ourselves) not to confuse the speaker with the poet when they are analyzing poetry? How many times do we anticipate that a poet’s work will give voice to a particular subject position, identity,  experience, or way of seeing the world simply because we’ve read their bio sketch? What happens when the poet or the speaker pushes the bounds of our expectations?

The Thirteenth International Milton Symposium will be held at the University of Toronto, Canada, 10-14 July 2023. The Symposium welcomes scholars from across the world for five days of lively discussion and convivial exchanges.

Plenary speakers

Achsah Guibbory
Lorna Hutson
Nicholas McDowell
Feisal Mohamed
Su Fang Ng
David Quint

The IMS Program Committee invites proposals for 20-minute papers, as well as roundtables, on all aspects of Milton studies, from established approaches to new and emerging ones.

 Live Xinema IV– Invitation to Participate

Building on the successes of the Live Cinema Conference held at King’s College London in 2016, the Live Cinema Summit at Sheffield Doc/Fest 2018,  and our online event Live Cinema III: The ReOpening in September 2020, we are convening: Live Xinema a new festival of research and innovation exploring the role of hybridity and liveness in the future of cinema.   The Xinema in this year’s title reflects the hybrid nature of the event (across platforms) and expresses the sense of a crossroads, of converging and diverging paths of development and innovation. 

We are considering three broad areas of enquiry:

This traditional panel session welcomes submissions on Louisa May Alcott, especially papers incorporating historical and biographical data. Abstracts addressing the conference theme of “Change” are especially welcome and are fitting for Alcott, whose work reflected massive changes, individual and societal, and whose influence has extended through changes beyond her lifetime. By September 1, 2022, please submit an abstract of 300 words, a brief bio, and any A/V or scheduling requests to Dr. Margie Burns, UMBC, at margie.burns@gmail.com or mburns@umbc.edu.

“Lesbian Aesthetics: Living Queer Lives With Ali Smith”

Proposals are due August 15, 2022; the Full manuscripts due December 15, 2022.

Editors 

Jaime Harker, 

Director of the Sarah Isom Center for Women and Gender Studies at the University of Mississippi; jlharker@olemiss.edu

Turner Nat Byrd, University of Mississippi; tbyrd1@go.olemiss.edu

Ali Smith is an anomaly in the contemporary publishing scene: an experimental writer

popular enough to be interviewed by the prime minister of Scotland; a lesbian writer lauded as

2022 Conference

“Futures”

2022 Meeting of the Society for Comparative Literature and the Arts

October 6-8, 2022

Xavier University

Cincinnati, Ohio

Keynote Speaker: Jean-Pierre Bekolo, Afrofuturist Film Director 

Call for Proposals

**Please note the updated deadline for submissions***

In his Timaeus, Plato hypothesizes that human beings participate in the same world-soul that animates the cosmos, a microcosm of the wider macrocosm. This analogy proved stimulating for the inhabitants of the Middle Ages and inspired them to explore the connections between the body and the wider universe, as well as the relationship between bodies. This conference likewise encourages scholars across the fields of medieval studies to examine the body, the human, and the spaces in-between.