Boundaries and Margins in Fantasy 

10th - 12th May 2023

University of Glasgow Online Conference

The Centre for Fantasy and the Fantastic is pleased to announce a call for papers for Glasgow International Fantasy Conversations (GIFCon) 2023 with the theme of 'Boundaries and Margins'. 

Carrie Paechter, in her article “Rethinking the possibilities for hegemonic femininity: Exploring a Gramscian framework” (2018)6, discusses the challenges and possibilities of conjuring a space where the discursive model of feminine essentialism can be better perceived as a binary opposite of hegemonic masculinity and patriarchal oppression. A few popular generic spaces within the mediascape, where machismo claims a front row within the psyche of the audience, have hitherto been dominated by male leads. Since the early 2000s, media representation has been witnessing a tangible shift with the emergence of female leads. The characters played by women started appearing more convincing.

Following a ceremony (winter 2021) in which Barbados officially removed Queen Elizabeth II as head of state, Prince William and Kate Middleton visited Jamaica. They were met with protestors calling for apologies and reparations from the British Crown. At least five other former British colonies besides Jamaica, including Belize, the Bahamas, Grenada, Antigua and Barbuda, and St. Kitts and Nevis have also indicated a desire to sever direct relationships with the British Monarchy. Considering 2023 marks the 210th anniversary of Edward Long’s death, the author of the famous three-volume History of Jamaica (1774), how might we read Long’s illustrated book when the British Caribbean seems less British?

This seminar asks, what knowledges are produced through scholarly, pedagogical, and creative engagements with electricity?

This panel aims to bring together the theoretical, methodological and political concerns of literary animal studies and postcolonial studies. As theoretical frameworks, the intersection of the two is not always free of contention. For instance, certain seminal postcolonial texts such as Frantz Fanon’s Wretched of the Earth have been noted to affirm a strongly humanist position in advancing the political project of reclaiming the humanity of the racialized, colonized subject. Nevertheless, the last decade has seen the growth of a significant body of work in literary studies and other disciplines that considers multispecies entanglements from postcolonial perspectives.

CFP: Spatial Innovations in Rhetoric and Writing (edited collection)

This panel brings together diverse readings of the hotel as a peculiarly evocative transfer point in narratives of modernity and postmodernity. It examines the uncanny power of the hotel to symbolize many of the key attributes of modern and contemporary writing, cinema, art, and, indeed, subjectivity: freedom, mobility, anonymity, alienation, limitless self-recreation (to name a few).

We are soliciting chapters for a forthcoming book, Figures of Freedom in Anthropocene Fiction, a collection of essays examining how American literary, filmic, and televisual narratives have represented and reimagined themes of personal and political agency within the context of 21st-century aspirations and anxieties.

(For Abstracts)

Date of Conference: 16-17 November 2022.
On the Google Meet Platform.

HOW TO SUBMIT AN ABSTRACT: To present a paper in the conference, please email a 300-word abstract with a Title, Name of Presenter and Affiliation, and Presenter’s Email, to Rising Asia Journal’s Editorial Board member Professor Tuan Hoang: tuan.hoang@pepperdine.edu  

Please mention “Rising Asia Conference” in the subject line of your email.

The Conference Administrators will contact you with further details. 

In the rapid pivot to remote teaching at the beginning of the COVID-19 pandemic, many instructors turned to tools like Hypothes.is and Perusall that allow students to engage in social reading and annotation. These same tools are also built into many digital editions (like those in Literature in Context) and multimedia scholarly publishing platforms like Manifold and Scalar. The Digital Humanities Caucus calls for presentations on annotation in an eighteenth-century and/or contemporary context.

The 45th Comparative Drama Conference welcomes Lucas Hnath as its Keynote Speaker.

Abstract Submission Deadline:  15 October 2022

54th Annual Convention, Northeast Modern Language Association (NeMLA)

March 23-26, 2023

University of Buffalo

Niagara Falls, NY

Environmental Justice Pedagogies: Performance and Activism in the Humanities; ASLE Session

Sponsored by the Association for the Study of Literature and the Environment (ASLE)

The creative work of historical fiction brings a prior time and place, one known but unfamiliar, into the present. Jerome de Groot considers one purpose of historical fiction is to “challenge the orthodoxy and potential for dissent [which will] challenge mainstream and repressive narratives.” Its characters and settings represent the cultural issues and struggles of their own time while also asking readers to recognize that many of the same situations still exist and need attention. The social and racial marginalization of women in the United States has been gaining that attention in popular culture outlets, including a recent Saturday Night Live cold open.

Continually being transformed, the humanities have expanded into a discursive field of trends, movements, and methodologies that have appropriated the thoughts, ideas, and viewpoints from social and other sciences by transgressing and crossing traditional boundaries, limitations, and demarcations. The humanities which traditionally include the study of disciplines such as language, literature, arts, history, culture, and philosophy rarely prove to be “disciplined” as each one often tends to encroach upon prescribed and reserved territories of other disciplines not traditionally humanities labeled.