32nd Annual CDE Conference, Innsbruck (Austria), 2-5 May 2024

The German Society for Contemporary Theatre and Drama in English (CDE) is pleased to announce its 32nd annual conference (2-5 May 2024). It is organized by the Department of English at the University of Innsbruck and will be held as a residential conference at ‘Tiroler Bildungsinstitut Grillhof’ in Innsbruck.

Theatre in the Digital Age

Teaching the Literature Survey Course

In the winter of 2022, with the launch of ChatGPT and the pursuit of advancing Large Language Models, artificial intelligence (AI) and machine learning quickly appeared in the mainstream of the social, scientific, and artistic debate. While the use of AI in social and scientific development is widely accepted and advanced in art and creative work, the presence of AI is not so obvious and undisputed. Many artists reach for AI as a tool enabling them to accomplish their artistic intentions. At the same time, AI is not original and has already raised plagiarism and copyright problems within the context of the arts, including visual art.

Chapter proposals are invited for a volume on contemporary memory and literary studies edited by Dr. D. Sudha Rani ( VNRVJIET ), Dr. Rachel Irdaya Raj ( VNRVJIET ), Dr.Shashibhusan Nayak (GP Nayagarh).

The Northeast Popular/American Culture Association’s Race and Ethnicity area welcomes paper submissions from graduate students, faculty, collectors, writers, and independent researchers of popular culture.  NEPCA’s 2023 fall virtual conference will be held October 12 – October 14, 2023, via Zoom. The deadline for proposals is August 1, 2023.  

We encourage panel proposals, as well as, individual submissions. 

Papers are generally 15-20 minutes in length.  We also encourage works in progress, and informal presentations. The key expectations on presentations are that:

Call for Papers: Symposium on "The Identity of Fictional Characters"

Dates: November 15-17, 2023

Location: University of Alcala, Madrid, Spain

Submission Deadline: July 15, 2023

We are pleased to announce the Symposium on "The Identity of Fictional Characters" as part of the "International Comic Book Research Conference: Perspectives from Visual Culture." This symposium aims to delve into the nature of fictional characters, with a specific emphasis on exploring how the identity conditions of characters in visual media, such as comic books, differ from those in written works of fiction.

Northeast Modern Language Association (NeMLA) Conference 2024

Boston, MA

March 7-10, 2024

The lightning-fast pace of innovation in weak and strong AI, open AI, and natural language processing have jointly given rise to a developing need to reshuffle and refurbish most of our pedagogical and rhetorical practices. The growing use of GPT 3, Chat GPT, LaMDA, DELL E-2, Packback, and other AI-empowered algorithmic tools have pushed the field of rhetoric and composition to transform, giving rise to a grim scenario characterized by pedagogical emasculation, professional anxiety on the part of writing instructors and researchers in rhetoric and composition.

Gendered Marginalities at the Border(s): Intersections, Hegemony and Resistance in Contemporary Asia

Prisons and Poetry (Seminar)

Northeast Modern Language Association 2024 - Boston, MA (March 7-10)

“It is hard,” writes incarcerated poet Etheridge Knight, “to make a poem in prison.” And yet, poetry has long been a major form of literary production in prisons around the world. From Oscar Wilde to Mahmoud Darwish, celebrated poets have reflected on experiences of incarceration in their work. In the context of the U.S. mass incarceration, poets such as Jimmy Santiago Baca and Reginald Dwayne Betts have risen to fame during or after their imprisonment. Poetry has also been an important element of writings by many political prisoners, such as Wole Soyinka, Assata Shakur, and Leonard Peltier.

We are updating The Encyclopedia of American Indian Literature (Ed. Alan Velie and Jennifer McClinton-Temple) to include authors and works that have been published or gained prominence since the original publication. 

We welcome contributors to write biographical entries (500 words) on the following authors and works:

Dimaline, Cherie.

Erdrich, Heid.

Fasthorse, Larissa. 

Hobson, Brandon. 

Jones, Stephen Graham.

Nolan, Yvette.

Orange, Tommy.

Pico, Tommy. 

Cynthia Leitich Smith

Fasthorse, Larissa.  The Thanksgiving Play. 

Hobson, Brandon. Where the Dead Sit Talking. 

Orange, Tommy.  There, There. 

Bruchac, Joseph. Killer Enemies.

In line with the upcoming Southeast Asian Media Studies Conference (SEAMSC 2024), we are calling for paper submissions related to the conference’s theme: “Interrogations of Media, Sustainability, Development and Power in ASEAN”.

Academic papers such as original research papers and case studies are welcome to be submitted as long as it is related to the diversified topics of the conference; namely,
a) Media and Sustainable Development Goals;
b) Power, Media and Democracy;
c) Media and Environmental Sustainability;
d) Digital Media and Development;
e) Media and Cultural Diversity.

Take note of the following dates:

Abstract submission deadline: August 31, 2023

Details

• The conference will take place at Syracuse University from 8-10 December 2023.

Sponsored by:

• Henry Luce Foundation
• Syracuse University

Description

Third-generation African and African-American writers are defined as those born within the 1960s and beyond whose literary outputs examine the social realities in their society. Adesanmi and Dunton observe that “one of the most distinctive features of “third-generation” texts is the absence of a more-or-less rooted, totalizing and over-determining historical“traditionalist center” around which narrative point of view, thematization, language, and structure are orientated” (15). Their themes are mostly shaped by the events and experiences of people within the period. Dalley Hamish believes that “third-generation literature are shaped around recent ambivalent spatiotemporal imaginaries that exceed the national-generational framework” (15).