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International Conference for PhD students and young doctors — “Authenticity and Heritage”
March 7-8, 2024
Université Bordeaux Montaigne, UR CLIMAS 4196
From the Kennedy assassination to the moon landing hoax and QAnon, the United States have witnessed myriad conspiracy theories throughout their history. While the US is, of course, not alone in its love for conspiracies, conspiratorial rhetoric and conspiracy theories have been a fixture of US culture and politics for over two centuries. But even to this day, conspiracy theories are evoked both seriously and humorously from the political realm to popular culture, shaping public discourse and challenging established narratives.
The Creative Writing Studies Organization (CWSO) is now accepting proposals for the 8th Annual Creative Writing Studies Conference (CWSC) – our first in-person conference since 2020! The conference offers an exciting opportunity to rebuild past connections and create new ones. It will be held the weekend of October 20-22, 2023 at Shenandoah University in Winchester, Virginia.
Proposals for papers and workshops will be accepted through August 16, 2023.
We would love to see you in person. However, our world is different now, so with this conference we will continue to offer virtual options for both presenters and attendees to increase access and expand our community.
46th Comparative Drama ConferenceCall for PapersApril 4-6, 2024Orlando, Florida Abstract Submission Deadline: 15 October 2023
Papers reporting on original investigations and critical analysis of research and developments in the field of drama and theatre are invited for the 46th Comparative Drama Conference, hosted by Rollins College in Orlando, Florida, to be held April 4-6, 2024 . Papers may be comparative across nationalities, periods and disciplines; and may deal with any issue in dramatic literature, criticism, theory, and performance, or any method of historiography, translation, or production.
A Critical Companion to Dario Argento
edited by Fernando Gabriel Pagnoni Berns
Part of the Critical Companion to Popular Directors series edited by Adam Barkman and Antonio Sanna
In capitalism’s surplus economy, to “have plenty” frequently appears to have no bounds. The pursuit for plenty at times indistinguishable from the insatiable appetite for excess, it takes on the (ut)optics of capitalism. To have plenty becomes synonymous with the surplus and excess only available to those who wield the most power, hoard the greatest wealth.
“Plenty,” writes Tony Morrison, “in a world of excess and attending greed, which tilts resources to the rich and forces others to envy, is an almost obscene feature of contemporary paradise. This world of outrageous, shameless wealth squatting, hulking, preening before the dispossessed, the very idea of ‘plenty’ as Utopian ought to make us tremble” (xiv).
For over a century, studies of the medieval epic in romance languages have focused on questions of genesis, transmission, themes, symbols, and motifs, but the contributions from the non-human—but very real—natural world to this literature remains under-represented. These epics bear witness to a profound understanding of the inter-relatedness of all life forms and to the consequences of its denial. This session invites scholars from diverse disciplines to reconsider medieval romance epic traditions that reaffirm the bond between the human and non-human, and that address any human eclipse due to the discounting of the natural world.
CALL FOR PAPERS
Workshop on Migration & Health: Perspectives from South Asia
October 12 – 13, 2023
Seattle, Washington
Brief description:
Human migration is a defining issue of our time and is increasingly recognized as a global public health priority. Migration has long been linked to the transmission of diseases and health risks, especially in the era of epidemics which do not respect international borders. Scholarship on health and migration has examined the social, political, and economic production of diseases and their interaction with processes of migration, transit, legal status, and migrants’ incorporation into the places to which they migrate, over time – as well as their effects on the places of origin.
This panel invites papers that theorize the surplus of a literary object as something accidentally produced by that object. What is the substance and effect of this surplus? How is surplus figured in poetry, especially in poetics in or working in relation to the New York School? Following Stephen Best's assertion that "beauty is a force of erasure," papers might contribute theories of beauty in or as surplus. If art implies a frame but beauty can also erase that frame, papers might theorize framing in poetry and consider poetics that both constitute and move to exceed a frame. What else might constitute or figure surplus in poetry? Do New York School poetics figure a surplus of discourse or perhaps of thought?
In his 2001 book The Postcolonial Exotic, Graham Huggan describes book publishing as an “alterity industry” profiting from “the commodification of cultural difference” (12), in which authors of underrepresented backgrounds must balance their authentic stories against the norms and expectations that inherently shape traditionally published work.
This call for papers aims at bringing efforts geared towards the study of a much-neglected field of translation which is self-translation. Self-translation may look transparent and easy in terms of definition: an author or a writer translates his work into another language. This of course involves a bilingual attempt: an author writes a text in Arabic and then translates it into English or any other language. What are the problematics involved in this attempt is the main theme of this call for paper which will gather contributions in a publishable special issue once the reviews are completed.
he proposed session will analyze the complex images of women in Dostoevsky novels, focusing on the archetypal female characters in his major novels vis-a-vis other Russian realist novels, such as the works of Leo Tolstoy and Turgenev, investigating social and cultural gender norms of that period. The papers focusing on the image of femme fatale in the European novels will also be considered.
The proposed interdisciplinary panel examines the rich relationship of music and the literary works within various European literatures focusing primarily on the period from mid-nineteenth to the twentieth century, but presentations within a broader time frame will also be considered. We invite a wide range of papers investigating the author’s technique of representing music in literature, examining aesthetic, historical and cultural interactions between music and literature, audience and performers, as well as the relationship between the author and the composer, in real or fictional form
Pseudomorphism, a term introduced to art history by Erwin Panofsky in 1964, refers to the ostensible similarity between two works of art that actually emerge from distinct historical and artistic lineages. More recently, Yve-Alain Bois tried to revive the notion for the study of modern and contemporary art, while Pamela Lee’s work shows how the phenomena is becoming increasingly widespread, putting forth ‘a transhistorical, and perhaps transdisciplinary, agenda in the process’. This issue of re:visions invites graduate students and other scholars, researchers, writers, and artists to think through issues related to likeness/similarity and test bold comparisons, reflecting on the ambivalent nature of pseudomorphism.
Call for Papers
The ‘Ordinary Magic’ of Resilience in Anglophone Literatures:
Past, Present, Futures
22-23 February 2024
University of Stuttgart, Germany
Conference online (via Zoom):
21-22 September 2023
Call for papers | RCL nº. 59 | Media-Bodies: matter and imaginary
https://rcl.fcsh.unl.pt/index.php/rcl/announcement/view/6
Submissions deadline: July 31, 2023 changed to 22 September 2023 (full articles)
Expected publication date: December 2023
Editors:
Aida Castro (ICNOVA / I2ADS)
Maria Mire (CICANT / AR.CO)
UPDATED: The Northeast Popular/American Culture Association (NEPCA) is seeking paper proposals on the topic of Romance/Popular Romance Fiction for its annual conference.
NEPCA’s 2023 fall conference will be held as a virtual conference from Thursday October 12 to Saturday October 14, 2023. The deadline for proposals is August 1, 2023.
Updated topic and due date!
International conference | November 27-28, 2023
Alcalá de Henares, Madrid ES
KEYNOTES: Cathryn Halverson (Södertörn University), John Wills (University of Kent)
KEYNOTE ROUNDTABLE: Rewest Research Group (David Río, Amaia Ibarraran, Angel Chaparro, Amaia Soroa)
Çankaya University Journal of Humanities and Social Sciences is looking for original and well-researched interdisciplinary papers at the intersection of comparative literature, literary studies, literature and translation, language and translation studies, linguistics, foreign language education, translator education, and theory and cultural studies that fall within the scope of the Journal. The mission of the Journal is to facilitate a more expanded and participatory academic discussion on the theoretical and/or applied scholarly work under its scope, and to inform scholars and public about recent developments in these fields.
Title: The Ninth International Conference on Languages, Linguistics, Translation and Literature
Date:1-2 February 2024
Venue: Ahwaz, Iran
Website: WWW.LLLD.IR
General Description:
The Ninth International Conference on Languages, Linguistics, Translation and Literature is organized by different universities and research centers.
The conference will be dedicated to current issues of linguistics, languages, dialects, literature and translation.
1st UTAD Conference (Turkish Society for Theatre Research, TSTR)
"Origins"
TED University, Ankara, Türkiye
14-16 September 2023
Contact email: utadconference@gmail.com
Call for Papers
The global and digital connectivity of recent years has transformed creative writing infrastructure and practice around the world. Recent decades have seen a number of critical and popular publications exploring the history and practice of creative writing, from Marc McGurl’s “The Program Era: Postwar Fiction and the Rise of Creative Writing” (2011) to Lisa Jaillant’s Literary Rebels: A History of Creative Writing in Anglo-American Universities (2022). Yet, as these titles suggest, the critical focus has been on US and UK courses.
Conference: 24-25 August 2023
Conference online (via Zoom)
CFP:
Rethinking Masculinities
Issue Editors:
Prof. Niladri R. Chatterjee
Professor, Department of English
University of Kalyani, Kalyani, West Bengal
&
Mahamadul Hassan Dhabak
Assistant Professor in English
Department of Basic Science & Humanities
B V Raju Institute of Technology, Narsapur, Telangana
The 2nd Annual 9-Online Virtual Baseball Conference (October 12-13, 2023) invites original unpublished papers that study all aspects of baseball, with particular emphasis on history, literature, and social policy implications. Abstracts only, not to exceed 300 words, should be submitted no later than July 16, 2023, to co-directors Willie Steele (wdsteele@lipscomb.edu) and David Pegram (david.pegram@paradisevalley.edu) for the abstract committee’s consideration. Presentations will be limited to 15 minutes.