Homeros (E-ISSN: 2667-4688) is an international peer-reviewed journal that was published in 2018. The journal aims to include original papers in philology. In this context, high quality theoretical and applied articles are given. The views and works of artists, academics, researchers and professionals working in the field of philology are brought together. Articles in the journal; It is published four times a year including WIN (January), SPRING (April), SUMMER (July) and FALL (October). Homeros is a free-open access electronic journal. The DOI number is assigned to all articles published in the journal (DOI Prefix:10.33390/homeros).

The Carson McCullers Society invites proposals for presentations related to technology as imagined through the works and influence of Carson McCullers. From Miss Amelia experimenting with medical tinctures in The Ballad of the Sad Cafe to Frankie’s father working with watches in The Member of the Wedding, many of McCullers’ characters engage with technology overtly. However, in the spirit of the SSSL 2022 Conference theme, we also encourage potential panelists to think of technology in broad and creative ways.

CEA 2022: Birmingham

SPECIAL TOPICS PANEL: NATIVE AMERICAN LITERATURE

52nd Annual Conference | March 31–April 2, 2022
Birmingham Sheraton Hotel

This Special Topics Panel on Native American Literature seeks papers on any subject related to Native American/Indigenous Literature, including sovereignty, separatism, survivance, decolonizing pedagogies, transnationalism, settler colonialism, etc. Special consideration will be given to papers that address in some fashion the conference theme: Justice.

Vox medii aevi, an open-access peer reviewed journal on Medieval history, is accepting articles for the special issue "The second economic turn: new approaches to medieval and early modern economic history".

This panel session will be part of the Northeast Modern Language Association convention in Baltimore, MD, from March 10-13, 2022. All submissions must go through NeMLA's submission portal: Submit an Abstract (cfplist.com)

ISTANBUL KULTUR UNIVERSITYENGLISH LANGUAGE AND LITERATURE DEPARTMENTGraduate Seminar 2021Representation of Women in 20th and 21st Century Novel. “We the precocious, we the repressed of culture, our lovely mouths gagged with pollen, our wind knocked out of us, we the labyrinths, the ladders, the trampled spaces, the bevies – we are black and we are beautiful” asserts Helene Cixous deciphering the attributed meaning of being a woman (“The Laugh of the Medusa” 878). Throughout history, patriarchy has created a woman myth to define women’s sexual and gender identity, confining them into motherhood, madness, or monstrous images to devalue their role in society.

The Journal of the International Arthurian Society (JIAS) welcomes submissions for a special issue (2022, volume 10) on Arthurian medievalism, or post-medieval adaptations, re- imaginings and recreations of medieval Arthurian texts, artefacts and spaces (real or imagined). The guest editors seek especially interdisciplinary and co-disciplinary explorations of how Arthurian myth makes meaning in a range of media, including (but not limited to) literary texts, television, film, games, visual arts, architecture, commodity culture, experiential medievalism, the heritage sector, and geographical spaces.

Saudi women have always been perceived distinctly in both Arab and global communities. It’s not a secret that Saudi women have occupied the focus of international interest for a long time. Although this interest may come across as “care,” leading political global forces hide behind the promises of “caring” about women’s rights to achieve political gains. In the latter sense, this concept is manipulated and misused. The misuse of “care” has led to Saudi women’s “hypervisibility” as oppressed, powerless, inferior, and unheard while their true power is still invisible. Evidently, to communicate their unique perception of “care,” Saudi women have utilized different tools ranging from publishing traditional genres to posting on social media.

This panel holds space for depictions of embodied practices/practices of agency in bodies of women of color, queer, nonbinary, trans, and other subjectivities in postcolonial literature and literatures of the Global South. What is the relation between the body and exercising agency? How might we think of these practices as embodied and embodying: as practices done in/through/by the body, as well as practices that reify the body? What are the limitations of these projects, and to what degree are they successful? How might these practices be adopted by readers outside of the text?

CALL FOR PAPERS

Stanley Cavell: A Retrospective

Vita-Salute San Raffaele University of Milan

Palazzo Arese-Borromeo (Cesano Maderno), September 23th - 24th 2021 

Website: https://cavellretrospective.wixsite.com/september2021

The conference will take place physically at Palazzo Arese-Borromeo in Cesano Maderno (25 minutes from the city center of Milan), but will also be streamed on Microsoft Teams.

To attend online, click on the following links:

Laverne Cox’s debut role in Orange Is The New Black seemed to usher in a new era for trans representation. In 2014, TIME decreed that the “Trans Tipping Point” had arrived and heralded a path to trans acceptance through visibility on the screen. Yet this increase in visibility has not formed an antidote to rampant transphobia. In 2021, thirty-three states have introduced 117 bills to limit and curtail the rights of trans people across the United States. Public incidents of transphobia are on the rise. In this panel, we consider the effects of hypervisibility in a time of public transphobia across media, and critically consider what the task of representation entails.

**DEADLINE EXTENDED! Proposals Welcome Until Sessions Are Filled**

Please note: This cfp updates and expands the parameters of the session previously titled "Nnedi Okorafor: Destruction and Wholeness." We now welcome papers encompassing other authors of Africanfuturism and Africanjujuism, and Afrofuturist authors dealing with similar themes. The deadline has also been extended.

118th Pacific Ancient and Modern Language Association Annual Conference, Las Vegas: "CITY OF GOD, CITY OF DESTRUCTION" (Thursday, November 11 - Sunday, November 14, 2021 at Sahara Las Vegas Hotel, hosted by University of Nevada, Las Vegas)

2022 Hwa Kang International Conference

on English Language & Literature

Conference Theme:

Disruption, Transition, and Transformation

Organizers:

Department of English Language and Literature, Chinese Culture University

Language Teaching & Learning Center, Chinese Culture University

Date: May 7, 2022

Due to a high volume of requests, we have extended the Call for Papers deadline until 12 September 2021. For more information on the conference and on potential themes, please visit the dedicated website.