In 1931, Langston Hughes embarked on a tour of the southern United States, reading his poetry mostly at HBCUs in the age of Jim Crow. His goal was two-fold: he was both answering Mary McLeod Bethune’s suggestion that “people need poetry” and developing a formula for “making poetry pay.” As the Great Depression dragged on and the Scottsboro case lay heavy on his mind, Hughes understood the importance of art and the artist in providing perspective and spiritual strength to the community, but he also labored under hostile conditions that complicated every aspect of his journey.

The editors of Tinakori: Critical Journal of the Katherine Mansfield Society are seeking scholarly essays for publication in the sixth volume of the journal. Essays that address any aspect of Mansfield and her writing will be considered. Tinakori is committed to publishing innovative and rigorous research into one of the most significant women authors of the early twentieth century. It is an official online series recognised by the British Library with its own ISSN number: ISSN 2514-6106.

The Society for the Study of Southern Literature invites papers on the South and science fiction for a panel at the South Atlantic Modern Language Association’s 94th Annual Conference from November 11-13, 2022 in Jacksonville, FL. Papers may discuss any of the subgenres of science fiction, especially afrofuturism, post-apocalyptic, or alternate history, and may focus on any medium including video games, novels, movies, television, comics, etc. as long as the South or “Southern-ness” is a concern within the chosen text. We welcome presentations that offer to 'expand' the canon of southern literature and science fiction itself, especially papers that focus on works by BIPOC, AAPI, or LGBTQ+ writers.

Speculative fiction covers a broad range of narrative styles and genres.  The cohesive element that pulls works together under the category is that there is some “unrealistic” element, whether it’s magical, supernatural, or a futuristic/technological development: works that fall into the category stray from conventional realism in some way.   For this reason, speculative fiction can be quite broad, including everything from fantasy and magical realism to horror and science fiction—from China Miéville to Margaret Atwood to Philip K. Dick. This panel aims to explore those unrealistic elements and all their varied implications about society, politics, economics, and more. 

https://alastriapress.wordpress.com/mpca-maca/

CALL FOR PAPERS, ABSTRACTS, AND PANEL PROPOSALS in CULTURAL GEOGRAPHY

Midwest Popular Culture Association/Midwest American Culture Association Annual Conference

Friday-Sunday, 14-16 October 2022

DePaul University, Chicago, IL

TCAF 2022 Academic Symposium Call for Papers

Charles Reznikoff: Inscriptions (1894-1976)
International Conference
Université Paris Nanterre, France
June 1st-3rd, 2023

Keynote speakers: Norman Finkelstein, Michael Heller.

Contribute a chapter to the Open Access book "Social Aspects of Ageing - Selected Challenges, Analyses, and Solutions"

Register here to participate:

https://mts.intechopen.com/welcome?books_hash=dbf515446deb32a56696801cd224984d&editor_contacts=a80ac0e94&books_id=11479

About the Book:

CALL FOR PAPERS

‘The Unconscious and Everyday Life’ PPS Postgraduate Conference 2022 on:

Boundaries and Borders of the Unknown

To be held on the University of Essex Colchester campus and on Zoom Friday 27 and Monday 30 May 2022

Open to all current Postgraduate Research and Professional Doctorate students

2022 Call for Proposals

Annual Conference of the Peace and Justice Studies Association

The Vocation of the Peacemaker

University of Mount Union, Alliance, OH 

October 13 – 16, 2022

“Vocation is one’s response to a call from beyond oneself to use one’s strengths and gifts to make the world a better place through service, creativity, and leadership.  To speak of vocation or calling is to suggest that my life is  a response to something beyond myself.”

-Roger Ebertz, University of Dubuque [1]

CFP: Classics Illustrated: Adaptation and Appropriation in the Comics and Other Graphic Narratives

A collection organized to further the goals of Saving the Day: Accessing Comics in the Twenty-first Century, a joint outreach effort of the Alliance for the Promotion of Research on the Matter of Britain and the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture. (More information at https://accessing-comics-in-the-21st-century.blogspot.com/.)

Organizers: Nick Katsiadas, Slippery Rock University of Pennsylvania; Carl Sell, Lock Haven University; and Michael Torregrossa, Independent Scholar

CFP: Articles for the Victorian Jewish Writers Project

UPDATE:  EXTENDED DEADLINE FOR SUBMISSIONS: March 28, 2022

The International David Foster Wallace Society invites you to attend DFW 2022 in Austin, Texas. Special events at the Harry Ransom Center (home to Wallace’s archive), social events, and other presentations will be included, in addition to a wide variety of panels of Wallace criticism and commentary. 

Panels will be held at the University of Texas Glickman Conference Center. The keynote address by Pulitzer winner Jennifer Egan will be held at Jessen Auditorium in Homer Rainey Hall on Thursday, June 2. The keynote, sponsored by the Harry Ransom Center, is free and open to the public.

This traditional session welcomes submissions on any representation of nonhuman animals or animality in southern literature from the last century. With the development of posthumanism and human-animal studies over the last few decades, nonhuman animals in literature invite readers to no longer consider them as only symbols of human experience, but instead as literary agents of cultural change for both human and nonhuman worlds. Particularly, this panel seeks to explore how those nonhuman animals are active in southern literature. Panelists may be interested in examining nonhuman animals or animality in a single southern text, a southern author’s oeuvre, or an entire southern genre.