The Ralph Waldo Emerson Society invites participants in a panel at the 53rd Annual Meeting of the Society for the Advancement of American Philosophy, to be held March 12-14, 2026, at the University of Nevada, Las Vegas.

The topic of the panel is “Emerson and Power.” Papers may consider topics such as power and moral virtue, power and solitude, power and society, power and agency or disposition, power and metaphysics, power and spirituality, power and democracy, and other related topics. The Society also welcomes proposals that view the term power globally, in moral, aesthetic, spiritual, or political terms.

This panel explores how immigrant and multiethnic writers in the U.S. (re)generate identity and cultural belonging through literature, language, and storytelling, focusing on experiences of (un)belonging, displacement, and fractured selfhood.

Call for papers
"Green Tagore: Culture, Environment and Sustainability".

CFP for a peer-reviewed volume: “Caring for the Other/ the particular others in 21st-century narratives”
Editors: Iwona Filipczak and Joanna Klara Teske
Publisher: BRILL | V&R unipress
Deadline for abstracts: November 10, 2025

This conference aims to explore the literary, artistic, and cultural reception of ancient Greece through the prism of the relationships between texts and images in Europe from the 14th to the 16th century. How are the different visual and textual forms associated in this context? How was the alliance between text and image integrated into the processes of reception of ancient Greece, in the broad sense defined by Lorna Hardwick i.e., both the reception of its knowledge and texts, and the development of representations of ancient Greece? What does the collaboration between literary and visual creation bring to the various forms of reception of ancient Greece?

American Academy of Religion-Western Region Annual Conference, University of Nevada, March 13-15, 2026

Jewish Studies
Roberta Sabbath, University of Nevada, roberta.sabbath@unlv.edu
Alexander Warren Marcus, University of Albeta, awmarcus@ualberta.ca

In line with American Academy of Religion, Western Region's 2026 Conference Theme, Religion, Technology, and Innovation, the Religion and the Arts unit this year explores technology and the arts, as well as religion and artistic expression more broadly. We will also consider papers related to art, technology, religion, and politics taking place in the United States and abroad, including cases such as those of a US funded genocide in Palestine and ICE raids wreaking havoc across cities and towns in the United States. In these cases, we are interested in how artists use technology both as forms of resistance against human atrocity and as a means of artistic innovation to raise awareness. Topics of possible interest include:

To designate a space as “Southeast Asia” is already to engage a particular epistemology and toponym. Conveniently positioned as the marginal extension of both Indian and Chinese spheres, hence the colonial coinage of “Indochina,” the landscape of what we now call “Southeast Asia” (SEA) emerges from intersecting, if not competing, imperial imaginaries. A regional construct shaped by strategic demarcation and modern taxonomies, SEA (Đông Nam Á, Asia Tenggara, Asie du Sud-Est, Asia Selatan-Timur, Timog-Silangang Asya, Echia Tawan-ok Chiang Tai, Dōngnányà/Nányáng) has been translated into political discourse and variously reappropriated in local languages and scholarly traditions.

Submission call - Epitaphs Magazine - Issue 3

https://epitaphs-magazine.weebly.com/

For the third issue of Epitaphs, we invite writers, artists and academics and everything in between to submit their short-form Gothic or Horror work on the following theme: Rest. 

The theme can be understood as literally or as figuratively as needed. We encourage contributors to think about the many meanings of rest within a Gothic/Horror context. 

Works can relate to: 

• Final rest

• Calm and relaxation

• Rest in peace 

Conference online (voa Zoom):

23-24 October 2025

CFP:

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Conference online (via Zoom)

25-26 September 2025

Deadline for proposals: 7 September 2025

Scientific Committee:
Professor Wojciech Owczarski – University of Gdańsk, Poland

Professor Polina Golovátina-Mora – NTNU, Norwegian University of Science and Technology

 All details: https://www.inmindsupport.com/loneliness-conference

CFP: 

Call for Papers

Asian Popular Culture / Asian American Experiences

Southwest Popular / American Culture Association (SWPACA)

47th Annual Conference, February 25-28, 2026

Marriott Albuquerque

Albuquerque, New Mexico

https://www.southwestpca.org

Submissions open: September 1, 2025

Proposal submission deadline: October 31, 2025

Proposals for papers and panels are now being accepted for the 47th annual SWPACA

The Victorians Institute Journal (VIJ) is an award-winning scholarly journal of Victorian and Edwardian literary and cultural studies. The VIJ publishes a variety of pieces—including articles, reviews, and rare texts—and is accepting submissions for Volume 53 through February 1st. For further details on the Victorians Institute Journal, visit https://vijournal.org/.

Article submissions should be between 7K-9K words, and are welcome to address any aspect of Victorian and Edwardian literature, art, and culture. If you would like to submit a review for consideration, contact us directly through our email: victoriansinstitutejournal@gmail.com.

We invite proposals that explore themes of kinship and mediated differences for our dynamic book series! 

Since 2021, we have published eight volumes which delve into a range of topics and use wide-ranging methods, with several more books scheduled for publication in the coming years.  We invite monographs as well as edited collections and are excited to receive inquiries about completed projects as well as ideas that are still in development. 

Research in the Age of Artificial Intelligence

Call for Proposals

A Virtual Conference
12–13 March 2026

Sponsored by the University Writing Program at the University of Florida

Details

Like stories themselves, forests have little respect for geopolitical boundaries. And like forests, stories have always played a crucial role in human imaginations around the world. The wide distribution of forests across most of the planet's biospheres suggests that stories about forests, as well as the stories that forests tell, should be understood in relation to literary and theoretical encounters both with plants and with the planet. While discourse on climate change focuses on deforestation and reforestation in relation to the problem of dangerously increased carbon dioxide levels, trees and forests are treated in large part instrumentally rather than as agents in their own right.

In Poetics of Dislocation, Meena Alexander recalls her childhood migration as an experience of “unselving.” The ocean that makes her an immigrant also dissolves inherited identities. Yet this loss, for Alexander, is generative: a crucible of poetic vision, where the self, fluid as tidewater, reshapes itself from poem to poem, contouring itself to each new shore that it meets. 

This is a call for papers for a hybrid session at the Northeast Modern Language Association Conference in Pittsburgh, PA which will take place March 5-8, 2026. Please see this link for the CFP and to submit through the NeMLA site: https://cfplist.com/nemla/Home/S/21963 .

Edouard Glissant and Michael Wiedorn call us to “think” with or like a geography. Evolving out of cultural studies, island and archipelagic studies have spurred a conversation regarding the connection between geography and culture. While Glissant and Wiedorn were particularly preoccupied with thinking (like) an archipelago, it is possible yet to conceive of other modes of geographical thought. Transatlantic, island, and even aquatic matrices of culture and geography have been well documented and studied. This panel welcomes submissions in the field of archipelagic and island studies and is particularly interested in papers exploring methods of geographical thought, the relationship between geography and culture, in the US South.

We invite submissions for a paper panel themed “Non-Western Aesthetics: Rhetoric, Resistance, and Representation” – an exploration of aesthetics from diverse cultural perspectives, non-Western rhetorical traditions, and globalized literary theory. Our aim is to examine non-Western, non-hegemonic discourses from non-White nations that incorporate indigenous critical approaches and local theories within artistic and literary practices. We are particularly interested in South and Southeast Asian literary and cultural studies.

Broad areas of exploration may include, but are certainly not limited to, the following literary and cultural theoretical perspectives:

The Harry Ransom Center at the University of Texas at Austin invites applications for its 2026–2027 research fellowship program. Up to 50 fellowships will be awarded to support projects that require substantial on-site use of the Center’s internationally renowned collections in all areas of the humanities, including literature, photography, film, art, the performing arts, music, and cultural history.

Second Conference of the European Children’s Literature Research Network.
Munich, Schloss Blutenburg, International Youth Library

19-21 October 2026

Concept Note

The rapidly escalating planetary crisis has precipitated a profound epistemic rupture, compelling the humanities to reconfigure their disciplinary coordinates in dialogue with the ecological. The evolving domain of ecological humanities has taken on the task of interrogating not only the material devastation wrought by extractive capitalism, militarised modernities, and petrochemical globalisation, but also the conceptual frameworks—ontological, epistemological, and ethical—that have historically sustained such devastation.

De-extinction - the resurrection of extinct species by back breeding, gene editing or synthetic biology - is a rapidly advancing biopolitical technology of conservation science which aims to create proxies of previously extinct species. This collection advances that de-extinction is a cultural and political phenomenon that intersects, communicates, and speaks to the limits of scientific discourses. It offers an intervention into debates about de-extinction from the rich and innovative perspectives of the humanities, social sciences, and creative arts.