Faulkner's Bodies: Faulkner and Yoknapatawpha, 2025
Faulkner and Yoknapatawpha 2025
“Faulkner’s Bodies”
July 20-24, 2025
University of Mississippi
Announcement and Call for Papers
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Faulkner and Yoknapatawpha 2025
“Faulkner’s Bodies”
July 20-24, 2025
University of Mississippi
Announcement and Call for Papers
Thinking Beyond Brecht – Collective and/or Artificial Intelligence
Panel sponsored by the International Brecht Society
Modern Language Association Convention (January 9 – 12, 2025), New Orleans, LA
International Conference
on
WRITING THE NON-HUMAN: ANIMAL NARRATIVES BEYOND THE HUMAN LENS
Organised by
Department of English
University of North Bengal
In collaboration with
University of Milan, Italy
Film and History
Chair: Michael Modarelli, Walsh University. mmodarelli@walsh.edu
While this area welcomes presentations on a wide range of film topics contributing to popular culture, we are epically interested in papers that explore the following:
Studies in the Novel: Call for Proposals for Special Issue, Winter 2025
Each year, SAMLA is pleased to accept nominations of outstanding creative work written by graduate students. The award alternates yearly between Prose and Poetry.
The 2024 edition honors Prose, and the prize includes a $250 honorarium, publication of the winning work in the South Atlantic Review, and complimentary registration for SAMLA 96 in Jacksonville, FL.
Digital Research in the Humanities and Arts (DRHA) 2024
Banal Devices: Everyday technology in globalized technocultures
University of Music and Theatre Munich, 8-10 September 2024
What systems and devices are relevant in people’s everyday lives, beyond the globalized dreams and universalising narratives professed by big tech and state bodies in the Global North? This question will be the starting point for DRHA 2024.
Breaking New Grounds.
Democratising Gardens and Gardening in Great Britain, 19th-20th centuries.
Date: 27 September 2024.
Venue: Université Paul-Valéry Montpellier 3.
A one-day conference organised by Clémence Laburthe-Tolra (Université Paul-Valéry Montpellier 3, EMMA) and Aurélien Wasilewski (Law & Humanities, CERSA, UMR 7106, Université Paris-Panthéon-Assas).
In today’s rapidly changing global landscape, hospitality emerges as a pivotal focus in academic discourse, especially within Western geopolitical contexts. Hospitality, as a mode of conduct, garners both ardent enthusiasm and staunch opposition. As a concept, it presents both notable limitations and diverse modalities. This multidimensional notion encompasses a right, a privilege, an obligation, an act of sympathy, and an expression of charity. It shapes and is shaped by various environments, from tangible spaces and places to non-places and heterotopias (as articulated by Marc Augé). Its expansive research potential warrants a thorough, interdisciplinary exploration.
Steeped in the wide-flung diaspora of the Gothic mode, the Southern Gothic is one of the most prominent ways the South is represented in media and culture. Represented in the works of writers as varied as Carson McCullers, Flannery O’Connor, and William Faulkner to Cormac McCarthy, Cherie Priest, and Jesmyn Ward, whether categorized as a form, a style, or a genre, the Southern Gothic is bound up with the specificity of regional cultural anxieties about race, class, gender, sexuality, history, and geographic identity itself. From its most stereotypical depictions to more nuanced, complex interpretations, the Southern Gothic shapes the wider perception of regional identities in ways that invite our contemporary scholarly engagement.
But Guyon all this while his booke did read,
Ne yet has ended: for it was a great
And ample volume, that doth far excead
My leasure . . . . (2.10.70.1-4)
Call for Papers: The Routledge Companion to Sylvia Plath
This call for papers invites submission to The Routledge Companion to Sylvia Plath, edited by Janet Badia, Julie Goodspeed-Chadwick, and Emily Van Duyne. The collection, now under contract, will be a new addition to the Routledge Literature Companions series—highly regarded, field-defining volumes that showcase exciting areas of literary studies. These volumes are ideal introductions for beginners and useful volumes for those already working in the field. By design, they summarize current scholarship while simultaneously highlighting emergent approaches to authors and areas of study.
Rocky Mountain
Modern Language Association
English Nineteenth-Century Panel
October 10-12, 2024
Las Vegas, Nevada
Abstract Deadline: April 1, 2024
25 October 2024
University of Florida
Gainesville, Florida
Call for Proposals
SAMLA’s 96th annual conference, Seen and Unseen, will be held at the Hyatt Regency Jacksonville Riverfront in Jacksonville, FL this year from November 15-17. Those accepted must be members of SAMLA to present. You can find more information at: https://southatlanticmla.org/
2024 MMLA Annual Convention: November 14-16, 2024, Chicago, Illinois
Creative Writing II: Poetry Permanent Section CFP
“Health in/of the Humanities”
Government Arts and Science College
Affiliated to Manonmaniam Sundaranar University, Tirunelveli, Tamil Nadu, India. Nagalapuram, Tamil Nadu, India.
In collaboration With
NMS SVN College, Nagamalai, Madurai.
Affiliated to Madurai Kamaraj University, Madurai, Tamil Nadu, India.
In light of the resurgence of interest in the historical novel, this panel invites papers that reflect on, periodize, or contextualize the genre’s dominance in African literary production, past and present. Bio and paper abstract.
Deadline for submissions: Wednesday, 13 March 2024
Lily Saint, Wesleyan U (lsaint@wesleyan.edu ) Farah Bakaari, Cornell U (fmo8@cornell.edu )
SAMLA’s 96th annual conference, Seen and Unseen, will be held at the Hyatt Regency Jacksonville Riverfront in Jacksonville, Florida this year from November 15-17. Those accepted must be members of SAMLA to present. You can find more information at: https://southatlanticmla.org/
Literary Monsters Panel
Transcultural Encounters 4:
Discourses and Regimes of In(ter)dependence
Conference at the University of Oulu
Monday, August 19 – Tuesday, August 20, 2024
Abstracts by e-mail to moussa.pouryaasl@oulu.fi by April 30, 2024.
Please check updates on conference program and other information at
Conference: 13-14 June 2024
- in person (Gdansk, Poland)
- online (via Zoom) Scientific Committee:
Professor Wojciech Owczarski – University of Gdańsk, Poland
Professor Polina Golovátina-Mora – NTNU, Norwegian University of Science and Technology
CFP:
How do we remember and represent our migration experiences? Who is involved in these processes? How does history remember these events? What helps migrants and societies to adapt? The significance of these and related questions have made their way into our daily lives, from the refugee crisis to policy decisions, individual psychotherapy to (re)building identities, communities, and memories.
Dreaming of Christmas: Rediscovering the Nineteenth-Century Anglo-American Christmas Story
Please send proposals of roughly 300-500 words, a short bio, and any other enquiries, to editors Monika Elbert (elbertm@mail.montclair.edu) and Thomas Ruys Smith (thomas.smith@uea.ac.uk) by May 1st 2024.Final essays (roughly 7000 words) will be due by October 15th 2024.
The Society for Textual Scholarship invites proposals for our 2024 conference hosted by the University of Tulsa, June 6-8, on the theme Text Under Pressure. The deadline for proposals is Monday, March 18.
Texts manifest many varieties of creative, social, and political pressure in their expressive content and form. But text is also often a matter of technological pressure: printing techniques rely on the pressure of a platen, roller, or squeegee; other recording and playback processes require the pressure of a stylus, a chisel, a nib, or the gentle pulse of a wifi wave. Such pressurized circumstances, symbolic and material, reveal core issues of textual production, circulation, reception, and contestation.
We are seeking proposals for paper presentations (individual or special session) across all areas of film & media critical studies. Sessions will likely be organized topically and according to SCMLA's traditional Regular Sessions in 'English-language Film' and 'Global Film.' The topic is broadly conceived and open, and approaches may favor criticism, theory, history, or additional approaches.
One or more sessions in film and media studies will be held during the SCMLA annual meeting in New Orleans from 19-21 September 2024. Please see the general CFP for more information -- https://www.southcentralmla.org/conference/
The London Arts-Based Research Centre
Presents:
Sacred Arts: Exploring the Spiritual Dimensions of Artistic Expression and Ritual
Birkbeck, University of London
May 11-12, 2024
May 11 will be at Birkbeck (for both in-person and online presentations)
May 12 will be held fully online.
COnference webpage: https://labrc.co.uk/2024/02/09/sacred-arts/
Giselle Anatol, in her articulation of the postcolonial Gothic in young people’s fiction, considers the ways in which familiar living spaces become unfamiliar, and how this “represents both the epitome and the deformation—a haunting, in essence—oftraditional notions of home, a place that is supposed to provide safety, security, contentment, and happiness ("Brown Girl Dreaming: A Ghost Story in the Postcolonial Gothic Tradition"411).
Following the success of our conference in 2022, the SFF will be organising a further two-day online event in partnership with Anglia Ruskin University on 7-8 December 2024.
The theme of the conference will be Women in the Black Fantastic and will mark the 40th anniversary of Octavia E. Butler winning both the Hugo Award for Best Short Story and the Nebula Award for Best Novelette.
To mark the 150th issue of Foundation in spring 2025, we would like to include contributions on the topic of sf from 150 years ago, published during the 1870s. Darko Suvin once proposed 1 May 1871 as the starting-point for sf – the day that Edward Bulwer-Lytton’s The Coming Race was published, George Chesney’s The Battle of Dorking began serialisation, and Samuel Butler submitted Erewhon to his publisher. Jules Verne, however, was already in full swing and he would soon be joined by such contemporaries as Camille Flammarion. Where else can we trace the roots of science fiction in the 1870s? How can we reassess the writers we know and who are the writers we need to rediscover?
We are pleased to announce our next essay-writing competition. The award is open to all post-graduate research students and to all early career researchers (up to five years after the completion of your PhD) who have yet to find a full-time or tenured position. The prize is guaranteed publication in Foundation in 2025.