From the very first traces of written poetry, poets have been inspired by their peers: whether with elegies, odes or allusions to the poets they admired, they have always incorporated figures of poets and other poetic texts in their own poems. Intertextuality abound from the classical texts (quotations, sources and models) by earlier poets, for instance Ovid, Virgil or Cato. Some of their contemporaries, like Tacitus, have questioned the ideologies of their predecessors. Closer to us, Milton in his 16-line “On Shakespeare” (1630) argues that no monument is a suitable tribute to Shakespeare’s oeuvre; Thomas Gray pays himself homage to Milton in “Elegy Written in a Country Churchyard” (1751).

HerBook: Women and Book Ownership in Europe, 16th-18th centuries

International Conference, Sorbonne nouvelle, Paris, 17-18 June 2022

Over the past decade, the media ecology has been dramatically shifting with the advent of online “overthe-top” streaming services, the streaming wars that followed, and the platformization of the web. As the distance between big tech companies and legacy media players rapidly dwindles, rippling effects can be felt across industries, audience practices, regulatory frameworks, and more. Simultaneously, the rise of streaming services also continues to provoke further theorizations on topics that have concerned media scholars for decades regarding the asymmetrical dynamics of power and influence as it relates to globalization processes, representation, identity, politics, cultural and national mediations, and economic development.

In Sensory Experiments (2020), Erica Fretwell argues that “literature is a sensitizing mechanism, not merely a representation but an amplification of experience,” positing literature as “a technology […] that has the potential to reproduce—not copy but produce more—feeling and […] to create more connections to the world by registering more differences in it” (28-29). Fretwell makes that claim in the context of her transatlantic study of the relations between American literature and the failed science of psychophysics as it developed in Germany at the end of the nineteenth century.

Trans Fandom

Chinese Creative Writing Studies

 Call for Papers (2nd Round)

Overview

JAm It!  is an annual, peer-reviewed journal of American Studies created by junior faculty, early-stage researchers, and PhD students. We publish academic articles, book reviews, and creative writing, favoring fresh and original contributions.

We aspire to be an inclusive and eclectic journal – an intellectual hub of exchange for a wide range of critical approaches to the field of American Studies, both in Italy and abroad. Each issue will feature a chosen methodology, with the aim of giving the broadest possible outlook on that particular branch. 

We are currently seeking contributions for our 6th issue.

The Fractured States of America

Expressions of interest are sought for contributions to a planned 2022 special issue of Australian Feminist Studies (Routledge/Taylor & Francis) devoted to the topic of ‘The Home’.  We anticipate publishing wide-ranging sets of ideas that capture the current and emerging challenges and opportunities for feminist thinkers examining aspects of the home and housing more generally.

We welcome contributions from scholars in any discipline, including architecture, built environment, design, sociology, social policy, geography, politics, anthropology, cultural studies, film, and literature.

This roundtable is part of the 53rd annual convention of the NeMLA, held March 10-13, 2022, in Baltimore, Maryland.

Care With(out) and Against the State 

The Year Without a Summer in Europe was among the reasons that inspired some nineteenth-century British writers to write novels and poems reflecting on the event and its effects on human relations. Works like Mary Shelley’s The Last Man and Lord Byron’s Darkness are among the examples that describe the feelings resulting from such an event, especially in Shelley’s work, in which many racial and political issues arise from such a crisis. How human beings care about each other in crises and what dilemmas result from such events are the focus of this session, as these issues are closely related to the most recent COVID-19 crisis.

Latin American Digitalities

Main Editors: Patrícia Anzini & Eduardo Prado Cardoso

(Deadline Extended to June 30th, 2021)

South Atlantic Review Special Issue: “Post-Normative?”

Guest Editors: Horacio Sierra, Bowie State University & Austin Svedjan, Louisiana State University

CONFERENCE CALL

MELOW 2021

THE 21st INTERNATIONAL CONFERENCE OF

MELOW (THE SOCIETY FOR THE STUDY OF THE MULTI-ETHNIC LITERATURES OF THE WORLD)

to be organized by

SHOOLINI UNIVERSITY, SOLAN, HP, INDIA, https://shooliniuniversity.com/ 

FROM 12 TO 14 NOVEMBER 2021

CONFERENCE THEME: ILLNESS, HEALING, AND THE LITERARY IMAGINATION

Dark academia is a recently emerging term of phrase describing not only an aesthetic within popular culture but also a type of genre involving an academic background, elements of the gothic, and the spectacular. Like the speculative supergenre, dark academia often borrows freely from other literary and cultural categorizations, in the way of crime fiction, classical Greek & British mythologies, artistic aesthetics, paranormalcy, romance, villainy, stoicism, and posthumanism. Oftentimes within dark academia, the Other represents a romanticized villain and/or monster with whom the reader and reviewer empathizes with. Through this romanticization, we often find that nostalgia for a colonial history takes centerstage.