The Wooden O Symposium invites panel and paper proposals on any topics related to the text and performance of Shakespeare’s plays. The 2020 symposium (our first virtual conference) seeks papers that investigate our 2020 theme: Shakespeare, Story, and Adaptation, as well as Shakespeare in times of hardship. 

Topics could range from the art and power of story-telling, legends and tales, or the drive to adapt stories. Papers may also cover the topics of playmaking in times of war, plague, and other hardships, digital or virtual playmaking, and the importance of theatre during these times. We welcome unique interpretations of these themes.

CALL FOR PAPERS

for a topical issue of Open Theology

"Women and Gender in the Bible and the Biblical World”

(second call) 

Edited by:

Zanne Domoney-Lyttle (University of Glasgow)

Sarah Nicholson (University of Glasgow)

DESCRIPTION

This panel is dedicated to discussing Eastern/Russian Orthodox traditions, morality, culture, hagiography, iconography, mysticism, practices, monasticism, and beliefs as they pertain to (or appear within) Russian and Slavic literature. Discussions of religious influence are critical to the study of many of the greatest Russian authors and poets--Dostoevsky and Tolstoy amongst many others. Still, little scholarship has explored how both Dostoevsky and Tolstoy had extraordinarily different views of the Orthodox faith and of Christianity in general, and how this might have influenced their existential perspectives of life and death, meaning and purpose, as well as their works.

CALL FOR PAPERS (updated May 2020)

Children’s Literature and Climate Change

Special Issue of The Lion and the Unicorn

Guest Editors:

Marek Oziewicz, University of Minnesota, Twin Cities

Lara Saguisag, College of Staten Island-City University of New York

SCMLA 77th ANNUAL CONFERENCEOctober 8-10, 2020

Whitehall Hotel • 1700 Smith St.  • Houston, TX 77002

Conference Theme: “Politics of Protest”

Call for Participants
Veteran Politics and Memory: A Global Perspective

Department of History, University of Warwick
16th and 17th April 2021 

The Short Story permanent section of the Midwest Modern Language Association seeks paper presentations related to the 2020 conference theme, “Cultures of Collectivity.” 

ANZAMEMS Conference Postponed Until February 2022

​We have been closely monitoring the situation in relation to coronavirus (COVID-19) and its potential impact upon the ‘Reception and Emotion’ conference in early February 2021.

Based on current Australian Government advice, we have decided to postpone the conference until 2022.

We are mindful of uncertainty prompted by the outbreak and cannot predict what impact it will have in the coming weeks and months.

Our primary concern is the health and safety of all involved in the conference, and we are aware of the need to ensure the conference is as safe an environment as possible for all.

Unrealized Futures: Post-Socialist Memory in German-speaking Literature and Culture (edited anthology)

We are currently inviting abstracts for contributions to a peer-reviewed edited collection that examines the socialist legacy in Eastern Europe in its relation to the present and the future. We would particularly welcome contributions that focus on German-speaking film, theater, and other media in order to complement already secured contributions that primarily focus on literature.

Elizabeth Wurtzel (1967-2020) is most famous for her controversial bestselling autobiographies, Prozac Nation (1994) and More, Now, Again (2001). These works are often cited as seminal in the ‘memoir boom’ of the late 1990s and early 2000s and established Wurtzel as a cult classic and an icon of her generation. Her writing spans across almost 40 years and includes journalism, personal essays (most notably Bitch: In Praise of Difficult Women (1998)), and other non-fiction. In the aftermath of Wurtzel’s passing in January 2020, a reappraisal of her literary career seems both timely and a mark of tribute. We welcome articles exploring the following aspects:

Undergraduate research has proliferated at community colleges over the last decade through course-based research experiences, multi-institutional collaborations, and federal funding. The spring 2021 Scholarship and Practice of Undergraduate Research (SPUR), guest edited by Jim Hewlett (Finger Lakes Community College-SUNY), will examine undergraduate research at community colleges. How is undergraduate research implemented at community and technical colleges? How is undergraduate research used to train the workforce? How have community colleges institutionalized undergraduate research?

Hello Digital Heroes!

We are excited to announce the relaunch of the Digital Heroisms Conference!

Given the effect that Covid-19 has had on the University of Glasgow and on all of us, Digital Heroisms will be moving online. It will be hosted in the world of Gielinor, in Runescape, to embody the spirit of Digital Heroism by connecting scholars from across the globe to exchange research in a Fantasy world.

We are reopening the call for papers from today, with an amended deadline of July 8th.

The conference itself will take place on August 5th.

Americana invites submissions in Media Studies, Cultural Studies, American Studies, Women's Studies, and American history etc. -- especially as it pertains to Americana popular culture, 1900 to present.

DEADLINE: 1 June 2020 for the Spring 2020 edition of Americana: The Journal of American Popular Culture, 1900 to present -- published late June/early July 2020

We welcome a variety of critical approaches on subject matter such as film, television, streaming shows, YouTube shows/channels, sports, bestsellers, venues, fashion, emerging popular culture trends, pop culture and technology, music, politics, style, quarantine, COVID-19, and other related topics.

Humans navigate personal and social relationships in the world through self-definition. Human nature is a capacious concept; one that has been challenged by diverse cultural revolutions in history. Today, as we stand at the crossroads of the human and the digital, technologies force us to reflect on how we view, create, and alter our selves through multiple media. As we enter the age of new media, and algorithms, the interpretations, perceptions, and representations of the self are continuously altered, while our identities become more fragile multiple and fluid.