This roundtable session is interested in resilience as a form of individual emotional labor that, like all emotional labor according to Arlie Russell Hochschild, places unequal demands on faculty who are untenured, contingent, or who identify in historically-marginalized identity categories. Academic identities are tied to the production of scholarly projects, and, according to Skovholt and Trotter-Mathison, one of the many benefits of resilience is that it can “stabilize or even increase work productivity” (Rozelle-Stone, 2020). Thus resilience focused on scholarly output can exacerbate already-exploited academic labor (Brouillette, 2014; Tokumitsu, 2015).

Revista Lusófona de Educação announces a call for papers for the thematic dossier Institutional Discourses of Authority on the School and the Education Systems: Circulation and (re)Production of Meanings in Education Research.

Guest Editors: Luís Manuel Bernardo (CHAM, Universidade NOVA de Lisboa, Portugal), Daniel Bart (Théodile-CIREL, Université de Lille, France) and Teresa Teixeira Lopo (CeiED-OP.Edu, Universidade Lusófona, Portugal)

We welcome contributions to this dossier that problematize the following aspects (the list is not exhaustive):

NIAGARA FALLS, NEW YORK
March 23-26, 2023
Location: Niagara Falls Convention Center
Hotel: Sheraton Niagara Falls

The study of violence works on constituting different angles through which violent actions take place, while also focusing on the difference in the morality of actions that are thus committed. Since everybody accepts facts in an interpretational setup, the realities of ground zero are ignored. The act of attaining knowledge, as Michel Foucault says, requires digging. Rather than interpretation there needs to be an understanding of the difference between the representative point of view and representation.

From Sabrina to Supreme, there are plentiful modern representations of the witch in popular culture, each exuding singular or group-sourced power borne from traditions of centuries-past, as manifested in literature, television, film, or local lore. But what about the lesser-known witches, those who practice and represent branches of witchcraft rarely examined within the subcultural analysis or fandom?

This panel examines portrayals of lesser-known witches and how their quiet unconventionality, even within the broader occult subculture, might inform scholarship, practice, and preservation. What can we learn by examining lesser-known witches or unconventional representations of the witch?

CALL FOR PAPERS

Body and Sexuality: Beyond Cultural Binaries

Roundtable on “Cross-pollination and Collective Action: Diversity and Decolonization across MLL”

Northeast Modern Languages Association (NeMLA) annual convention

Niagara Falls, NY

March 23 - 26, 2023

Submission Deadline: September 30, 2022 

***Deadline Extended***

Essence & Critique: Journal of Literature and Drama Studies invites submissions for a special issue of the journal on Myths, Archetypes and the Literary Arts.

The creative work of historical fiction brings a prior time and place, one known but unfamiliar, into the present. Jerome de Groot considers one purpose of historical fiction is to “challenge the orthodoxy and potential for dissent [which will] challenge mainstream and repressive narratives.” Its characters and settings represent the cultural issues and struggles of their own time while also asking readers to recognize that many of the same situations still exist and need attention. The social and racial marginalization of women in the United States has been gaining that attention in popular culture outlets, including a recent Saturday Night Live cold open.

Haunted houses are horrific locations, but they are funny places too. Buster Keaton found his way into a haunted house (The Haunted House (1921)); so did Harold Lloyd (Haunted Spooks (1920)). Bob Hope stumbled into several, as did comedy troupes like Our Gang and the Bowery Boys. Haunted houses turn up again and again in classic animation, as in Lonesome Ghosts (1937). More recently, filmmakers like the Wayans brothers and Tyler Perry have contributed to the haunted house comedy. Our collection hopes to excavate and understand this neglected strand, exploring some of the foundational connections between horror and comedy around the theme of haunted house.

This one-day conference, organised by the Leiden University Centre for the Arts in Society (LUCAS), invites you to share your research ideas and results in practices of comparative medievalism in arts and culture. We therefore invite contributions of papers that analyse cultural representations of the Middle Ages from the Early Modern period until the present.

This conference is organised to provide an environment for students, researchers, and enthusiasts to discuss ideas and foster contributions in the area of comparative medievalism. The event will take place at Leiden University, the Netherlands. Leiden is a beautiful city with a fascinating medieval heritage of its own.

Centre for Memory Studies, Indian Institute of Technology Madras
International Conference in Memory Studies

Memory in a Digital Age 
23-25 August 2022

Please consider submitting to our panel, 'Contemporary Environmental Writing and Literary Traditions', taking place at NeMLA's 54th Annual Convention, Niagara Falls, New York, 23-26 March 2023.

Speakers

Professor Catherine Spooner (Lancaster University)

Dr Xavier Aldana Reyes (Manchester Metropolitan University)

and featuring a Q&A and dramatic reading by Dacre Stoker

How can vampires help us heal?

In the 125th anniversary year of Bram Stoker’s Dracula, this interdisciplinary project examines the continuing history of the vampire from the 19th century to the present and explores how the vampire can function as a cultural figure of recovery, community, and regeneration.

UPDATE 16 May: The project is secured. We are hoping to improve the table of contents by adding one final contribution dedicated to culture-bound syndromes from the Arab world, the Middle East, Africa or indigenous communities.

We welcome chapter proposals on ANY cultural syndromes and their representations in popular culture BUT ONLY for these regions. For example:

- the evil eye (Al-Ayn, in Arabic), Djinnati

- Zar possession, brain fag, boufée delirante

- mental illnesses that are often attributed to evil spirits, also known as “jinns” etc.