IN VIVO ARTS (www.invivoarts.fr) is a bilingual online platform (French and English) specialised in multidisciplinary research on contemporary artistic creation, with a focus on the Performing Arts (theatre, choreography and dance, circus, performance art, opera) and Cinema.

In addition, given the hybridity of contemporary artistic forms, the platform hosts reflections on the written arts and non-cinematic visual arts (painting, sculpture, architecture, photography, installations, etc.), especially in their imbrication with the performing scenes and screens.

Call for Papers: In Vivo Arts Issue #1

Theme: ANIMALS

How can ordinary language philosophy’s (OLP) picture of language as a shared form of life foster resilience? For OLP, language is a peculiarly stable and resilient reservoir of meaning which we share. Speakers agree in language, in form(s) of life, and, “queer as it may sound,” Wittgenstein writes, in judgments. For Sandra Laugier, this is not intersubjective agreement but rather “as objective an agreement as possible.” When we are beset by pain, trauma, or skepticism, we can resiliently recover from this alienation of the self by recalling the shape of our lives in language.

DEADLINE EXTENDED!

South Atlantic Modern Language Association Conference (SAMLA 94), November 11-13, Jacksonville, FL

DIGITAL PEDAGOGIES, COMPUTATIONAL PRACTICES: DIGITAL HUMANITIES TOOLS IN THE CHANGING ACADEMY 

The Journal of Avant-Garde Studies (JAGS) and its guest editors invite submissions for the special issue “Las Vanguardistas: Women and the Avant-Garde in Ibero-America and the Caribbean”. By proposing this special issue, we aim to foster a global understanding of avant-garde movements and highlight the key role of Ibero-American and Caribbean women in the avant-garde scene from the 1910s to the present day. The geographical scope of this special issue includes Spain and Portugal as well as all Hispanic American countries in North, Central, and South America plus the Hispanophone Caribbean.

We welcome academic articles that focus on, but are not limited to, the following topics:

Language has always been a debatable issue in the postcolonial world. Starting from the debate between Achebe and Ngugi to today's multilingual scenario, language has been the heart of the conversation in postcolonial literary studies. Writers and theoreticians from the African continent and South-Asia have addressed the issue and role of language in constructing postcolonial identity in their works. Given the multilingual context of today's postcolonial world, discussion on language and identity is extremely important. This panel, thus, invites paper proposals on the questions of language and identity in contemporary postcolonial literature.

Topics:

1. Language and Identity

Conference Online (via Zoom platform)

22-23 September 2022 (via Zoom)

https://www.inmindsupport.com/memory-conference

Scientific Committee:

Professor Wojciech Owczarski – University of Gdańsk, Poland

Professor Polina Golovátina-Mora - Universidad Pontificia Bolivariana (Colombia)

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CFP: 

TTR – Traduction, terminologie, rédaction, vol. 36, no 2 (2023)

Thematic issue guest edited by Patrick Hersant

What are the mental operations and writing practices by which a text becomes, in another language, another text? In order to better understand how translations come into being, the journal TTR - Traduction, terminologie, rédaction proposes to examine an object of study that has long remained invisible or inaccessible: the working documents of translators, where strikethroughs and permutations, erasures and second thoughts, alternative wordings and successive corrections reveal a process that is as yet understudied:  translations in the making.

Fungi occupy a liminal position as neither animal nor vegetal but are intimately connected to both biologically: as Eugenia Bone notes, paying attention to the fungal teaches us that “everything that lives is plural.” Fungal lives are multiple and collective, and what Anna Tsing calls the “unruly edges” of fungal individuality betrays the fact that they are “always too many.” This bifurcated perspective modeled by fungal relational entanglements suggests “unsettling and symbiotic relationships” where an objectified environment subsumed by a masterful Anthropos is abandoned for the sake of intra-active becomings (as Karen Barad suggests).

The proposed interdisciplinary panel examines the rich relationship of music and literary works within various world literatures focusing primarily on the twentieth century, but presentations within a broader time frame will also be considered. We invite a wide range of papers investigating the author’s technique of representing music in literature, examining aesthetic, historical and cultural interactions between music and literature, audience and performers, as well as the relationship between the literary text and the composer.

An Anthology of Southeast Asian Eco-Writing

Call for Submissions

Editors Rina Garcia Chua, Esther Vincent Xueming, and Ann Ang are currently accepting submissions for an anthology of diverse eco-writing from Southeast Asian writers that explore interrelationships with geographies and spaces in the region.

Deadline for submission is November 30, 2022.

Women Writing Syria: Resilience, Solidarity, Movement

Call for Submissions

How do Syrian women writers, poets and artists imagine Syria, both before and after the revolution and war? Can we imagine Syria without war? Can Syria – as a site that is at once shared, divided and contested – inspire us to bring it into being through creative writing and arts? Could we make this imagined Syria a concrete reality? How can Syrian women’s narratives and voices be heard?

We invite contributions from Syrian women writers of fiction and non-fiction, poets, playwrights and cross-genre writers writing in English, Arabic and Turkish for the forthcoming anthology Women Writing Syria. Visuals by artists are also welcome.

"INSIDE VOICES"

Fan Studies Network – North America (FSN-NA) Virtual Conference
October 13–16, 2022

SUBMISSIONS DUE AUGUST 8

Thinking the Global South: Method, Theory, Strategy

15 October 2022

Keynote Speaker: Magalí Armillas-Tiseyra, Associate Professor of Comparative Literature, the

Pennsylvania State University and co-director of the digital platform Global South Studies.

If the term ‘Global South’, as Magalí Armillas-Tiseyra has observed, ‘serves as a placeholder or temporary

designation for something that it announces but does not properly describe’, its attention to the ‘global’ offers

us a ‘name for the desire to think expansively and therefore comparatively beyond established national,

Chairs: 

Matthew Lovett (University of Pittsburgh)

Julia Bruehne (University of Bremen)