Call for paper proposals

In periods of economic and cultural crisis, cui bono? Who benefits? How are accounts kept, and gains accounted for? Who is accountable and who is not? What forms does the balance sheet take? What is its narrative and who gets to construct it? How is creative accounting investigated?

The early to mid-twentieth century was a period of global economic crisis, revolution, and war that facilitated a shift of global economic and political hegemony from the British empire to the American. The Weimar Republic’s afterlife as a historical nexus of crisis lends itself especially well to issues of accountability and accounting.

This call for papers invites contributors to submit papers for publication in a university press. The anthology will gather analyses focusing on writers, artists, and others who have engaged with or represented aspects of a Black past. We are seeking works in literature, film, music, art, or any other relevant fields that incorporate elements of the Black past in a broad sense.

NeMLA: March 5 - 8, 2026

Location: Pittsburgh, PA

Session Type: Roundtable (this is a hybrid roundtable with in-person and virtual presentations allowed)

Full Call and Submission: https://cfplist.com/nemla/Home/S/21632

This roundtable explores how literature and allied forms of cultural expression regenerate acts of resistance across generations and geopolitical contexts. Centering on comparative studies of marginalized communities including Dalit, Black, Indigenous, and diasporic voices, this session interrogates how storytelling practices evolve to challenge hegemonic narratives and recover erased or silenced histories. Participants are invited to reflect on how forms such as autofiction, digital narratives, performance art, eco-poetics, or oral testimony function as regenerative tools that produce continuity between past traumas and present struggles.

You do not need to be a NeMLA member to submit a proposal.

NOTE: This session is hybrid. It will be seated and accessible on Zoom. Please indicate which you prefer when you submit your proposals. Thank you.

Annual Northeast Modern Language Association

57th  Annual Convention

March 5-8, 2026  in Pittsburgh, PA

at Wyndham Grand Pittsburgh Downtown.

            Aldous Huxley, who wrote in the 1930s, is famously remembered for his novels Brave New World and Island as well as for the essays he wrote for William Randolph Hearst. Jerome Meckler’s “Aldous Huxley: Dystopian Essayist of the 1930s.” reviews some of Huxley’s writing.

Prayer was central to religious life in the late medieval and early modern period. Despite growing scholarly interest in religious texts, devotional practices, and spirituality, prayer and prayer books remain comparatively understudied. Prayer could take on a multitude of forms and occur in a range of spaces, from public to secluded and private; from monastic, liturgical prayer to short, indulgenced invocations and meditative prayers that evoked a rich scala of emotions and mental images.  

Deadline Extended! Call for Proposals
Hate and NonHuman Listening
A Guest Series for Sounding Out! guest edited by Kathryn Huether
Submission Deadline: July 9, 2025, by 11:59pm PDT

Please send a proposed title and 300–350 word abstract to: kathryn.huether@gmail.com
Final pieces should be ~1200 words. Four will be selected for publication.

The Henry James Society 

Willa Cather: Forms, Genres, and Traditions

In honor of the 45th anniversary of the publication of This Bridge Called My Back, this panel seeks to explore the many ways in which ecocritical theory has expressed itself in the critical writings, poetry, prose, memoirs, and plays of Cherrie Moraga. In a time of extreme climate change denialism and the continued increase in global temperatures, directly leading to such climate disasters as the January 2025 wildfires in Southern California and the flooding caused by Hurricane Helene in the southern Appalachias in September 2024, Moraga's work will be read for approaches to climate resistance and positive change.

During the past years, there has been a renewed interest in the study of Central American cultural productions. As the geopolitical interests of the Americas and the world are shifting towards new configurations, the countries of Central America have also started garnering interest from scholars in the Americas and Europe. This panel seeks to foster a dialogue amongst scholars and researchers exploring new critical perspectives that analyze both new and classic works of literature and cinema from Guatemala, Honduras, Nicaragua, Costa Rica, Panama, El Salvador and Belize.

This panel interrogates early modern stationer signs by situating them within topographical and cultural contexts of the period. Before the advent of numbered street addresses, wooden signboards fixed in the frontages of printing houses and bookshops signaled sites of literary and social exchange. These signs did double duty: they were simultaneously public-facing trade emblems and paratexts in the title-page imprints of books they authorized. As uniquely biblio-visual arguments, then, they worked in concert to broadcast a stationer’s stock, specialization, and geopositioning in the book trade.

In the words of Nathan Crick, transcendentalism is a “rhetorical genre of public advocacy” and “a way of crossing a divide or reconciling a contradiction through a radical act of imagination whereby people are able to see and judge themselves from the perspectives of some distant and different ‘beyond’ (9). How can the transcendentalist philosophy of learning inform our 21st-century pedagogy of higher education, when GenAI is rising? GenAI's one challenge in higher education, especially in teaching writing and interpreting literature, is its increasingly seamless integration into digital devices, which has posed a threat of erasing learners' self or individual voice and perpetuating algorithmic bias.

Dear Colleagues,

I am editing a volume dedicated to the work of the prolific Italian poet and screenwriter Tonino Guerra (1920–2012). The book is under contract with Bloomsbury Academic. 

Guerra is perhaps best known for his collaborations with auteurs including Federico Fellini (Amarcord), Michelangelo Antonioni (Red Desert), Andrei Tarkovsky (Nostalghia), and Theo Angelopoulos (Voyage to Cythera), among others.