“WE THE PEOPLE:” Black People and Politics, From Past to Present

CALL FOR ABSTRACTS DEADLINE: NOVEMBER 22, 2024

Tuskegee University invites you to participate in our annual Black History Month International Symposium on Friday, February 21, 2025.

The symposium desires papers and panel proposals from students, faculty and independent scholars of all disciplines. We encourage you to present research on black people’s involvement in politics, political movements, literature, and the black experience throughout the globe.

Information for Potential Presenters:

Abstract: 200 words maximum

Deadline Extended: Submissions Now Due December 1, 2024 The Journal of the Midwestern Modern Language Association invites submissions for its fall 2024 issue on the 2023 MMLA convention theme of “Going Public.” The MMLA’s 2023 convention theme, “Going Public: What the MMLA Owes Democracy,” asked convention attendees to explore the following questions:

Banned Ideas: Challenges and Opportunities in the Current Political Climate A Roundtable Session at the 56th NeMLA Annual Convention

March 6-9, 2025

Philadelphia, PA

NEMLA 2025 theme is "(R)EVOLUTION”, submission deadline (UPDATED): October 15, 2024

This session is sponsored by the Diversity Caucus.

In recent decades, poetry performance has been one of the fastest growing arts practices internationally. Since movements such as Beat poetry, jazz poetry, and poetry slam have inspired performance scenes across the English-speaking world and beyond, innovative performance styles have emerged alongside new genres and styles of composition geared towards oral performance. The global reach of spoken word poetry has become highly noticeable in the arena of slam, evidenced by the diverse programmes of initiatives such as the 2005 ‘Poetry International World Slampionship’ in Rotterdam, the ‘Coupe du Monde de Poésie’ in France (since 2007), and the recently established ‘World Poetry Slam Organization’.

Ghosts: Hauntings, Folklore, History, Tourism, and Film

The University of Texas, Permian Basin | 5th Annual Halloween Conference 2024

The Department of History, Literature & Language at the University of Texas Permian Basin is pleased to announce its annual Halloween conference for 2024. This year’s theme, "Ghosts: Hauntings, Folklore, History, Literature, Tourism, and Culture," invites scholars, students, and professionals from all disciplines to explore the cultural, historical, and artistic significance of ghosts across various mediums and practices.

Call for Papers

Apocalypse, Dystopia and Disaster

Southwest Popular / American Culture Association (SWPACA)

46th Annual Conference, February 19-22, 2025

Marriott Albuquerque

Albuquerque, New Mexico

https://www.southwestpca.org

Proposal submission deadline: October 31, 2024

CONFERENCE - CALL FOR PROPOSALS

Towards the History of a Heterodox Tradition in Analytic Philosophy:

Transformative, Humanistic, Conversational

Vita-Salute San Raffaele University

Milan, March 20th – 21st , 2025

Keynote Speakers:

Adrian William Moore (University of Oxford)

Naoko Saito (University of Kyoto)

Organizers:

Expanding on the NeMLA’s theme of (R)evolution, this panel seeks proposals that examine the role that women of color authors and artists have played (throughout the centuries) in helping to change and revolutionize literature by and about, literary representations of, and literary studies focused on women of color in the United States.  It seeks work that examines how women of color have addressed and used their intersectional identities to change the American literary landscape, challenge the American literary canon, and changed how they and their communities have been viewed in the United States.  Proposals can also include how women of color have challenged issues within their own communities and used a multiethnic approach to help literature and liter

Call for Book Chapter Proposals: “The interrelation of social concepts and biodiversity conservation: Breaking down disciplinary silos to create a better planet.”

https://vernonpress.com/proposal/332/ef93e9a3eab3e230c347e9e0ed30d51b

Panel sponsored by the Women's and Gender Studies Caucus, NeMLA

March 6-9, 2025

 Multilingual poets write at the intersection of language, identity, and cross-cultural communication. Not only does the work of multilingual poets naturally create a space for innovation, but it also often serves as a broader commentary on the interplay between language and power. Every multilingual poet combines, leverages, or silences pieces of their complex identities, negotiating deeply personal nuances as well as socially constructed codes. Multilingual poets may choose to employ self-translation or multiple languages within a single poem, they may write separate works in different languages, or they may confine their work to a single language.

Our dependence on the past’s valuation of its own cultural products has become increasingly obvious in our ongoing interests in reshaping the canon and in decentering our humanities’  disciplines.  Certainly, the availability of digitized primary-source materials increases the range in newly available, even newly discovered texts.  However, our reliance on the digitized brings with it an obvious quandary as it can narrow the scope and constrain investigation of other exciting sources crucial to our scholarship but not deemed worthy of archiving.  They might be fragile, incomplete, or ill-preserved; they might be undocumented and uncatalogued.

Conference dates: March 6-9, 2025

Conference location: Philadelphia, Pennsylvania (IN PERSON ONLY!)

Deadline for abstracts: October 15, 2024 (EXTENDED)

Submit through: https://cfplist.com/nemla/Home/S/21015

Contact panel chair for inquiries: Noah Gallego (California State Polytechnic University, Pomona) @ noahrgallego@gmail.com 

“Rooted as it is by feminism, cyberfeminism is an imperfect umbrella term,” Mindy Seu frames her archival project Cyberfeminism Index. Though it traces the same exclusions and western biases of feminist history, she writes, the Web 1.0 term “cyberfeminism” also provides a quick shorthand for the much broader expanse of art, activism, community, and scholarship of its many branches, including “Cyberfeminism 2.0, black cyberfeminism, xenofeminism, post-cyber feminism, glitch feminism, Afrofuturism, and hackfeministas, transhackfeminism, 넷페미 (netfemi), 女权之声 (feminist voices), among others" (https://cyberfeminismindex.com/about).