Terrifier 3 (in cinemas at the time of sharing this call) has defied all expectations, attracting widespread commercial and critical success, and becoming the number one film in the USA. Since the creation of Art the Clown in the short film The 9th Circle in 2008, the Terrifier franchise has gone from strength to strength, challenging some of the fundamental assumptions underpinning Hollywood filmmaking over this period. Damien Leone’s films, boasting low budgets, a grindhouse aesthetic and an impressive level of envelope-pushing gore (bolstered explicitly by practical effects), have turned Art and Sienna into modern horror icons and continued to unashamedly appeal to genre fans.

**Call for Papers*
*Literary vs. Legal Language*

AICED-26

THE 26th ANNUAL INTERNATIONAL CONFERENCE OF THE ENGLISH DEPARTMENT,

UNIVERSITY OF BUCHAREST

LITERATURE AND CULTURAL STUDIES SECTION

29-31 May 2025

CALL FOR PAPERS

Writing in a World on Fire:

Perspectives on War and Climate Change

University of Bucharest, Faculty of Foreign Languages and Literatures

7-13 Pitar Moș St., Bucharest, Romania

New Feminisms, Politics, and Pop Culture: An Intertextual Anthology This edited collection is interested in the intersections of feminism, American politics, and popular culture. Right now, as feminism in general is forced to shift back to a focus on reproductive rights, the fourth wave is being splintered into those prioritizing this issue and those still focused on empowerment, intersectionality, and other issues original to the fourth wave. As more and more strains of feminism emerge, how might we understand their origins and place them in conversation with each other? Is feminism finally intersectional? If not, how do we get there?

“In olden days a glimpse of stocking / Was looked on as something shocking. / Now, heaven knows, Anything goes.” This epigraph begins Chris Jenks’ 2003 work Transgression, exemplifying the sense in which acts of transgression can have real, tangible, palpable effects on society. Jenks defines “transgression” as violating, infringing upon, or going beyond the limits set by a boundary or convention (2). Transgressive fiction, then, is the genre of literature that depicts various acts of boundary-crossing in order to analyze and criticize them for the purpose of reflecting upon the ideological constructions that its characters react against or wholly reject.

CFP: Heritage Tourism and Race in Early America

Panel for the Society of Early Americanists’ Biennial Conference

University of Notre Dame

June 5-8, 2025

READING NOTHING ACROSS LITERATURES: A HANDBOOK

“No friend is He who to his friend and comrade who comes imploring food, will offer nothing.” (Rig Veda CXVII)

“Did you rise to the crisis? Not a word, you and your birds, your gods – nothing.” (Oedipus the King)

“Nothing will come of Nothing. Speak again.” (King Lear 1.1)

“Some people think the future means the end of history. Well, we haven't run out of history quite yet.” 

- Captain Kirk, Star Trek VI: The Undiscovered Country (1991)

Building from a successful summer conference, this edited collection is about science fiction media in the 1990s. We are looking for high quality papers that examine science fiction properties and fiction during that decade. As several papers from the conference have already been selected, we are now calling for additional chapters for the collection generally related to the following topics:

Postcolonial Interventions (ISSN 2455-6564)

CFP for Vol. X, Issue 1 (January 2025)

Reviewing Diaspora: Dispersal, Dislocation, Diversities

Humanities Bulletin Journal - Call for papers
Submission Deadline: October 25, 2024
Vol. 7, No. 2 - November, 2024

ISSN 2517-4266

Humanities Bulletin is a multidisciplinary peer-reviewed Journal which features original studies and reviews in the various branches of Humanities, including History, Literature, Philosophy, Arts.
This journal is not allied with any specific school of thinking or cultural tradition; instead, it encourages dialogue between ideas and people with different points of view. Our aim is to bring together different international scholars, in order to promote the dialogue between cultures, ideas and new academic research.
The Journal is hosted by London Academic Publishing, London, UK.

RSAJournal, the journal of the Italian Association of American Studies (AISNA) seeks contributions for its n. 36 issue (September 2025) for both its General and Special Sections.

Full papers for the General Section, on any aspect of American Studies, should be submitted by January 31st, 2025, using our OJS portal, at rsa.aisna.net (which includes full submission and stylesheet details).

The Northeast Victorian Studies Association 2025

50th Anniversary Conference

April 4-6, 2025

Keynote panel with Kristin Mahoney, Nasser Mufti, and John Plotz

View the full call here >> https://nvsa.org/wp-content/uploads/2024/08/call-for-papers-nvsa-2025-1.pdf

We are seeking essay submissions pertaining to Henry James’s early stories and criticism, to be published by Vernon press. The working title of the collection is Writing as Revenge. We define James’s “early period” as anything he wrote up to The Portrait of a Lady. Please submit an abstract by October 31, 2024.

NeMLA's 56th Annual Conference, Philadelphia, March 6 to March 9, 2025: https://www.nemla.org/convention.html

Please consider submitting an abstract to the following CFP:https://cfplist.com/nemla/Home/S/21067

This roundtable invites educators to present their revolutionary approaches to language teaching in the post pandemic era, from AI integration, to project-based and task-based learning, to career preparedness. Contributions that address curricular innovations in all languages and learning modalities are welcome.