University of Surrey

27-28 September 2026

Northeast Popular Culture Association (NEPCA) Fall Conference October 15th to 17th - Online 

Call for Papers: Taylor Swift & Swiftie Studies Area 

Please submit abstracts of 250–400 words and a short 100-word bio to the linked form below.

The Taylor Swift & Swiftie Studies area, part of the Northeast Popular Culture Association (NEPCA) Fall Online Conference (October 15–17, 2026), features the newly established conference area and Digital Swift Symposium, a curated space for interdisciplinary scholarship on popular music, fandom, gender, authorship, and digital culture.

In our current postdigital condition, digital technology is so deeply embedded in everyday life that the distinction between technical and natural is becoming increasingly blurred and images have become mere byproducts of our embodied co-existence with digital media. At the same time, we see that visual forms are continuously rendered obsolete by the rapidly evolving algorithmic processes. In new media, we are no longer even looking at “the image” any more, but rather always only at a version of an image that can be infinitely modified. Cameras are regularly used to connect the eye and the machine in a way that serves no aesthetic goal, creating purely “operational images” (Harun Farocki).

We’re delighted to announce a new online event to mark Dickens’s passing. On this occasion, our theme does not dwell on the Inimitable’s death, but focuses instead on his ever-expanding life on the big and small screen. Dickens was first adapted for silent cinema in 1901, and since then his work has appeared countless times on film and television. Since Dickens’s Bicentenary in 2012, a number of significant screen adaptations have appeared, including Armando Iannucci’s Personal History of David Copperfield (2019), Steven Knight’s Great Expectations (2023), two Artful Dodger character adaptations, and multiple versions of A Christmas Carol.

The 123rd annual conference of the Pacific Ancient & Modern Languages Association (PAMLA) will be held in Seattle at the Hyatt Regency Seattle, from Thursday, November 12, to Sunday, November 15, 2026. 

Cultural History: 

In keeping with the presidential theme of the 2026 MMLA Conference, “After the Archives,” to be held in Chicago from November 12-14, 2026, papers that incorporate and/or interrogate the archives are welcomed for this year’s panel on American Literature before 1870.

We seek original research articles from across the arts, humanities, and social sciences on the theme of climate narratives of the future for the online research resource Climate Adaptation, an Oxford Intersection. 

What is Climate Adaptation and the Oxford Intersections?

Climate Adaptation is one of several recently announced Oxford Intersections from Oxford University Press. Each Oxford Intersection is an edited resource that deals with an urgent, cross-disciplinary theme (others include AI in Society, Borders, and Gender Justice). Each Intersection contains several sections. 

As the section editor for The Women’s Experience, I am writing to invite you to consider submitting a chapter proposal for consideration to be included in The American Research Handbook on Diversity, Equity & Inclusion, an edited scholarly volume that examines the evolving role of diversity, equity, and inclusion within American democracy and educational institutions.  

The Women’s Experience section seeks rigorous, thoughtful, and evidence-based analyses that examine gender equity, intersectionality, and the evolving role(s) of women in society at the present moment. 

Embodied Aesthetics:

The Body and Embodiment in the Arts and Arts-Based Research

(A Transdisciplinary Conference June 20-21, 2026)

When/Where:

June 20: at the Association of Jungian Analysts’ Centre in London and Online

June 21: Online only

Fees (for both attendees and presenters):
£180 (In person participation)
£100 (Online participation)

Call for Proposals

6th Annual Corridors: Blue Ridge Writing & Rhetoric Conference

Saturday, September 19, 2026

Radford University  |  Radford, Virginia

Conference Theme

Writing Home: Where the Power of Place Meets the Page 

Description

Scholarly discussions on environmental concerns have long been Euro-American-centric. In his 2005 essay, Rob Nixon critiques literary representations of environmentalism as an “offshoot of American Studies,” which has excluded non-American and non-Western perspectives on environmental degradation from critical inquiry. Nixon highlights Nigeria’s Abacha regime’s execution of Saro-Wiwa, a writer, activist and poet, who died fighting for his Ogoni people’s farmlands and the encroachment of their fishing waters by American and European conglomerates, supported by the local despotic regime. Nixon observes that Saro-Wiwa’s writings have received little attention from ecocriticism scholars (2005).

link for abstract submission: https://docs.google.com/forms/d/e/1FAIpQLScFPhqcIfUje5A_VuJjReJHlwjtc_Tz...

Seminar to be held in Hybrid ModeConcept Note:

Guest Editors

Rüstem Ertuğ Altınay, University of Milan

Christina Banalopoulou, University of Milan

Religion, Politics, and Cognitive Warfare: Information, Interpretation, Conspiracy, and the Struggle for RealityCall for Papers and PresentationsDetails

An international workshop at Utrecht University (The Netherlands), 14 September 2026

Organized by Karin van Es (Utrecht University), Ramon Lobato (Swinburne University), and Mike Wayne (Erasmus University).

Powered by Special Interest Group Streaming Video.

Call for Papers
Benjamin Quarles Humanities and Social Science Institute
College of Liberal Arts, Morgan State University

9th Annual Conference

 Theme: 100 Years of Black History: Remembering the Past, Interpreting the Present, Envisioning the Future

Submit Abstract

Session Type: Special Session / Roundtable
Primary Area / Secondary Area: Professional and Pedagogy / Composition and Rhetoric
Presiding Officer(s): Shataparni Bhattacharya (Indiana University - Bloomington)
shabhat@iu.edu

Abstract

Eric Glover (Yale University) and Michelle Cowin Gibbs (CSULB)  invite participants for a working group that takes stock of Zora Neale Hurston’s legacy and impact as a vital yet still underexamined repertoire in theatre, dance, and performance studies. 
In conversation with the conference theme’s attention to retrospection and futurity, the group considers how Hurston’s work and that of her successors has been adapted, staged, studied, and taught, while asking what remains unfinished, underdeveloped, and newly possible. 

The year 2025 marked the 250th anniversary of Jane Austen’s birth, yet Austen seems to be only increasing in cultural relevance on a global scale. This edited collection explores new Jane Austen-related texts – including films, streaming series, prequel/ sequel novels, graphic adaptations etc. - of the twenty-first century, including…

Call for Papers: Dickens Day 2026 - ‘Dickens and Family’

Conference date: Saturday 10 October 2026

Format: in-person

Location: Senate House, London

Conference online (via Zoom): 28-29 May 2026

CFP: 

          It is widely known that ideologies of racism, nationalism, and xenophobia are dangerous and spread all over the world. We want to examine these terms as much as possible, from many perspectives and variable aspects: in politics, society, psychology, culture, and many more. We also want to devote considerable attention to how the phenomena of racism, nationalism and xenophobia are represented in artistic practices: in literature, film, theatre or visual arts.​      

Cunterbury is a scholarly arts & comedy podcast hosted by three Gen Z academics — A.J. Scott, Alice Fulmer-Zelinka and Shannen Escote — exploring the major works of Geoffrey Chaucer and friends, starting with The Canterbury Tales. In our first season, we are providing witty commentary and voices to discuss the Tales and their pilgrims like you’ve never heard them before. 

- LITERATURE FOR PEACE: NARRATIVES OF CO-EXISTENCE

At its third edition, in 2026 the Entanglements summer school is centered on Postcolonial Horrors and aims to explore horror as an aesthetic, political, and epistemological symbol through which postcolonial literatures stage the traumatic memories of colonization, identity tensions, diasporic movements, and the re-emergence of the spectral within global modernities. The goal is to interpret horror not only as a genre, but as a critical and deconstructive tool capable of destabilizing ethnocentric categories of subjectivity, body, sovereignty, and knowledge.