I am currently working on an edited volume of papers provisionally
titled 'Shopping for Jesus!: Religion as Commodity'. The aim of this is
to explore the connections between belief, its presentation, and the
processes by which it is sold and consumed. I want to think about the
way in which religion operates in a market culture and the degree to
which one can use the notions of branding, advertising and marketing to
understand missionary and revival activities. Conversely, one might ask
whether religious methods of self-promotion underlay the development of
some of the techniques of private enterprise. I am interested in papers
that explore such themes from a range of locations in time, space and

CFP: Queering Religion

NEXUS Interdisciplinary Conference on Religion and Nation

University of Tennessee, Knoxville
April 7-8, 2006
Keynote Speaker: John D Caputo (Syracuse)
"Beyond Sovereignty: The Weakness of God and the Postmodern Situation"
Reading by Diane Glancy (Macalester College)
Website: http://web.utk.edu/~nexus/
Due date: February 10

CFP: Queering Religion

NEXUS Interdisciplinary Conference on Religion and Nation

University of Tennessee, Knoxville
April 7-8, 2006
Keynote Speaker: John D Caputo (Syracuse)
"Beyond Sovereignty: The Weakness of God and the Postmodern Situation"
Reading by Diane Glancy (Macalester College)
Website: http://web.utk.edu/~nexus/
Due date: February 10

Keynote speakers announced:

CALL FOR PAPERS
SHAKESPEARE AND THE QUEEN'S MEN CONFERENCE
Toronto, 27-29 Oct 2006 -- Abstracts deadline: February 15, 2006

This major international conference at the University of Toronto is being
organized by the SSHRC-funded "Shakespeare and the Queen's Men" project in
association with Poculi Ludique Societas (PLS). The project, a joint venture
led by Alexandra Johnston (REED, University of Toronto) and Helen Ostovich
(McMaster University), aims to recreate the staging conditions of a
sixteenth-century touring company in order to study and test scholarly
theories about acting styles and repertory through performance practice.

Please be advised that the date of the conference is
no longer 4 May 2006 and will now be held on 2 May
2006. Also, we are happy to say we have confirmed that
cultural theorist and music scholar Dr. Richard
Leppert will be our keynote speaker. The deadline for
submissions remains 3 February 2006. For further
information please take a look at our revised CFP
included below. We look forward to reading your
submissions.

Sincerely,
Alex Wetmore
(conference co-organizer)

Graduate Student Interdisciplinary Conference

Interface 2006: "Ruptures"

Please be advised that the date of the conference is
no longer 4 May 2006 and will now be held on 2 May
2006. Also, we are happy to say we have confirmed that
cultural theorist and music scholar Dr. Richard
Leppert will be our keynote speaker. The deadline for
submissions remains 3 February 2006. For further
information please take a look at our revised CFP
included below. We look forward to reading your
submissions.

Sincerely,
Alex Wetmore
(conference co-organizer)

Graduate Student Interdisciplinary Conference

Interface 2006: "Ruptures"

Seeking contributing participants on a panel/program titled:
"Performing Authenticity: Disability Narratives and Dialogue." We seek
to interrogate key issues of representation, evocation, embodied
knowing. Scholars who perform and/or study disability through
enactment of the "other" or who do so in their own everyday
performance(s) of self are invited to submit a proposed paper,
performance, or combination of both. We are interested in hearing from
performance studies scholars/practitioners. We are also very interested
in hearing from persons in disability studies who wish to join the
conversation. Submit your proposed title and abstract along with

Invitation for Proposals on Interdisciplinary Scholarly and
Creative Work

Graduate Interdisciplinary Studies Conference: .Dangerous
Places, Potential Spaces: Emerging Feminist Connections and
Activisms in Local and Global Contexts.
 
University of Maryland
May 24-26, 2006

Website: www.freewebs.com/wsgo2006conference

Featuring plenary sessions and workshops by feminist educator
Dr. Peggy McIintosh, feminist postcolonial theorist Dr.
Sangeeta Ray, and Black feminist scholar Dr. Beverly Guy-
Sheftall.

Invitation for Proposals on Interdisciplinary Scholarly and
Creative Work

Graduate Interdisciplinary Studies Conference: .Dangerous
Places, Potential Spaces: Emerging Feminist Connections and
Activisms in Local and Global Contexts.
 
University of Maryland
May 24-26, 2006

Website: www.freewebs.com/wsgo2006conference

Featuring plenary sessions and workshops by feminist educator
Dr. Peggy McIintosh, feminist postcolonial theorist Dr.
Sangeeta Ray, and Black feminist scholar Dr. Beverly Guy-
Sheftall.

Invitation for Proposals on Interdisciplinary Scholarly and
Creative Work

Graduate Interdisciplinary Studies Conference: .Dangerous
Places, Potential Spaces: Emerging Feminist Connections and
Activisms in Local and Global Contexts.
 
University of Maryland
May 24-26, 2006

Website: www.freewebs.com/wsgo2006conference

Featuring plenary sessions and workshops by feminist educator
Dr. Peggy McIintosh, feminist postcolonial theorist Dr.
Sangeeta Ray, and Black feminist scholar Dr. Beverly Guy-
Sheftall.

CALL FOR PAPERS

Panel Topic: 19th-Century English Literature
Rocky Mountain MLA Convention, 60th Annual Meeting
October 12-14, 2006
The DoubleTree Resort Hotel at Reid Park in Tucson, Arizona

Submission Deadline: 1 March 2005

Paper proposals sought for the RMMLA panel on 19th-Century English
Literature. Papers on all aspects of 19th-Century English or British
Literature will be considered.
 

Email or send (postmark) 300-word abstracts by March 1, 2006 to:

Ingrid Ranum
Department of English
Gonzaga University
E. 502 Boone Ave.
Spokane, WA 99258
ranum_at_gonzaga.edu

 From Euripides’ Bacchae to Shakespeare’s Titus Andronicus to Sarah
Kane’s Cleansed bodily dismemberment has proven to be a dramatic trope
which transcends period or cultural distinctions. The 2006 M/MLA drama
panel welcomes submissions which critically address the stakes of
dismemberment in drama. This might take the form of an analysis of a
particular play or a contemporary look at dramatic theories of dismemberment
from Nietzsche’s conception of Dionysian drama to Artaud’s Theatre of
Cruelty. Broader approaches from theories of mimesis to performance studies
which work toward the dismemberment of drama as a genre will also be

Deadline extended:

 From Euripides’ Bacchae to Shakespeare’s Titus Andronicus to Sarah
Kane’s Cleansed bodily dismemberment has proven to be a dramatic trope
which transcends period or cultural distinctions. The 2006 M/MLA drama
panel welcomes submissions which critically address the stakes of
dismemberment in drama. This might take the form of an analysis of a
particular play or a contemporary look at dramatic theories of dismemberment
from Nietzsche’s conception of Dionysian drama to Artaud’s Theatre of
Cruelty. Broader approaches from theories of mimesis to performance studies
which work toward the dismemberment of drama as a genre will also be