CALL FOR PAPERS

Modalities of Fantasy: Reconfiguring Time and Space

Open Theology

invites submissions for the topical issue

"Women and Gender in the Bible and the Biblical World II”,

edited by Zanne Domoney-Lyttle and Sarah Nicholson.

https://www.degruyter.com/view/journals/opth/opth-overview.xml?tab_body=...

"Adapting Print Genres for the Victorian Stage" will consider how British plays within the Victorian era (1837-1901) interacted with and responded to news stories, social movements, or cultural debates appearing in print genres, including newspapers, the periodical press, and literature. Often, a theatrical adaptation of a popular novel appeared even before its serialization had concluded, as in the case of Charles Dickens's 1839 novel Nicholas Nickleby, which appeared on 19 November 1838 at the Adelphi Theatre, adapted by Edward Stirling, a mere eight numbers into its serialization.

Wilson College Humanities ConferenceConference Theme: Healthcare in/and Humanities

Friday May 28 1:00pm-5:00pm EST and

Saturday May 29, 2021 8:00am-12:00noon EST
Held online via Zoom
sponsored by Wilson College’s M.A. in Humanities Program and undergraduate major in Healthcare and Medical Humanities

After an extraordinary year in which healthcare systems around the world came to the forefront of both national and individual consciousness, the Wilson College Humanities Conference seeks—in part—to interrogate 2020 by focusing its theme on “Healthcare in/and Humanities.”

It has been 150 years since Matthew Arnold published his groundbreaking work, Culture and Anarchy. His essays in book form are not only a powerful critique of Victorian society and values but also of modern ones. Contemporary political, economic and cultural issues provide an opportunity to revisit Arnold’s thought critically, to assess his enduring legacy, and to appraise the modern predicament in relation to distinguished cultural achievements from the past.

Metamorphosis: Transformations across Time, Culture & Identity (postgraduate conference, online, 1-2 June, 2021)

**please submit proposals via the form on our website - link below**

Metamorphosis refers to a dramatic change in the form, structure or character of an entity, distinctly characterised as a process whereby the old is subsumed, absorbed or self-devoured to provide the substance to forge the new—but how is this concept experienced in contemporary culture?

“USES OF LITERATURE” FINAL CONFERENCE

November 3-5 2021

The “Uses of Literature” research group at the University of Southern Denmark will hold an on-line conference on November 3-5 2021 to mark the conclusion of the Niels Bohr Professorship held by Rita Felski. Confirmed keynote speakers include Rita Charon (Columbia), Sean Latham (Tulsa), Heather Love (University of Pennsylvania), and Toril Moi (Duke). We welcome twenty-minute papers that speak to the group’s main research interests.

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Hawthorne and Fatherhood

We invite proposals for papers exploring aspects of “Hawthorne and Fatherhood.” This may include, but is not limited to: Hawthorne as father; Julian’s and Rose’s memories of their father; missing fathers (as in Hawthorne’s own); father stand-ins, such as grandfather in "Grandfather’s Chair"; Dimmesdale as deadbeat father or Chillingworth as want-to-be father, leaving his money to Pearl; Coverdale and Hollingsworth avoiding fatherhood, though the latter wants to be some great paternal figure; barren men and husbands, as in The House of Seven Gables; or other fathers in Hawthorne’s shorter fiction.

The Dark Man: Journal of Robert E. Howard and Pulp Studies is accepting submissions for Volume 12, Issue 1. Articles should be 4000-6000 words including notes and bibliography. Reviews should be 1000-2000 words and should treat an apropos issue in Robert E. Howard and pulp studies rather than merely the merit of the book(s) reviewed.
 
Deadline for submissions is Sunday, February 14, 2021. Editorial decisions will be announced by Sunday, March 21, 2021. Publication of Volume 12, Issue 1 will be Friday, June 11, 2021.
 

The Society for the Study of American Women Writers (SSAWW) at ALA 2021

Open Topic

The Society for the Study of American Women Writers (SSAWW) seeks proposals for a guaranteed panel at ALA 2021, July 7 – 11 in Boston, Massachusetts. All proposals on American women writers and their work will be considered, regardless of time period or genre. Submit proposals, 300 word maximum, along with a brief cv to Dr. María Carla Sánchez, mcsanche@uncg.edu by February 12, 2021.

From John Gower’s account of Robert Grosseteste’s construction of a talking head to George Herbert’s depiction of the heart as a place for divine encounters; from Ben Jonson’s pride in his literary offspring to Victor Frankenstein’s horrified reaction to the physical reality of his own creation, creativity has long been thought of in bodily terms. Imagery centered on the human body – and, frequently, on its procreative propensities – serves to configure the relationship between creator and creation or to describe interpersonal exchange and mutual dependence; bodily metaphors are useful both in celebrating human achievements and castigating Promethean pride and solipsistic self-involvement.

Venti Journal | venti-journal.com 

Venti is an interdisciplinary online journal focused on the topic of air. We are currently seeking submissions for our fourth issue entitled "Inhale/Exhale."

These edited collections are part of the upcoming series Equine Creations: Imagining Horses in Literature and Film. Now that the mythological equines volumes are nearly full and ready for being finalized, this CFP addresses the next volumes in the process.

The scope of the present call is broad. All topics regarding the themes and impact of horses in film will be considered. 

1) Horses in Film Through the 1950s

2) Horses in Film in the 1960s and 1970s

3) Horses in Film in the 1980s and 1990s

4) Horses in Film since 2000

Deadline for proposals: July 25, 2021

A one-day international online conference on 22 April 2021

The English Research Institute at De Montfort University in Leicester, England, is running a one-day international conference to reflect on closure of theatres in Shakespeare's time and our own.

It is well known that the theatres of Shakespeare's time repeatedly had to close as part of sensible precautions against the spread of the most serious communicable disease of the day: the plague. To stop the disease spreading, early moderns had to practise social distancing; without it a playgoer might bring home from the theatre more than just new ideas and ways of speaking.