Tellings and Retellings: Rewriting the Canon
While Percival Everett’s novel James (2024) functions as a radical reworking of Mark Twain’s The Adventures of Huckleberry Finn (1885)–freeing Twain’s literary creation from the constraints of the nineteenth century novel as well as the expectations of its original audience–”tellings and retellings” have long served as a mode for revising and reimagining canonical narratives. From Tom Stoppard’s Rosencrantz and Guildenstern are Dead (1966) and Ursula K Le Guin’s Lavinia (2008) to Sandra Newman’s Julia (2023), literary retellings often expose the ideological foundations of the canon while amplifying voices historically marginalized or silenced within it.
