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General CFP 5.1- Fall 2021

updated: 
Friday, June 18, 2021 - 1:00pm
Language, Literature, and Interdisciplinary Studies
deadline for submissions: 
Wednesday, June 30, 2021

CALL FOR PAPERS – Fall 2021

Language, Literature, and Interdisciplinary Studies (LLIDS), an open-access peer-reviewed academic e-journal, invites original and unpublished research papers and book reviews from various interrelated disciplines including, but not limited to, literature, philosophy, psychology, anthropology, history, sociology, law, ecology, environmental science, and economics.

Crisis in Contemporary British Fiction (edited volume)

updated: 
Friday, June 18, 2021 - 11:56am
Anastasia Logotheti
deadline for submissions: 
Wednesday, June 30, 2021

This collection of critical essays explores how contemporary British authors engage with the theme of crisis in their fiction (as apparent in novels and short stories by Kazuo Ishiguro, Julian Barnes, A S Byatt, Ian McEwan, Graham Swift, Hilary Mantel, Zadie Smith, Pat Barker, Martin Amis, among others.)

‘Crisis’ can be investigated not only as informing any aspect of fiction involving sociopolitical and cultural systems, but also as a mode of challenge to established power structures and modes of representationacross narrative traditions.

Submissions should focus on one or more of the aforementioned major contemporary British authors (though you are welcome to propose additional British authors who explore the theme of crisis).

Call for papers: Edited Collection on Plants in Australian and Aotearoa New Zealand Children’s and Young Adult Literature

updated: 
Thursday, June 17, 2021 - 8:18pm
Annika Herb and Melanie Duckworth
deadline for submissions: 
Saturday, July 31, 2021

We are seeking submissions by Māori, Indigenous Australian, Torres Strait Islander, and First Nations scholars for an edited collection on plants in Australian and Aotearoa New Zealand children’s and Young Adult literature. We would like to centre Indigenous Australian and Māori perspectives, and are encouraging submissions or expressions of interest from academics, writers, and postgraduate students. 

If you have any questions or ideas about potential chapters you’d like to discuss, please contact us. We’re happy to discuss any ideas you may have.  

Food in American Literature (NeMLA 2022)

updated: 
Wednesday, June 16, 2021 - 11:23pm
Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Thursday, September 30, 2021

NeMLA Annual Convention - Baltimore, MD - 10-13 March, 2022

 

Motherhood in American Literature (NeMLA 2022)

updated: 
Wednesday, June 16, 2021 - 11:23pm
Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Thursday, September 30, 2021

NeMLA Annual Convention - Baltimore, MD - 10-13 March, 2022

 

How does one resist the systems of subjugation that prey on the marginalized and seek to dissolve and consume them within this white supremacist capitalist imperialist patriarchy? While for some resistance takes the form of confrontation and battle, for Black feminist thinkers like bell hooks and Audre Lorde, resistance comes in the form of the practice of love. It is in the embrace of the erotic, of initiating the quest of mutual self-fulfillment, in seeking value in the relationships we have with each other, that we resist. In other words, for hooks and Lorde, we resist through care.

 

Global Aboriginal/Indigenous Horror

updated: 
Wednesday, June 16, 2021 - 4:54pm
Dr. Naomi Simone Borwein (Western University)
deadline for submissions: 
Sunday, August 1, 2021

This is a call for chapter proposals to be included in an edited volume on Aboriginal/Indigenous Horror largely produced by Indigenous artists, directors, and writers. Aboriginal Horror, or Horror that relies on the experience and artistic production of Indigenous peoples span from North and South America, Australia, New Zealand, and beyond, including Indigenous groups whose migration and diaspora within other countries offer new perspectives. Aboriginal/Indigenous Horror as a cultural and aesthetic lens intersects with horror realism and the fantastic, myth and metaphysics or ways of knowing and being, and traverses various media—e.g., music, performance, visual arts, film or literature.

Healing Practices and Beliefs in Literatures of the Americas

updated: 
Wednesday, June 16, 2021 - 11:52am
NeMLA 2022
deadline for submissions: 
Thursday, September 30, 2021

How does contemporary fiction of the Americas and Caribbean explore practices of healing? This panel considers all aspects of healing, including but not limited to religion, indigenous practices and rituals, the spiritual, and through community and the collective. How does their depiction in literature allow for generative further discussion about identity, culture, and tradition, and what does this mean in the 21st century?

6th Annual National Society for Minorities in Honors Conference, October 14-16, 2021, Ball State University

updated: 
Wednesday, June 16, 2021 - 10:46am
Annual National Society for Minorities in Honors
deadline for submissions: 
Thursday, July 1, 2021

6th Annual Conference | October 14-16, 2021 | Ball State University

“Beyond Diversity: Antiracism & Intersectionality in Honors”

The Ball State University Honors College welcomes you to the 6th Annual National Society for Minorities in Honors Conference, which will be hosted on-campus October 14-16, 2021, beginning Thursday at noon and ending Saturday at noon.

When Poets Write About Poets: Representation(s) of the Poet and Poetry in Poetic Works (NeMLA 2022 - Panel)

updated: 
Wednesday, June 16, 2021 - 10:45am
Lucie HOUDU (for a 2022 NeMLA Panel)
deadline for submissions: 
Thursday, September 30, 2021

From the very first traces of written poetry, poets have been inspired by their peers: whether with elegies, odes or allusions to the poets they admired, they have always incorporated figures of poets and other poetic texts in their own poems. Intertextuality abound from the classical texts (quotations, sources and models) by earlier poets, for instance Ovid, Virgil or Cato. Some of their contemporaries, like Tacitus, have questioned the ideologies of their predecessors. Closer to us, Milton in his 16-line “On Shakespeare” (1630) argues that no monument is a suitable tribute to Shakespeare’s oeuvre; Thomas Gray pays himself homage to Milton in “Elegy Written in a Country Churchyard” (1751).

NeMLA 2022 Panel: The Latin American Chronicle in the 21st Century

updated: 
Wednesday, June 16, 2021 - 10:45am
Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Thursday, September 30, 2021

Proposals accepted until September 30th for the In-Person Panel THE LATIN AMERICAN  CHRONICLE IN THE 21ST CENTURY, NeMLA 2022, Baltimore, March 10th-13th. Please visit https://www.cfplist.com/nemla/Home/S/19536  to submit.This session seeks to establish conversations on the study of the 21st-century Latin American chronicle. We welcome papers that explore its literary and journalistic perspectives.

Distribution in the Streaming Era

updated: 
Wednesday, June 16, 2021 - 10:44am
Velvet Light Trap
deadline for submissions: 
Friday, September 3, 2021

Over the past decade, the media ecology has been dramatically shifting with the advent of online “overthe-top” streaming services, the streaming wars that followed, and the platformization of the web. As the distance between big tech companies and legacy media players rapidly dwindles, rippling effects can be felt across industries, audience practices, regulatory frameworks, and more. Simultaneously, the rise of streaming services also continues to provoke further theorizations on topics that have concerned media scholars for decades regarding the asymmetrical dynamics of power and influence as it relates to globalization processes, representation, identity, politics, cultural and national mediations, and economic development.

Forgotten Disney

updated: 
Wednesday, June 16, 2021 - 10:44am
Kathy Merlock Jackson, Mark West, and Carl Sederholm
deadline for submissions: 
Wednesday, June 30, 2021

Call for Papers

For a Book of Essays on Forgotten Disney

 

Since Walt Disney released the first animated talking short Steamboat Willie in 1928, the Disney name has been associated with many classics of film and television. Recognized worldwide, these works and their characters have received extensive popular and critical attention and overshadowed other interesting but less significant offerings in Disney’s prolific oeuvre. This

What Does Literature Feel Like

updated: 
Wednesday, June 16, 2021 - 10:44am
Transatlantica (online journal of the French Association of American Studies [AFEA])
deadline for submissions: 
Monday, October 11, 2021

In Sensory Experiments (2020), Erica Fretwell argues that “literature is a sensitizing mechanism, not merely a representation but an amplification of experience,” positing literature as “a technology […] that has the potential to reproduce—not copy but produce more—feeling and […] to create more connections to the world by registering more differences in it” (28-29). Fretwell makes that claim in the context of her transatlantic study of the relations between American literature and the failed science of psychophysics as it developed in Germany at the end of the nineteenth century.

The City Unmapped and the Unmapped City

updated: 
Wednesday, June 16, 2021 - 10:44am
NEMLA 2022 Conference (roundtable session)
deadline for submissions: 
Thursday, September 30, 2021

In Song of the Shank, Jeff Allen explores his characters’ sense of “placelessness...empty distance...like retracted thoughts, half-told secrets.”  What defines a writer’s underlying map of “urban space?”  Urbanity as a focus offers history, but how do cities’ secret histories, deep ecologies, and furtive sounds offer a shape to urban narrative?  What memory resides in cities’ erased/lingering boundaries, vacant lots, and disintegrating concrete?  This roundtable explores how writers and other artists have utilized particular cities’ cores, edges, and points of transit as means to rethink the shape, shift, and stasis of urban space.  We welcome papers on the full range of literary forms, but also welcome examinations of visual and sonic expression

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