Call for Papers: Performing Imaginary Futures: Utopian (and Dystopian) Performativity

Cultural Studies Association (CSA) 2025 Annual Conference
 29-31 May 2025

California Institute of the Arts, Valencia, California
Imaginary Futures: Utopias, Dystopias & Protopias of Cultural Studies

The Performance Working Group of the Cultural Studies Association invites proposals for individual papers and pre-constituted panels for the 2025 Cultural Studies Association (CSA) Annual Conference. 

The Institute for Research on Women (IRW) at Rutgers University is seeking guest editors for the Spring 2026 issue of its online journal, Rejoinder (https://irw.rutgers.edu/rejoinder). Rejoinder features work at the intersection of scholarship and activism that reflects feminist/queer and social justice perspectives and is currently published once a year. Guest editors will be responsible for the overall shape of the issue, and Rejoinder staff will advise on the process.

Call for Papers: Hopkins as Classicist 

A Special Issue of The Hopkins Quarterly 

The ‘difficulties’ of the old Greek philosophers, Gerard Manley Hopkins wrote, ‘cannot be pooh-poohed: some perhaps are really resolved, but generally they exist still’.

This special issue of the Hopkins Quarterly seeks to understand the invigorating influence of classical thought on Hopkins’ intellectual life. 

Volume to be Published in December of 2025

The Journal of Anime and Manga Studies (JAMS) is excited to announce the call for papers  for our sixth volume, to be published December 2025.

The Journal of Anime and Manga Studies is a double-blind peer reviewed, open-access journal published by the University of Illinois at Urbana-Champaign. JAMS is dedicated to publishing scholarly works concerning anime, manga, cosplay, and the fandoms related to them. As an open-access journal, JAMS aims to reach an audience of scholars both inside and outside the academe, encouraging public engagement through the digital humanities.

There are countless anthologies and textbooks for college-level students, but few supplying actual examples modeled after the types of essays students create in early composition courses such as English 100, 101, and 102.

The goal of this project is to publish a textbook for early-level undergraduate students that: 

• Provides sample essays on various topics that they can use as models of exemplary writing

• Shows the norms of each essay genre

• Models proper formatting of in-text citations, including a works cited or reference page 

UC Irvine Comparative Literature Graduate Student Conference 2025 

Conference Date: April 3 & 4, 2025

Keynote Speaker: Prof. Tracy McNulty (Cornell)

The 21st century has been marked as an emerging epoch of new discourses with a dynamic change of intellectual, methodological, epistemological and critical avenues of research to address the swiftly changing nuances of social, political, economic, personal and professional lives of human beings all over the world. Researchers have embraced innovative approaches, methodologies and pedagogies to navigate the new complex frontiers of 21st Century. As the world grapples with multifaceted challenges such as climate change, economic inequality, and global health crises, the need for innovative approaches to economic development has become more urgent than ever.

4th EDITION THEME: Do Films Lie?

"Film is 24 lies per second at the service of truth, or at the service of the attempt to find the truth."
Michael Haneke

Cinema exists within the narrative frame that the director or writer chooses. How closely that reflects reality is entirely arbitrary. Yet it is undeniable that like all art, film plays a fundamental role in shaping the way we think about politics, culture, identity, and social norms.

Ege University 20th Cultural Studies Symposium

AI & Cultural Production

6-8 May 2026

To think in terms of risk is to imagine the future as a set of foreseeable possibilities and to ameliorate the potentially hazardous ones through action in the present. Distinct from danger, which is seen as inchoate and incalculable, risk carries with it the notion of statistical, probabilistic, or otherwise enumerated legibility, and the costs and benefits of prospective courses of action are given the narrative authority of mathematical language. But even as risk posits itself as a rational approach to considerations of the future, it ignores the mythology of its own construction: risk is, as its critics note, always a process of storytelling.

For close to nine hundred years, Gawain has been a favorite hero in Arthurian myth, especially when it comes to his appearance in the late fourteenth-century chivalric romance, Sir Gawain and the Green Knight. While scholarship on the poem continues to expand in many fascinating ways, David Lowery’s 2021 adaptation, The Green Knight, has changed the way scholars can approach and teach the medieval poem. The editors of this book proposal seek essays that explore some of the compelling changes Lowery makes to the base text of Sir Gawain and the Green Knight, and what we can learn about the importance—or dangers—of retelling popular stories in new and inventive ways.

Recently I, Tawnya Azar (co-editor), posted a request for information on the Writing Studies listserv to solicit information and ideas about hosting a celebration of student writing event in my composition program. After a long search for published research or essays on student writing events, I was finding very little and hoped I would at least get a few additional recommendations for published works on the subject. Instead many faculty and program heads contacted me with generous, detailed descriptions of student writing events they previously ran or currently run, and I was struck by the diversity and potential impact of these events on campus communities.

Despite its status as one of cinema’s most enduring and popular genres, complete with a rich history of narrative tropes, aesthetic conventions and character types, the sports film is more frequently analysed as a vehicle for the on-screen representation of sport than a distinct film genre. The representation of sport may be an identifying feature of the sports film, but in the way that horses are an identifying feature of westerns: a key part, to be sure, but film criticism would be much poorer if it elided the complexity of John Wayne’s performance in The Searchers to focus on the horse he rode. We seek abstracts for an edited collection reflecting the depth and breadth of the sports film as genre.

The crafts of India are varied and illustrate the economy, history, culture, religious beliefs, politics, material culture, societal formations and creative faculties of a civilization. The craftsmanship of many states of India reflects diverse cultural influences and has a significant narrative relating to its origins. For ages, crafts have served as an archive of culture and heritage in various communities in India. Every state of India narrates its tales of handicrafts. The wonderful artistry of handcrafted artifacts, the traditions woven in time, get eroded by automation and accuracy, which draw us towards the ‘sophistication’ of repetitive mass production in a capitalist society.