The conference will take place on Friday,20may, 9 a.m., 2022, online.

The event, at the XIII-th edition, addresses the current and complex problem of the creativity process, analyzed from interdisciplinary perspectives.

OBJECTIVES

The Steinbeck Review is actively seeking submissions of scholarly and reflective essays on the life, work, and impact of writing by John Steinbeck

To submit a manuscript to the editorial office, please visit http://www.editorialmanager.com/steinbeck/ and create an author profile. The online system will guide you through the steps to upload your article for submission to the editorial office.

*Selected papers will be published in a post-conference volume with ISBN.

The conference will explore the historical and theoretical dimensions of colonial and postcolonial studies and it will focus on the impact colonialism had on political, social, economic and cultural domains. It will examine various forms of colonial domination and control as well as theories and practices of resistance.

Food is a basic foundation of culture and society, it is vital to our health and well-being and it plays a significant role in our everyday creative engagement with nature. The shifts in activities surrounding food acquisition, preparation and consumption are not only essential for learning a culinary tradition but for examining a broader societal change.

This conference will explore food as a complex cultural product, an indicator of social, religious and political identity. It will focus on people's relationship with food and discuss how food choices are determined by historical period, region, class, gender, kinship and/or ethnicity.

Diasporic Solidarities: Islands, Intimacies, and Imagining Otherwise

2022 John Douglas Taylor Conference

Conference Dates: June 9-10, 2022

Conference Website: diasporicsolidarities.ca

Submission Deadline: January 20, 2022

Please submit a 150-word proposal and 75-word bio to jdtcon@mcmaster.ca 

'Women's Genre Writing: From Turkey to the Rest of the World'
A one-day, online symposium, 29 April 2022
Organized as part of the Muslim Women’s Popular Fiction Network
Özyeğin University
With support from the Arts and Humanities Research Council of the UK

 Keynote Speakers:

 Maureen Freely (The University of Warwick)
 Aron Aji (The University of Iowa)

Genre and infrastructure are both structuring forms that shape how things will go. Generic narrative worlds shape emplotment, likely or unlikely events, types of characters, in/appropriate actions, and readerly expectations; genre organizes both narrative elements and the relations between them by creating frames and edges through which to interpret the world. Likewise, infrastructures organize things and the relations between them, whether by enabling or blocking the movement of people and objects. They constrain or facilitate uses and perceptions. This seminar will consider the affordances of genre for infrastructure and of infrastructure for genre, asking how these structuring forms are being taken up in the environmental humanities.

UPDATED WITH NEW SUBMISSION DEADLINE OF FEBRUARY 15, 2022

Hotels & Crisis: Historical and Cultural Perspectives (Deadline extended)

25-26 June 2022

London, UK

Scholars exploring histories and stories of hotels have identified many ways in which they have been actively embroiled within civil conflicts. They are sites of violence and of refuge. They are communication and command centres. They are also sites for diplomacy which aims to bring conflict to an end. Hotels have often been ‘soft’ targets in conflicts, because of their high level of openness compared to other institutions. Potent symbolisms and distinctive affordances have made hotels significant shapers of conflict.

The Canadian Parliament passed the War Exchange Conservation Act (WECA) late in 1940 to preserve its currency for the war effort by limiting the importation of nonessential goods. Periodicals, including popular American comic books, were one casualty. Within a few months, Canadian artists and entrepreneurs responded by launching a domestic comic book industry often regarded as Canada’s golden age of comics. This industry produced four publishing companies and six years of original Canadian comics production, including Robin Hood Comics and Triumph-Adventure Comics, which featured Adrian Dingle’s Nelvana of the Northern Lights, one of the earliest female superheroes in comics.

The Hungarian Journal of English and American Studies (HJEAS) is

- devoted to literary, historical, film and cultural studies of the English-speaking world
- an international scholarly journal with an international audience available at major research centers and libraries throughout the world
- the oldest continuously published Central European scholarly journal in its field
- published twice a year by the Institute of English and American Studies, University of Debrecen, Hungary.

HJEAS

As the world begins to come back together after years of social distancing, quarantine, and uncertainty, the English GraduateStudent Association’s 32nd Annual Mardi Gras Conference at Louisiana State University will be considering the relationship between environments and communities. Due to the continued presence of Covid, our conference this year will be conducted in a hybrid format. Our theme for this year's conference is“de/Constructing Environments and Embodying Communities.”The idea of environments and communities can be interpreted in a variety of interdisciplinary modes. Despite ongoing climate and public health crises, the renewal of shared spaces asks us to interrogate how our environments and communities are constructed.

*Selected papers will be published in a post-conference volume with ISBN.

The twentieth-century literature and culture tended to explore and to celebrate subjectivity. But this tendency did not mean the turn to the self, but beyond the self, or as Charles Taylor puts it, “to a fragmentation of experience which calls our ordinary notions of identity into question”. 

*Selected papers will be published in a post-conference volume with ISBN.

This conference aims at exploring motherhood and its diverse cultural representations, while interrogating the ways in which such representations impact on individual and collective experiences of motherhood. Thus, we attempt at examining motherhood both as a personal experience and as an institution, as well as observing the nuances involved in the interaction between both.