Panel sponsored by the Women's and Gender Studies Caucus, NeMLA

March 6-9, 2025

 Multilingual poets write at the intersection of language, identity, and cross-cultural communication. Not only does the work of multilingual poets naturally create a space for innovation, but it also often serves as a broader commentary on the interplay between language and power. Every multilingual poet combines, leverages, or silences pieces of their complex identities, negotiating deeply personal nuances as well as socially constructed codes. Multilingual poets may choose to employ self-translation or multiple languages within a single poem, they may write separate works in different languages, or they may confine their work to a single language.

Our dependence on the past’s valuation of its own cultural products has become increasingly obvious in our ongoing interests in reshaping the canon and in decentering our humanities’  disciplines.  Certainly, the availability of digitized primary-source materials increases the range in newly available, even newly discovered texts.  However, our reliance on the digitized brings with it an obvious quandary as it can narrow the scope and constrain investigation of other exciting sources crucial to our scholarship but not deemed worthy of archiving.  They might be fragile, incomplete, or ill-preserved; they might be undocumented and uncatalogued.

Conference dates: March 6-9, 2025

Conference location: Philadelphia, Pennsylvia (IN PERSON ONLY)

Deadline for abstracts: October 15, 2024 (EXTENDED)

Submit through: https://cfplist.com/nemla/Home/S/21014

Contact panel chair for inquiries: Noah Gallego (California State Polytechnic University, Pomona) @ noahrgallego@gmail.com 

We are constantly engaged in processes of reading. We read literary texts, historical sources, films and other media, political moods and affects, and shifting social formations. Amongst the plethora of reading strategies available to us, close reading is perhaps the most widely known and most accepted one in literary studies (cf. I.A. Richards and William Empson). Other approaches to texts include ‘paranoid’ and ‘reparative reading’ (Sedgwick 1997), ‘distant reading’ (Moretti 2000), ‘wide reading’ (Hallet 2010), and ‘surface reading’ (Best and Marcus 2009), to name just a few. More recent research has examined intermedial reading practices (Rippl 2015), the reading of affects (Brinkema 2014), and non/institutional readers (Emre 2017). 

Call for Papers for an Edited Book

Virtual Reality Literature

Ratul Nandi and Anik Sarkar

“In olden days a glimpse of stocking / Was looked on as something shocking. / Now, heaven knows, Anything goes.” This epigraph begins Chris Jenks’ 2003 work Transgression, exemplifying the sense in which acts of transgression can have real, tangible, palpable effects on society. Jenks defines “transgression” as violating, infringing upon, or going beyond the limits set by a boundary or convention (2). Transgressive fiction, then, is the genre of literature that depicts various acts of boundary-crossing in order to analyze and criticize them for the purpose of reflecting upon the ideological constructions that its characters react against or wholly reject.

NeMLA meets next during the fortieth anniversary of Don DeLillo’s celebrated novel, White Noise (1985). His ninth of eighteen, it begins the two periods that make up the work for which he is best known—the first including Libra (1988), Mao II (1991), and Underworld (1997), the second The Body Artist (2001), Cosmopolis(2003), Falling Man (2007), Point Omega (2010), Zero K (2016), and The Silence (2020).

The Henry James Review invites essays between 1,000 and 12,500 words on any aspect of Henry James Studies and archives for a special Fall 2025 Forum issue on “Henry James and the Archive.”

 Topics could include, for example:

 • Using archives for Henry James scholarship

• Changes in how we understand the nature of the Henry James archive

• New archival sources for Henry James scholarship

• Collecting or collections of Henry James-related material(s)

• Overlooked or forgotten archives or archival research methods for Henry James scholarship

• James’s use of archives, archival concepts, and/or the archival in his fiction or non-fiction

• Henry James as archivist

Call for Chapters 

Call for Well-Qualified Guest Reviewers

The international peer-reviewed Creative Industries Journal [CIJ] (Routledge/ Taylor and Francis), now in its 17th volume and approaching its 16th year, seeks to create a pool of guest reviewers, who possess the requisite expertise, to complement our Peer Review Board and Editorial team.

Specifically, the journal is currently looking for those with expertise in the business of the creative industries, music, architecture,  software, media and digital media, film, video games, art, crafts, design, fashion.

Guest Reviewers

New Writing: the International Journal for the Practice and Theory of Creaive Writing (Taylor and Francis / Routledge) seeks guest reviewers with the requisite expertise for its registry of esteemed guest reviewers.

New Writing is one of the world's leading journals in Creative Writing and Creative Writing Studies.. The Peer Review Board - appointed after extensive international review - deals with the range of submitted material (creative and critical). Occasional additional opinions are sought from guest reviewers with the requisite expertise. 

The journal can be found here: https://www.tandfonline.com/toc/rmnw20/current

Maria von Herbert’s 1792-94 correspondence with Immanuel Kant—arising out of her despair and suicidal ideation, coupled with her commitment of his philosophical perspective, including his famously uncompromising prohibition of suicide—has enjoyed increasingly careful attention in the roughly forty years now since Beverley Brown and Rae Langton’s invitations to this effect, in the mid-eighties and early-nineties—most recently as the subject of the annual Kant Reading Party at the University of St Andrews, in July and August of 2023, out of which a volume of new translations and critical materials will soon emerge.

The George Saunders Society invites prospective participants for one or two panels at the 2025 American Literature Association conference in Boston, MA, to be held May 21 to 25, 2025. We are interested in presentations on any aspect of George Saunders’s life and work; in this, our fifth year of activity at ALA (returning after an absence in 2024!), we continue to be interested in papers that challenge, complicate, or go beyond the most common (particularly religious, ethical, or new sincerest) readings of the author’s work in the critical literature to this point. The topic is therefore open, but possible approaches might include: