Supernatural Studies: An Interdisciplinary Journal of Art, Media, and Culture and the Marist College School of Liberal Arts invite submissions for the 2024 Supernatural Studies Conference, to be held at Marist College, Poughkeepsie, NY,  on Friday, March 22, 2024. 

The conference welcomes proposals on representations of the supernatural in any form of text or artifact, such as literature (including speculative fiction), film, television, video games, social media, or music. Full panels or roundtable discussions may also be proposed. Submissions regarding pedagogy and supernatural representations will also be considered, as will creative submissions that align with the conference's focus. 

                                                                                  The Archival is Political

In her recent essay, Anandita Pan (2023) explores how the #MeToo movement reproduces casteist, classist, and sexist hierarchies.

SPECIAL ISSUE – Reliving Orature: Orality in the Age of Post-Literature

Guest Editor:​ ​Mukulika Dattagupta (Adamas University, Kolkata) & Gourab Chatterjee (KIIT-DU, Bhubaneshwar)

The Centre of Excellence for the Study of Cultural Identity (CESIC),

The British Cultural Studies Centre (BCSC) of the University of Bucharest

and New Europe College  (NEC)

invite proposals for a conference dedicated to MA students, PhD candidates and young researchers on

How to Be an Alien in British Cultural Studies

to be held at

New Europe College

Fragmented Lives

IABA (International Auto/Biography Association) World Conference 2024

in collaboration with the Centre for Studies in Memory and Literature, University of Iceland

Reykjavik, 12-15 June 2024

Deadline for abstracts: Oct. 1, 2023

The IABA World Conference 2024 will be held at the University of Iceland in collaboration with the Centre for Studies in Memory and Literature 12-15 June 2024. The theme of the conference is ‘Fragmented Lives.’ We invite proposals for individual papers or panels of 3-4 papers as well as round-table suggestions on that theme.

Translation is always a site of surplus. What kinds of excess and possibilities arise when translating works about surplus – of people, languages, oppression? This session explores the many surpluses of and in translation of Caribbean literatures and cultural practices. How does translation contribute to surplus value or surplus meaning in Caribbean contexts?

CONCEPT NOTE

“Children may not understand all that's happening below the surface of a story. It doesn't matter. Because even though they may not be able to define or verbalize it, they sense there's something more than meets the eye; on an almost subliminal level, they're aware of a richness of texture, or meaning and emotion -- a richness that, in a great book, is inexhaustible. And the child may well come back to it again and again, perhaps long after he's stopped being a child.”

- Lloyd Alexander.

As director Alain Kassanda points out, "the restitution of films should start with access to film archives from the colonial era. Furthermore, Africans do not have access to the pioneering works of cinema produced by the continent's filmmakers: the holding of distribution rights outside of African countries, in Europe and the United States, is one of the reasons for this situation. The vast majority of African film collections, consisting of ethnographic, classic and contemporary films, are held in France and the United States.

CFP Caring Futures: Contradictions, Transformation, and Revolutionary Possibilities

May 27th-30th, 2024

The American University of Paris, France

We invite proposals for a conference on the futures of care to be held at the American University in Paris, May 27 - May 30th, 2024.

We invite proposals for presentations that analyze Hispanic literary or film texts that critically examine interfaces, interrelations, and/or interactions between technology and humanity to analyze the roles or perceived values of humanity and technology in social contexts, and to interrogate socioeconomic and sociocultural value systems and aspirations. Presenters may be invited to expand their presentations into chapters for an edited volume. https://www.cfplist.com/nemla/Home/S/20789

Feminist Theologies in American Literature

Call for Chapters

The editor of a collection in development seeks completed chapters on literary expressions of feminist theology broadly construed. The scope of the volume is wide and inclusive. Chapters may focus on any religious tradition, historical period, genre, or form of American literature. We particularly welcome essays on works of literature

-       that examine the power, enfranchisement, ideas, and practices of women 

-       that consider how religion subverts or reinforces androcentrism and patriarchy

-       that engage with the ways that gender relations inform women’s religious concepts, commitments, and experience

Este panel invita a explorar la cultura de internet del mundo hispanohablante y sus representaciones en producciones artísticas. El meme fue acuñado por el biólogo Richard Dawkins en 1976 para referirse a la difusión de “tunes, ideas, catch- phrases, clothes fashions, ways of making pots or builduing arches” (249) mediante procesos de imitación. Décadas más tarde, el estudio de Patrick Davison (2012) corroboraría que la idea de “meme” había evolucionado gracias a las redes sociales y había pasado a tener el poder de exclusivamente cumplir un objetivo humorístico. Autores como B. E. Wiggins y G. Bret Bowers (2014) argumentan que la circulación del meme es una herramienta conversacional que alienta la participación de la cultura digital.