We have been invited by McFarland to expand a recent article on diversity and cancel culture in television (Anderson-Lopez et al., 2021) for a book proposal further exploring the phenomenon of audience sway over television content. Please see the CFP below and feel free to reach out to us with questions. We hope to turn around the book proposal to McFarland in a timely manner, so please note the January 10, 2022, deadline for 300-500 word chapter proposals. We look forward to reading your submissions and collaborating on this edited collection!

Sincerely,

The Black Performing Arts Area provides a scholarly forum to share and disseminate research pertaining to the Black performing arts across expressive forms.  Broadly defined, the area focuses on all forms of performing and visual arts, including jazz, blues, gospel, hip hop, rhythm and blues, Caribbean music, dance, poetry, drawing, painting, sculpture, ceramics, photography, and acting.  In all these contexts we are interested in investigating the merger of aesthetic technique and embodiment across Black diasporic expressivity.  

A partnership between The Centre for Popular Culture in the Humanities (The Education University of Hong Kong), EMMA (University Paul-Valéry Montpellier 3)

and La Maison Française d’Oxford

Venue: University Paul Valery Montpellier 3, France

Dates: September 29 to October 2, 2021

Language: English

Deadline for submitting proposals: 15 June 2021

Notification of acceptance: 15 July 2021

Project co-convenors:

The Slavic Graduate Students Association (SGSA) in conjunction with the Slavic Languages and Literatures Department at the University of Illinois at Urbana Champaign invites submissions of presentation proposals from scholars across disciplines to this year’s conference, titled “Shifting Grounds: Changing Models of Nature in the Former Soviet Sphere.” This interdisciplinary conference is intended to explore the movement of disparate models of nature as they circulate through and coalesce into larger ideas about Post-Soviet and Eurasian existence.

World Picture Conference
“More”
April 22-23, 2022
Colorado College, Colorado Springs, Colorado

Keynotes:
Domietta Torlasco (Northwestern University) &
Pheng Cheah (University of California, Berkeley)

IN SEARCH OF EPISTEMIC JUSTICE: A TENTATIVE CARTOGRAPHY

Call for Applications

This seminar aims to explore epistemic inequality and epistemic injustice in a variety of cultural, historical and geopolitical contexts, as well as within the academy. When discussing epistemic inequality or injustice we refer to the marginalization and de-legitimation of ways of knowing and methods of knowledge production and dissemination that stem from non-dominant cultural locations, identities and positionalities.

The Janovics Center for Screen and Performing Arts Studies and the Faculty of Theatre and Film at Babes-Bolyai University invite submissions for their annual award for outstanding humanities research in transnational film and theatre studies. The award will be offered to contributions in the fields of film or theatre studies. The award consists of an invitation to give a talk at the Center and an honorarium. 

What is awarded?

The Sixteenth International Conference of the Taiwan Association of Classical, Medieval and Renaissance Studies (TACMRS)

21–22 October 2022 Tamkang University New Taipei City, Taiwan

UPDATE: This conference will be a hybrid conference, with both in-person and virtual presentations.

Call for Papers

Engaging the Audience: From Antiquity to the Renaissance

Bridges and Borders: Crossings in Language and Culture

A Graduate Student Virtual Conference presented by the Carnegie Mellon University Department of English Colloquia with Keynote Speaker Lisa Lowe

April 15th and 16th

“Caminante, no hay puentes, se hace puentes al andar.” 

“Voyager, there are no bridges, one builds them as one walks.”

Gloria Anzaldúa - This Bridge Called My Back

                AS

POETRY         CRITICISM

              AND

One day symposium, Maynooth University, 21st March 2022.

Call for papers

How might we understand the at times fraught, at times generative relationship between poetry and criticism? 

“Fantastika” – a term appropriated from a range of Slavonic languages by John Clute – embraces the genres of Fantasy, Science Fiction, and Gothic Horror, but can also include Alternate History, Steampunk, Young Adult Dystopic Fiction, or any other radically imaginative narrative space. Our goal is to bring together academics, independent researchers, creators, and audiences who share an interest in this diverse range of fields with the aim of opening up new dialogues, productive controversies, and critical collaborations.

The James Fenimore Cooper Society will host two panels at the 33rd Annual Conference of the American Literature Association, to be held at The Palmer House Hilton, Chicago, IL, May 26-29, 2022. For additional information: https://americanliteratureassociation.org/ala-conferences/ala-annual-conference/

Panel 1: James Fenimore Cooper’s Regionalism(s)

The Oxford Medieval Graudate Conference is thrilled to open its call-for-papers for our 2022 conference on 'Medicine and Healing'. The conference will be held in person at Ertegun House, Oxford, on the 21st and 22nd of April, 2022.

We invite graduate students to send proposals of up to 250 words to oxgradconf@gmail.com by 15th January, on any topic related to medieval medicine and healing. Examples of areas of interest include, but are not limited to:

‘Women and other undesirables’(1):
Female creative and technical labour in nineteenth-century print culture

A special issue of Nineteenth-Century Gender Studies edited by Jocelyn Hargrave and Megan Peiser Summer 2022