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CFP: Doing Gender History: Methods and Models (Ireland) (8/25/06; 11/17/06-11/18/06)

updated: 
Friday, August 11, 2006 - 9:16pm
Aoife O'Driscoll

Call for Papers

Women's History Association Ireland
Annual Meeting
Friday Evening, November 17
and
Saturday, 18 November, 2006
Trinity College, Dublin

Hosted by
The Centre for Gender and Women's Studies

Theme: Doing Gender History: Methods and Models

This conference will explore the shape and content of gender history – moving
beyond men's history (traditional ) history and women's history to develop a
new holistic paradigm that includes and values the actions/experiences and
ideas of both men and women. We ask: How do we do gender history? What would
it look like? Do we have specific examples of doing gender history?

CFP: Doing Gender History: Methods and Models (Ireland) (8/25/06; 11/17/06-11/18/06)

updated: 
Friday, August 11, 2006 - 9:16pm
Aoife O'Driscoll

Call for Papers

Women's History Association Ireland
Annual Meeting
Friday Evening, November 17
and
Saturday, 18 November, 2006
Trinity College, Dublin

Hosted by
The Centre for Gender and Women's Studies

Theme: Doing Gender History: Methods and Models

This conference will explore the shape and content of gender history – moving
beyond men's history (traditional ) history and women's history to develop a
new holistic paradigm that includes and values the actions/experiences and
ideas of both men and women. We ask: How do we do gender history? What would
it look like? Do we have specific examples of doing gender history?

CFP: Doing Gender History: Methods and Models (Ireland) (8/25/06; 11/17/06-11/18/06)

updated: 
Friday, August 11, 2006 - 9:16pm
Aoife O'Driscoll

Call for Papers

Women's History Association Ireland
Annual Meeting
Friday Evening, November 17
and
Saturday, 18 November, 2006
Trinity College, Dublin

Hosted by
The Centre for Gender and Women's Studies

Theme: Doing Gender History: Methods and Models

This conference will explore the shape and content of gender history – moving
beyond men's history (traditional ) history and women's history to develop a
new holistic paradigm that includes and values the actions/experiences and
ideas of both men and women. We ask: How do we do gender history? What would
it look like? Do we have specific examples of doing gender history?

CFP: Doing Gender History: Methods and Models (Ireland) (8/25/06; 11/17/06-11/18/06)

updated: 
Friday, August 11, 2006 - 9:16pm
Aoife O'Driscoll

Call for Papers

Women's History Association Ireland
Annual Meeting
Friday Evening, November 17
and
Saturday, 18 November, 2006
Trinity College, Dublin

Hosted by
The Centre for Gender and Women's Studies

Theme: Doing Gender History: Methods and Models

This conference will explore the shape and content of gender history – moving
beyond men's history (traditional ) history and women's history to develop a
new holistic paradigm that includes and values the actions/experiences and
ideas of both men and women. We ask: How do we do gender history? What would
it look like? Do we have specific examples of doing gender history?

CFP: Romantic and Victorian Entertainments (grad) (12/1/06; 3/23/07-3/24/07)

updated: 
Friday, August 11, 2006 - 9:15pm
Melissa Edmundson

Romantic and Victorian Entertainments

Graduate Student Literature Conference
University of South Carolina, Columbia

March 23-24, 2007

>From the Grand Tour to gambling, and grand balls to opium dens, nineteenth-century authors represented entertainment in various ways. The virtues and vices of nineteenth-century amusements and leisure activities were themes in both British and American literature of the period, and these areas of life reflected and defined the historical, social, and literary climate of the century.

CFP: Romantic and Victorian Entertainments (grad) (12/1/06; 3/23/07-3/24/07)

updated: 
Friday, August 11, 2006 - 9:15pm
Melissa Edmundson

Romantic and Victorian Entertainments

Graduate Student Literature Conference
University of South Carolina, Columbia

March 23-24, 2007

>From the Grand Tour to gambling, and grand balls to opium dens, nineteenth-century authors represented entertainment in various ways. The virtues and vices of nineteenth-century amusements and leisure activities were themes in both British and American literature of the period, and these areas of life reflected and defined the historical, social, and literary climate of the century.

CFP: Romantic and Victorian Entertainments (grad) (12/1/06; 3/23/07-3/24/07)

updated: 
Friday, August 11, 2006 - 9:15pm
Melissa Edmundson

Romantic and Victorian Entertainments

Graduate Student Literature Conference
University of South Carolina, Columbia

March 23-24, 2007

>From the Grand Tour to gambling, and grand balls to opium dens, nineteenth-century authors represented entertainment in various ways. The virtues and vices of nineteenth-century amusements and leisure activities were themes in both British and American literature of the period, and these areas of life reflected and defined the historical, social, and literary climate of the century.

UPDATE: Exhibition (8/15/06; Film & History, 11/8/06-11/12/06)

updated: 
Friday, August 11, 2006 - 9:15pm
Ross Melnick

Deadline Extended to 15 August 2006

=20

CALL FOR PAPERS (Update)

=20

2006 Film and History League Conference

"The Documentary Tradition" Dallas 8-12 November 2006
<http://www.filmandhistory.org <http://www.filmandhistory.org/> >

=20

AREA: Exhibition

=20

While much has been written about the documentary, we still know
comparatively little about where many were shown, the context(s) of =
their
reception, and the venues and exhibitors that booked them.=20

=20

UPDATE: The Violence of the Photographic Image and its Legacies (9/1/06; NEMLA, 3/1/07-3/4/07)

updated: 
Friday, August 11, 2006 - 9:15pm
Masha C Mimran (mmimran_at_Princeton.EDU)

NEMLA 2007 =

Call for Papers
 =

Panel=3A The Violence of the Photographic Image and its Legacies=3A
30 Years After Susan Sontag=92s On Photography

38th Convention=2C Northeast Modern Language Association (NeMLA)
March 1-4=2C 2007
Baltimore=2C Maryland =

 =

Contact=3A Marcelline Block=2C mblock=40princeton=2Eedu and Masha Mimran=
=2C mmimran=40princeton=2Eedu
Deadline for Paper Proposals=3A September 1st=2C 2006

CFP: Classical Representation in Popular Culture (11/15/06; SW/TX PCA/ACA, 2/14/07-2/17/07)

updated: 
Friday, August 11, 2006 - 9:15pm
Kirsten Day

CALL FOR PAPERS
 
The Southwest Texas Popular Culture Association/
American Culture Association will once again be
sponsoring a session on CLASSICAL REPRESENTATIONS IN
POPULAR CULTURE (formerly entitled "Classical Myths in
Recent Literature and Film") at the 28th Annual
meeting to be held February 14-17, 2007 at the Hyatt
Regency Conference Hotel in downtown Albuquerque, New
Mexico.
  
Papers on any aspect of Greek and Roman antiquity in
contemporary culture are eligible for consideration.
Papers focused on the following themes are
particularly welcome:

CFP: The Animal in Thought and Fable (9/15/06; ASECS, 3/22/07-3/25/07)

updated: 
Friday, August 11, 2006 - 9:15pm
Tony C. Brown

The animal is something of a hot topic right now: MLA 2006 will
boast no less than three panels
devoted in some way to it. So much of what is being said and done on
the topic, however, is
framed by the question: what is the animal for the human. That is,
this work directly follows
the paradigm set down by Giorgio Agamben in his book L'aperto:
L'uomo e l'animale (2002),
taking the animal to constitute the human. This panel asks: Is there
another way to understand
the animal? And can we find that way (or indeed, ways) in the
eighteenth century?

Please send Abstracts for proposed papers, along with a brief CV, to:
tcbrown_at_umn.edu.

CFP: The Animal in Thought and Fable (9/15/06; ASECS, 3/22/07-3/25/07)

updated: 
Friday, August 11, 2006 - 9:15pm
Tony C. Brown

The animal is something of a hot topic right now: MLA 2006 will
boast no less than three panels
devoted in some way to it. So much of what is being said and done on
the topic, however, is
framed by the question: what is the animal for the human. That is,
this work directly follows
the paradigm set down by Giorgio Agamben in his book L'aperto:
L'uomo e l'animale (2002),
taking the animal to constitute the human. This panel asks: Is there
another way to understand
the animal? And can we find that way (or indeed, ways) in the
eighteenth century?

Please send Abstracts for proposed papers, along with a brief CV, to:
tcbrown_at_umn.edu.

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