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CFP: University of West Georgia Literature Conference: Fear and Awe (5/30/06; 11/2/06-11/4/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
J Agan

The University of West Georgia

CALL FOR PAPERS 2006

21^ST ANNUAL INTERNATIONAL LITERATURE CONFERENCE

Suggested theme: FEAR AND AWE

For the 2006 conference, papers and sessions may be presented on any
conception of fear and awe in literature, visual arts, and/ or cinema.
Papers may be in English, French, German, Italian or Spanish.

  <>
We welcome also proposals for papers on _any topic_ of interest to
literature, culture, and art scholars.

 

  <>*
When: *November 2-4, 2006 <>
*Where*: Sheraton Colony Square Hotel-Midtown, Atlanta, Georgia <>
*Deadline for one-page abstracts*: May 30, 2006 <>

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CPF: Teaching English (no deadline noted; RMMLA, 10/12/06-10/14/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Robin Somers

CALL FOR PAPERS ... Papers are invited for the session on Teaching English at the Rocky Mountain MLA annual convention on October 12-14, 2006, in Tucson, Arizona.
   
  This year's panel is looking for papers on innovative approaches to teaching literature and writing. Also welcome are topics on experiential writing as academic discourse, teaching college English skills to ESL students, and teaching English at the Tribal College.
   
  Please send a 200-word proposal/abstract as an email attachment to:
  Robin Somers
  robinsomers_at_sbcglobal.net
  Identify RMMLA CFP in your subject line

UPDATE: Trans&ndash;&ndash; : Negotiations and Resistance (grad) (1/20/06; 4/7/06&ndash;4/8/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Mary-Ann Davis

Trans --: Negotiations and Resistance

19th Annual Interdisciplinary Conference
Association of English Graduate Students
University of Southern California, Los Angeles
April 7 - 8, 2006

UPDATES:
* Keynote speakers
* Abstract deadline extension
* Conference website
* CFP

***KEYNOTE SPEAKERS***

We are pleased to announce critical keynote speaker Juana Maria Rodriguez, and creative keynote speaker Pireeni Sundaralingam, with Colm O'Riain.

UPDATE: Trans&ndash;&ndash; : Negotiations and Resistance (grad) (1/20/06; 4/7/06&ndash;4/8/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Mary-Ann Davis

Trans --: Negotiations and Resistance

19th Annual Interdisciplinary Conference
Association of English Graduate Students
University of Southern California, Los Angeles
April 7 - 8, 2006

UPDATES:
* Keynote speakers
* Abstract deadline extension
* Conference website
* CFP

***KEYNOTE SPEAKERS***

We are pleased to announce critical keynote speaker Juana Maria Rodriguez, and creative keynote speaker Pireeni Sundaralingam, with Colm O'Riain.

CFP: The Place of Music in Science Fiction and Fantasy (3/1/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Seo-Young Jennie Chu

Modern Language Association Annual Convention
December 27 - 30, 2006
Philadelphia, Pennsylvania

The MLA Discussion Group on Science Fiction and Utopian and Fantastic
Literature invites submissions for a panel titled "The Place of Music in
Science Fiction and Fantasy."

Topics might include (but are not limited to):

* Defining "science-fiction music." What makes a work of music
"science-fictional"? Possible subtopics: micropolyphony, symmetrical
divisions of the octave, experimental musical technologies (e.g., the
Ondes Martenot).

* The relationship of music to other nonverbal arts (e.g., painting,
architecture, photography) in science fiction and fantasy.

UPDATE: Trans&ndash;&ndash; : Negotiations and Resistance (grad) (1/20/06; 4/7/06&ndash;4/8/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Mary-Ann Davis

Trans --: Negotiations and Resistance

19th Annual Interdisciplinary Conference
Association of English Graduate Students
University of Southern California, Los Angeles
April 7 - 8, 2006

UPDATES:
* Keynote speakers
* Abstract deadline extension
* Conference website
* CFP

***KEYNOTE SPEAKERS***

We are pleased to announce critical keynote speaker Juana Maria Rodriguez, and creative keynote speaker Pireeni Sundaralingam, with Colm O'Riain.

CFP: The Place of Music in Science Fiction and Fantasy (3/1/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Seo-Young Jennie Chu

Modern Language Association Annual Convention
December 27 - 30, 2006
Philadelphia, Pennsylvania

The MLA Discussion Group on Science Fiction and Utopian and Fantastic
Literature invites submissions for a panel titled "The Place of Music in
Science Fiction and Fantasy."

Topics might include (but are not limited to):

* Defining "science-fiction music." What makes a work of music
"science-fictional"? Possible subtopics: micropolyphony, symmetrical
divisions of the octave, experimental musical technologies (e.g., the
Ondes Martenot).

* The relationship of music to other nonverbal arts (e.g., painting,
architecture, photography) in science fiction and fantasy.

CFP: The Place of Music in Science Fiction and Fantasy (3/1/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Seo-Young Jennie Chu

Modern Language Association Annual Convention
December 27 - 30, 2006
Philadelphia, Pennsylvania

The MLA Discussion Group on Science Fiction and Utopian and Fantastic
Literature invites submissions for a panel titled "The Place of Music in
Science Fiction and Fantasy."

Topics might include (but are not limited to):

* Defining "science-fiction music." What makes a work of music
"science-fictional"? Possible subtopics: micropolyphony, symmetrical
divisions of the octave, experimental musical technologies (e.g., the
Ondes Martenot).

* The relationship of music to other nonverbal arts (e.g., painting,
architecture, photography) in science fiction and fantasy.

UPDATE: Trans&ndash;&ndash; : Negotiations and Resistance (grad) (1/20/06; 4/7/06&ndash;4/8/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Mary-Ann Davis

Trans --: Negotiations and Resistance

19th Annual Interdisciplinary Conference
Association of English Graduate Students
University of Southern California, Los Angeles
April 7 - 8, 2006

UPDATES:
* Keynote speakers
* Abstract deadline extension
* Conference website
* CFP

***KEYNOTE SPEAKERS***

We are pleased to announce critical keynote speaker Juana Maria Rodriguez, and creative keynote speaker Pireeni Sundaralingam, with Colm O'Riain.

CFP: Reading Code (3/17/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Rita Raley

The Media & Literature discussion group is arranging the following session for the MLA meeting in Philadelphia, December 2006:

"Reading Code"

Papers on the aesthetics, politics, and poetics of code; machine translation; relations between natural languages & programming languages; codework; protocols; genetic code and biomedia; operational text.

Abstracts and brief CVs by March 17 to Rita Raley <raley at english.ucsb.edu>.

CFP: Reading Code (3/17/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Rita Raley

The Media & Literature discussion group is arranging the following session for the MLA meeting in Philadelphia, December 2006:

"Reading Code"

Papers on the aesthetics, politics, and poetics of code; machine translation; relations between natural languages & programming languages; codework; protocols; genetic code and biomedia; operational text.

Abstracts and brief CVs by March 17 to Rita Raley <raley at english.ucsb.edu>.

CFP: Reading Code (3/17/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Rita Raley

The Media & Literature discussion group is arranging the following session for the MLA meeting in Philadelphia, December 2006:

"Reading Code"

Papers on the aesthetics, politics, and poetics of code; machine translation; relations between natural languages & programming languages; codework; protocols; genetic code and biomedia; operational text.

Abstracts and brief CVs by March 17 to Rita Raley <raley at english.ucsb.edu>.

CFP: Reading Code (3/17/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Rita Raley

The Media & Literature discussion group is arranging the following session for the MLA meeting in Philadelphia, December 2006:

"Reading Code"

Papers on the aesthetics, politics, and poetics of code; machine translation; relations between natural languages & programming languages; codework; protocols; genetic code and biomedia; operational text.

Abstracts and brief CVs by March 17 to Rita Raley <raley at english.ucsb.edu>.

CFP: Bringing Text Alive: The Future of Scholarship, Pedagogy, and Electronic Publication (5/15/06; 9/14/06-9/17/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Shawn Martin

[Apologies for Cross Posting, but please feel free to distribute widely]..

Call for Papers:
Bringing Text Alive:
The Future of Scholarship, Pedagogy, and Electronic Publication

The Text Creation Partnership (TCP) project was founded at the University of
Michigan in 1999 to reinvent scholarship by creating fully searchable texts
of thousands of titles printed across three hundred years and two continents
of English and American history.

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