Dr Anuparna Mukherjee and Dr Arunima Bhattacharya are proposing a panel at ACLA (American Comparative Literature Association) Annual Meeting to be held at the National Taiwan Normal University from June 15 to 18, 2022. Please find the abstract and the details regarding the submission on the ACLA website.

https://www.acla.org/crossovers-imaginaries-movement-culture-and-literary-aesthetics

Three main areas of focus for the panel are:

Zealos: Studies in the Humanities, Social Sciences, Arts & Design, Volume 1, Summer 2022

Zealos: Studies in the Humanities, Social Sciences, Arts & Design is an annual peer-reviewed and open-access journal published by the School of Humanities and Social Sciences of the University of Nicosia (UNIC). We are now accepting contributions for the inaugural volume of Zealos to be published in Summer 2022. Zealos welcomes original and previously unpublished articles that fall within the scope of the journal and follow internationally sanctioned scientific standards. Submissions are free of charge. We welcome contributions in Greek or English.

Extended Deadline, INCS 2022

19th Century Strata

March 24-27, 2022

Salt Lake City, Utah

Interdisciplinary Nineteenth Century Studies Conference

See: https://incs.utah.edu/

CALL FOR PAPERS: 

Game Studies Area: 2022 PCA/ACA National Conference.

The Game Studies area of the National Popular Culture Association and the American Culture Association Conference invites proposals for papers and panels on games and game studies for the Popular Culture Association/American Culture Association National Conference to be held April 13-16, 2022 at the Sheraton Seattle Hotel

in Seattle, WA.

The database for proposal submissions is now open.

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I. Topics of Interest

ACLA (American Comparative Literature Association) 2022 Annual Meeting
June 15-18, 2022, National Taiwan Normal University (probably also online)

Submit a proposal: https://www.acla.org/node/add/paper

Theatre History Focus Group 2022 CFP
Association for Theatre in Higher Education (ATHE) Conference
July 28-31, 2022; Detroit MI

ATHE’s Theatre History Focus Group (THFG) invites proposals for papers and panels dealing with the scholarship and pedagogy of theatre history for next year’s conference in Detroit, MI.

Submission Deadlines (later than normal this year):

This seminar reevaluates both the Aristotelian notion of peripety and alternative approaches in global literary theory to describe a moment of abrupt change or reversal of action. In doing so, it applies a clearly defined focus on such examples that bring turning points together with an insecure, potentially dangerous medium: water.

CRAFT CRITIQUE CULTURE is an interdisciplinary conference focusing on the intersections of critical and creative approaches to writing, both within and beyond the academy. This year’s conference recognizes the spatial and temporal context within and beyond a written text. Within the text, we examine what has been mapped by the margins as well as the communities that have been marginalized by the borders of the page. Here, margins refer to the open spaces on the page — not inhabited by words, punctuation, ornamentation, etc. This year’s conference begins at the margins: whether it be the page, the camera lens, the pictorial frame, the margins of philosophy, the undercommons of the university, the peripheries of the city....margins are everywhere.

Call for Papers, Caribbean Literature at CEA 2022

March 31-April 2, 2022 | Birmingham, Alabama

Sheraton Hotel, Birmingham | 2201 Richard Arrington Jr Blvd N, Birmingham, AL 35203

The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Caribbean Literature for our 52nd annual conference. Submit your proposal at www.cea-web.org

We welcome individual and panel presentation proposals that address Caribbean literatures in general, including—but not limited to—the following possible themes:

Hotels & Crisis: Historical and Cultural Perspectives

25-26 June 2022

London, UK

Scholars exploring histories and stories of hotels have identified many ways in which they have been actively embroiled within civil conflicts. They are sites of violence and of refuge. They are communication and command centres. They are also sites for diplomacy which aims to bring conflict to an end. Hotels have often been ‘soft’ targets in conflicts, because of their high level of openness compared to other institutions. Potent symbolisms and distinctive affordances have made hotels significant shapers of conflict.

This board-sponsored session welcomes presentations that deal with Quebecois literature and media. A wide variety of topics will be considered: cinema (jeune cinéma Québécois, cinéma féminin), representation of the First Nations in Quebecois literature and media, Quebecois theater, etc.

Please submit 200-250 word abstract and indicate if any A/V equipment will be required. Upload your proposal on NeMLA's website: https://www.cfplist.com/nemla/Home/S/19475 

Transgender representation is currently at an all-time high. Whether it be in cinema, literature, or social networks, the visibility of trans individuals has tremendously increased. ​Changes in culture have allowed the transgender community to feel safer in coming forward with their stories, and therefore, this new movement has been pioneered by trans women, trans men, and non-binary individuals. For example, Lexie, the trans woman behind the ​popular Instagram account Agressively Trans (@aggressively_trans), published ​the book Une histoire de genres in February 2021. Petite fille, a 2020 documentary directed by Sébastien Lifshitz has won several prizes in various festivals.

CALL FOR CONTRIBUTIONS: ENCYCLOPEDIA OF INDIAN WRITING IN ENGLISH

This goes out to scholars working in the field of Indian Writing in English.

You are invited to contribute articles for a forthcoming ENCYCLOPEDIA OF INDIAN WRITING IN ENGLISH to be published by Routledge, Taylor and Francis Group.  This volume will focus on writers of fiction, poetry, drama, select literary works and non-fiction, from India (specifically, by writers of Indian origin writing in English). Translations will not be included. 

If you would like to contribute an entry for this reference work, please respond at the earliest, in any case, not later than 30 November 2021. 

The virtual conference explores  how contemporary cinema negotiates the spaces at international film festivals. Our scope includes contemporary cinema from different parts of the world, including India and non-English speaking countries. The growing presence and proliferation of film festivals in their varied manifestations leads us to posit: What is the nature of contemporary transnational cinema that is attracting international attention? How does  this intersection play out in global reception, marketing, exhibition and  distribution? What kinds of academic and theoretical interventions can emerge from this development?