Vernon Press has shown interest in the proposed book. 

Kind attention: We seek representations of minority and refrigerated cultures from Europe, Africa, Australia, and New Zealand, as we have received ample representations from other parts of the world.

“No Culture can live if it attempts to be exclusive.” - Mahatma Gandhi

Literature in France has always had the potential to become a form of popular entertainment. However, what delighted families in La Bibliothèque Bleue has been forgotten or classified as literary “classics.” But popular literature, or “genre literature,” is more recent. Born in 19th-century newspapers when writers like Méry, Balzac, or Sue published their novels in serial form, its most emblematic writer is Alexandre Dumas. Unlike conventional works, where historical characters are magnified (epic tales) or relegated to the background (La Princesse de Clèves), Dumas’ novels staged characters who marked the history of France.

After completing four essays (two with a co-author), which are set to be published in different collections, on COVID-19 Internet memes, this edited collection seeks to include novel perspectives in addition to these to be gathered in a meme-focused volume, especially since online practices and behaviors have become the critical forms of expression during the pandemic.

Topics include but are not limited to:

Call for Book Chapters on Mythological Equines in Children’s Literature

Vernon Press invites chapter proposals on the theme: Mythological Equines in Children’s Literature for an edited collection of the same name in the series Equine Creations: Imagining Horses in Literature and Film, edited by Rachel L. Carazo (Northwestern State University).

According to Walter Benjamin, “the art of storytelling is coming to an end”; we are losing “the ability to share experiences.” Without storytelling, which was once “a capability that seemed inalienable to us, the securest among our possessions,” we are fragmented into a piece of “information” and isolate ourselves in what is believed to be subjectivity (“The Storyteller”). And yet, in exceptional situations, storytelling appears still possible. For example, when the northeast Japan was struck by the earthquake and tsunami disaster, after initial muteness and banal narrativization by the major media (which was indeed a disaster for storytelling), there emerged stories among the survivors.

 Abstracts for papers on are sought for a  Roundtable on Online Archives  at the Northeast Modern Language Association Conference, to be held March 11-14, 2021 . The deadline for submissions has been extended to Oct. 19, 2020.  Additionally, the decision has been made to have a virtual NeMLA conference.

Description:  Online archives are something that we should all implement inside and outside of our classrooms to encourage original research by and critical thinking by our students. This panel seeks presentations on all aspects of online archives: creating them, using them, helping students develop skills in using them, and thinking about the future of archives, both digital and conventional, generally.

Announcing Aesthetics: The Film Poster as Intertextual Formation in Theory and Practice
 

CALL FOR BOOK CHAPTERS on Chen Qing Ling/The Untamed

Thanks to an increasing range of streaming platforms, a greater general familiarity with adaptation-driven and transmedial storytelling, and faster rates of communication among invested viewers—among other factors! —audiences today have access to an increasingly transcultural range of popular culture content. The 2019 Chinese web series Chen Qing Ling (English translation: The Untamed) is one such example. While the show is not the first of its various genres or circumstances, it has generated and sustained a wide appeal that is worth exploring.

What: English Student Association Conference

Where: ONLINE (hosted through The Graduate Center, CUNY).

When: 12 March 2021

Abstract deadline: December 1st

Registration deadline: February 12th (*registration will be free)

Please submit all abstracts through the following Google Form: https://forms.gle/srZJ4Wn7YBpaYnHW8

Call for proposals

The Nonhuman in American Literary Naturalism

Editors: Kenneth K Brandt and Karin M Danielsson

This collection aims to celebrate the work and influence of Michael Bristol by producing new scholarship on Shakespeare, early modern theater, and their enduring and complicated legacy in our modern world. Bristol’s criticism has left a profound impact on the fields on Shakespeare and early modern studies, in particular as it relates to questions of dramatic agency, theory and philosophy, to matters pertaining to the carnivalesque body, as well as to ideas of cultural production.

I am pulling together an Edited Collection called The Metamorphoses of Historical Past: Memory, Representation and Facts and I would like to invite you to consider submitting one or more chapters.
The abstract/call for the Collection is here:
Historical facts are not objects. The ‘historical-real’ is constitutively representational because it is a process. The question of what is a given truth in history becomes the dilemma of creating a representative reconstruction of the process of (past) events that are close to the ‘real’ events as they are given in that specific time.

CFP: Edited Book on “Theatre-Fiction”

Abstracts: November 1, 2020

Seeking proposals for an edited book of chapters on “theatre-fiction”, i.e. novels and stories about theatre.

Published annually in June and December, Journal of Foreign Languages and Cultures is seeking essays in critical theory, literature, culture, and translation theory. The submissions deadline is October 15 for the December issue, and April 15 for the June issue. The journal's website is: http://jflc.hunnu.edu.cn/. Submissions should use MLA style and be approximately 4,000-7,000 words. Inquiries are welcome to co-editor Lauri Scheyer at Lramey@calstatela.edu.