**************

Life Writing
Special Issue 2008

"Trauma in the Twenty-First Century"
Guest editors: Kate Douglas and Gillian Whitlock

This issue of Life Writing seeks to explore the ways in which life narratives of
trauma are circulating in contemporary cultural landscapes. What events and
memories are considered 'traumatic' in the contemporary world and why? Whose
traumatic memories are commemorated in the public sphere? And what is the
political utility of these traumatic memories? What are the implications of
representing an event or memory as traumatic, or in representing an individual
or community as traumatised?

**************

Life Writing
Special Issue 2008

"Trauma in the Twenty-First Century"
Guest editors: Kate Douglas and Gillian Whitlock

This issue of Life Writing seeks to explore the ways in which life narratives of
trauma are circulating in contemporary cultural landscapes. What events and
memories are considered 'traumatic' in the contemporary world and why? Whose
traumatic memories are commemorated in the public sphere? And what is the
political utility of these traumatic memories? What are the implications of
representing an event or memory as traumatic, or in representing an individual
or community as traumatised?

**************

Life Writing
Special Issue 2008

"Trauma in the Twenty-First Century"
Guest editors: Kate Douglas and Gillian Whitlock

This issue of Life Writing seeks to explore the ways in which life narratives of
trauma are circulating in contemporary cultural landscapes. What events and
memories are considered 'traumatic' in the contemporary world and why? Whose
traumatic memories are commemorated in the public sphere? And what is the
political utility of these traumatic memories? What are the implications of
representing an event or memory as traumatic, or in representing an individual
or community as traumatised?

MEDIASCAPE, UCLA's online Critical Studies journal, is now accepting
submissions for the Features, Reviews, Columns and Meta sections of its
next issue. This journal, a place for articles pertaining to film,
television, new media and other areas of visual culture, is
peer-reviewed and published on an annual table. The deadline for the
next issue is the 1st of January, 2007.

Updated submission guidelines and section-specific calls for the next
issue can be found on the submissions page of the Mediascape website:
http://www.tft.ucla.edu/mediascape/about/submissions06.html

New Deadline:

Call for papers: 'C.S. Lewis: Critic, Christian and creative writer', April
13-14, 2007, University of Manchester, UK

Contributions are invited for a major international and interdisciplinary
conference reassessing the critical, creative and theological work of C. S.
Lewis. This conference is being hosted by the University of Manchester, UK, and
is being planned in conjuction with the Centre for Literature and Belief,
University of Ulster, UK.

Contributors should send a 100-word abstract and brief CV to crawford.gribben
[at] manchester.ac.uk by January 31 2007.

New Deadline:

Call for papers: 'C.S. Lewis: Critic, Christian and creative writer', April
13-14, 2007, University of Manchester, UK

Contributions are invited for a major international and interdisciplinary
conference reassessing the critical, creative and theological work of C. S.
Lewis. This conference is being hosted by the University of Manchester, UK, and
is being planned in conjuction with the Centre for Literature and Belief,
University of Ulster, UK.

Contributors should send a 100-word abstract and brief CV to crawford.gribben
[at] manchester.ac.uk by January 31 2007.

Conflict and Community in Early America and the Atlantic World

An Interdisciplinary Graduate Student Conference hosted by the
McNeil Center for Early American Studies
University of Pennsylvania
September 27-29, 2007

Call for Papers
Annual meeting of the Rocky Mountain Modern Language Association,
Calgary, Alberta, Canada, October 3-6, 2007.

Session: Disability Studies Approaches to Modernist Literature
Seeking papers utilizing disability studies approaches to modernist works:
oppositional identities, embodied discourses, ableist rhetoric etc.

Please send one-page abstracts and queries via email to:
cara.cardinale_at_gmail.com

On your abstract, please include your name, institutional affiliation
(if applicable), email address, and whether you
will need any AV equipment for your presentation.

CFP: Contemporary African Immigrant Experience in the United States
(collection)

=20

I am looking for personal narratives and essays (short poems welcome)
for an edited collection on the Contemporary African Immigrant
experience in the United States, and other parts of the Diaspora.

=20

The Humanities and Technology Association invites submissions to its annual journal, *Humanities and Technology Review* (HTR) for Autumn, 2007.
HTR offers a publication outlet for interdisciplinary articles on a broad range of themes addressing the interface between the humanities and technology. HTR is a refereed journal, and all decisions will be made by the assessing editors, the editorial advisory board and the chief editors. Commentaries and responses to individual articles and reviews are welcome.

Manuscript Submission Guidelines:

CFP: Contemporary African Immigrant Experience in the United States
(collection)

=20

I am looking for personal narratives and essays (short poems welcome)
for an edited collection on the Contemporary African Immigrant
experience in the United States, and other parts of the Diaspora.

=20

Plain text version below:

APOLOGIES FOR CROSS POSTING

Journeys Across Media 2007

See - Hear - Feel:

Perception & Engagement in Visual Media & Performance

20 April 2007

Department of Film, Theatre & Television - University of Reading Supported
by the Standing Conference of University Drama Departments (SCUDD) and the
Graduate School in Arts and Humanities, University of Reading.

Plain text version below:

APOLOGIES FOR CROSS POSTING

Journeys Across Media 2007

See - Hear - Feel:

Perception & Engagement in Visual Media & Performance

20 April 2007

Department of Film, Theatre & Television - University of Reading Supported
by the Standing Conference of University Drama Departments (SCUDD) and the
Graduate School in Arts and Humanities, University of Reading.

Plain text version below:

APOLOGIES FOR CROSS POSTING

Journeys Across Media 2007

See - Hear - Feel:

Perception & Engagement in Visual Media & Performance

20 April 2007

Department of Film, Theatre & Television - University of Reading Supported
by the Standing Conference of University Drama Departments (SCUDD) and the
Graduate School in Arts and Humanities, University of Reading.