all recent posts

UPDATE: Off the Map: Ecocriticism Beyond Borders (12/10/07; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:52pm
stacey

  13th Annual Southwest Graduate English Symposium
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
  February 15-17, 2006
  Arizona State University—Tempe Arizona
   
  Off the Map: Ecocriticism Beyond Borders

"Ecological thinking about literature requires us to take the nonhuman
world as seriously as previous modes of criticism have taken the human realm of society and culture. That, it seems to me, is ecocriticism's greatest challenge and its greatest opportunity."
- Glen A. Love, "Ecocriticism and Science"

UPDATE: Border Ethics in Literature (12/10/06; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
stacey

  Southwest Graduate English Symposium
  Arizona State University
  February 16 - 18 2007
   
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
   
  Border Ethics in Literature
   

UPDATE: Border Ethics in Literature (12/10/06; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
stacey

  Southwest Graduate English Symposium
  Arizona State University
  February 16 - 18 2007
   
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
   
  Border Ethics in Literature
   

UPDATE: Border Ethics in Literature (12/10/06; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
stacey

  Southwest Graduate English Symposium
  Arizona State University
  February 16 - 18 2007
   
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
   
  Border Ethics in Literature
   

UPDATE: Border Ethics in Literature (12/10/06; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
stacey

  Southwest Graduate English Symposium
  Arizona State University
  February 16 - 18 2007
   
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
   
  Border Ethics in Literature
   

UPDATE: Border Ethics in Literature (12/10/06; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
stacey

  Southwest Graduate English Symposium
  Arizona State University
  February 16 - 18 2007
   
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
   
  Border Ethics in Literature
   

CFP: Janus Head (2/1/06; journal issue)

updated: 
Sunday, November 19, 2006 - 11:51pm
Bradatan, Costica

 Please circulate widely & apologies for cross-postings!

 

Janus Head. A Journal of Interdisciplinary Studies in Continental Philosophy, Literature, Phenomenological Psychology and the Arts

 

www.janushead.org <http://www.janushead.org/>

 

CALL FOR PAPERS

 

JANUS HEAD 10.1 (Summer 2007) - Open Issue

 

Deadline for submissions: February 1, 2006.

 

JANUS HEAD is currently accepting submission for its next open issue. JH follows APA guidelines for its review process (peer review).

 

CFP: Janus Head (2/1/06; journal issue)

updated: 
Sunday, November 19, 2006 - 11:51pm
Bradatan, Costica

 Please circulate widely & apologies for cross-postings!

 

Janus Head. A Journal of Interdisciplinary Studies in Continental Philosophy, Literature, Phenomenological Psychology and the Arts

 

www.janushead.org <http://www.janushead.org/>

 

CALL FOR PAPERS

 

JANUS HEAD 10.1 (Summer 2007) - Open Issue

 

Deadline for submissions: February 1, 2006.

 

JANUS HEAD is currently accepting submission for its next open issue. JH follows APA guidelines for its review process (peer review).

 

CFP: Levinas and Community (1/15/07; NALS, 6/10/07-6/12/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
Sol Neely

NORTH AMERICAN LEVINAS SOCIETY
Second Annual Conference and Meeting on "Levinas and Community"
June 10-12, 2007 | Purdue University

Call for papers

"Does a face abide in representation and community; is it community and
difference? What meaning can community take on in difference without reducing
difference?" -Emmanuel Levinas, Otherwise than Being

CFP: Levinas and Community (1/15/07; NALS, 6/10/07-6/12/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
Sol Neely

NORTH AMERICAN LEVINAS SOCIETY
Second Annual Conference and Meeting on "Levinas and Community"
June 10-12, 2007 | Purdue University

Call for papers

"Does a face abide in representation and community; is it community and
difference? What meaning can community take on in difference without reducing
difference?" -Emmanuel Levinas, Otherwise than Being

CFP: Emily Dickinson and Circumference (1/10/07; ALA, 5/24/07-5/27/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
Marianne Noble

The Emily Dickinson International Society is sponsoring two panel sessions =

at ALA in May, 2007. Please send proposals by January 10 to the session=20
organizers, Marianne Noble and Cindy MacKenzie. (mnoble_at_american.edu,=20
cindy.mackenzie_at_uregina.ca) The conference will take place in Boston, May =

24-27, 2007. For further information about the conference, go to=20
www.calstatela.edu/academic/english/ala2

Panel #1: Teaching Dickinson
What are the challenges and rewards of teaching Dickinson?s poetry. What=20
strategies have worked, and which have not? What makes Dickinson popular=20
(or not) with students?

CFP: Emily Dickinson and Circumference (1/10/07; ALA, 5/24/07-5/27/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
Marianne Noble

The Emily Dickinson International Society is sponsoring two panel sessions =

at ALA in May, 2007. Please send proposals by January 10 to the session=20
organizers, Marianne Noble and Cindy MacKenzie. (mnoble_at_american.edu,=20
cindy.mackenzie_at_uregina.ca) The conference will take place in Boston, May =

24-27, 2007. For further information about the conference, go to=20
www.calstatela.edu/academic/english/ala2

Panel #1: Teaching Dickinson
What are the challenges and rewards of teaching Dickinson?s poetry. What=20
strategies have worked, and which have not? What makes Dickinson popular=20
(or not) with students?

UPDATE: Angry Young (Wo)Men: Theatrical Violence as Ethical Debate (12/10/06; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
stacey

    13th Annual Southwest Graduate English Symposium
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
  February 15-17, 2006
  Arizona State University—Tempe Arizona
     
  "Angry Young (Wo)Men": Theatrical Violence as Ethical Debate

In late 1995, two significant events changed the theatrical landscape:
John Osborne (Look Back in
Anger) died, and Sarah Kane's play Blasted premiered at the Royal Court
Theatre in London. The timing
was somewhat serendipitous—as one of the original "Angry Young Men"
left this world, one of the "New
Brutalists" made her mark on it.

UPDATE: Angry Young (Wo)Men: Theatrical Violence as Ethical Debate (12/10/06; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
stacey

    13th Annual Southwest Graduate English Symposium
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
  February 15-17, 2006
  Arizona State University—Tempe Arizona
     
  "Angry Young (Wo)Men": Theatrical Violence as Ethical Debate

In late 1995, two significant events changed the theatrical landscape:
John Osborne (Look Back in
Anger) died, and Sarah Kane's play Blasted premiered at the Royal Court
Theatre in London. The timing
was somewhat serendipitous—as one of the original "Angry Young Men"
left this world, one of the "New
Brutalists" made her mark on it.

UPDATE: Angry Young (Wo)Men: Theatrical Violence as Ethical Debate (12/10/06; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
stacey

    13th Annual Southwest Graduate English Symposium
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
  February 15-17, 2006
  Arizona State University—Tempe Arizona
     
  "Angry Young (Wo)Men": Theatrical Violence as Ethical Debate

In late 1995, two significant events changed the theatrical landscape:
John Osborne (Look Back in
Anger) died, and Sarah Kane's play Blasted premiered at the Royal Court
Theatre in London. The timing
was somewhat serendipitous—as one of the original "Angry Young Men"
left this world, one of the "New
Brutalists" made her mark on it.

UPDATE: Angry Young (Wo)Men: Theatrical Violence as Ethical Debate (12/10/06; SGES, 2/16/07-2/18/07)

updated: 
Sunday, November 19, 2006 - 11:51pm
stacey

    13th Annual Southwest Graduate English Symposium
  The Violent (Re)turn to Ethics?: Implications, Complications, and Situations
  February 15-17, 2006
  Arizona State University—Tempe Arizona
     
  "Angry Young (Wo)Men": Theatrical Violence as Ethical Debate

In late 1995, two significant events changed the theatrical landscape:
John Osborne (Look Back in
Anger) died, and Sarah Kane's play Blasted premiered at the Royal Court
Theatre in London. The timing
was somewhat serendipitous—as one of the original "Angry Young Men"
left this world, one of the "New
Brutalists" made her mark on it.

CFP: Wider Screen: The Cinema of Aki and Mika Kaurismaki (2/07; online journal issue)

updated: 
Sunday, November 19, 2006 - 11:51pm
Kaapa Pietari Mr \(FTV\) p327735

Call for Papers - Wider Screen 02/2007 - The cinema of Aki and Mika
Kaurismäki

The films of Finnish directors Aki and Mika Kaurismäki are multifaceted
texts that balance between a variety of cultural tropes. The films are
simultaneously national and international; they deal with Finnish national
myths alongside the globalisation of national culture; the films blur the
distinctions between high culture and low culture both in terms of thematics
and aesthetics; they circulate the globe in both commercial and festival
releases, gaining widely discrepant critical and commercial receptions.

CFP: Wider Screen: The Cinema of Aki and Mika Kaurismaki (2/07; online journal issue)

updated: 
Sunday, November 19, 2006 - 11:51pm
Kaapa Pietari Mr \(FTV\) p327735

Call for Papers - Wider Screen 02/2007 - The cinema of Aki and Mika
Kaurismäki

The films of Finnish directors Aki and Mika Kaurismäki are multifaceted
texts that balance between a variety of cultural tropes. The films are
simultaneously national and international; they deal with Finnish national
myths alongside the globalisation of national culture; the films blur the
distinctions between high culture and low culture both in terms of thematics
and aesthetics; they circulate the globe in both commercial and festival
releases, gaining widely discrepant critical and commercial receptions.

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