Multilingual poets write at the intersection of language, identity, and cross-cultural communication. Not only does the work of multilingual poets naturally create a space for innovation, but it also often serves as a broader commentary on the interplay between language and power. Every multilingual poet combines, leverages, or silences pieces of their complex identities, negotiating deeply personal nuances as well as socially constructed codes. Multilingual poets may choose to employ self-translation or multiple languages within a single poem, they may write separate works in different languages, or they may confine their work to a single language.

Our dependence on the past’s valuation of its own cultural products has become increasingly obvious in our ongoing interests in reshaping the canon and in decentering our humanities’  disciplines.  Certainly, the availability of digitized primary-source materials increases the range in newly available, even newly discovered texts.  However, our reliance on the digitized brings with it an obvious quandary as it can narrow the scope and constrain investigation of other exciting sources crucial to our scholarship but not deemed worthy of archiving.  They might be fragile, incomplete, or ill-preserved; they might be undocumented and uncatalogued.

Conference dates: March 6-9, 2025

Conference location: Philadelphia, Pennsylvania (IN PERSON ONLY!)

Deadline for abstracts: October 15, 2024 (EXTENDED)

Submit through: https://cfplist.com/nemla/Home/S/21015

Contact panel chair for inquiries: Noah Gallego (California State Polytechnic University, Pomona) @ noahrgallego@gmail.com 

“Rooted as it is by feminism, cyberfeminism is an imperfect umbrella term,” Mindy Seu frames her archival project Cyberfeminism Index. Though it traces the same exclusions and western biases of feminist history, she writes, the Web 1.0 term “cyberfeminism” also provides a quick shorthand for the much broader expanse of art, activism, community, and scholarship of its many branches, including “Cyberfeminism 2.0, black cyberfeminism, xenofeminism, post-cyber feminism, glitch feminism, Afrofuturism, and hackfeministas, transhackfeminism, 넷페미 (netfemi), 女权之声 (feminist voices), among others" (https://cyberfeminismindex.com/about).

Northeast Modern Language Association 

March 6-9, 2025

Philadelphia, PA

Panel: The Afterlives of Absurdism 

Literary absurdism is a haunting and forgotten specter. This panel interrogates the absurd, an encounter with a meaningless world. 

NeMLA meets next during the fortieth anniversary of Don DeLillo’s celebrated novel, White Noise (1985). His ninth of eighteen, it begins the two periods that make up the work for which he is best known—the first including Libra (1988), Mao II (1991), and Underworld (1997), the second The Body Artist (2001), Cosmopolis(2003), Falling Man (2007), Point Omega (2010), Zero K (2016), and The Silence (2020).

The Henry James Review invites essays between 1,000 and 12,500 words on any aspect of Henry James Studies and archives for a special Fall 2025 Forum issue on “Henry James and the Archive.”

 Topics could include, for example:

 • Using archives for Henry James scholarship

• Changes in how we understand the nature of the Henry James archive

• New archival sources for Henry James scholarship

• Collecting or collections of Henry James-related material(s)

• Overlooked or forgotten archives or archival research methods for Henry James scholarship

• James’s use of archives, archival concepts, and/or the archival in his fiction or non-fiction

• Henry James as archivist

Call for Chapters 

Call for Well-Qualified Guest Reviewers

The international peer-reviewed Creative Industries Journal [CIJ] (Routledge/ Taylor and Francis), now in its 17th volume and approaching its 16th year, seeks to create a pool of guest reviewers, who possess the requisite expertise, to complement our Peer Review Board and Editorial team.

Specifically, the journal is currently looking for those with expertise in the business of the creative industries, music, architecture,  software, media and digital media, film, video games, art, crafts, design, fashion.

Embodying the Resolution: Storytelling and Performance for Social Resilience

(A Creative Panel Session of 56th NeMLA Annual Convention| March 6-9, 2025| Philadelphia, PA)

Abstract submission link: https://cfplist.com/nemla/Home/S/21022

NEMLA 2025 theme is "(R)EVOLUTION”, submission deadline (UPDATED): October 15, 2024

CALL FOR PAPERS

Henry James and the Archive

The Henry James Review invites essays between 1,000 and 12,500 words on any aspect of Henry James studies and archives for a special fall 2025 forum issue on “Henry James and the Archive.” 

Topics could include, for example:

• Using archives for Henry James scholarship

• Changes in how we understand the nature of the Henry James archive

• New archival sources for Henry James scholarship

Please note that abstract submissions must be sent through the ACLA submission portal online. For details, see the seminar posting on the ACLA website: https://www.acla.org/comparative-literature-and-politics-detranslation 

The 2025 annual meeting of the American Comparative Literature Association will be held virtually, May 29-June 1, 2025.

Society for Cinema & Media Studies–Translation/Publication Committee

in collaboration with

JCMS: Journal of Cinema and Media Studies

CALL FOR TRANSLATIONS, 2024-2025

JCMS: Journal for Cinema and Media Studies annually publishes one translation of outstanding scholarly or creative work on cinema and media studies. The translation is selected by the SCMS Translation/Publication Standing Committee, which coordinates the annual Call for Translations. The committee shepherds the selected submission into a completed manuscript for publication in an upcoming volume of JCMS. Original texts may be in any language and come from any period or geographic region.

Dates: March 6-9, 2025

Location: La Salle University, Philadelphia, PA

Abstract Submission Deadline: September 30th , 2024

Panel Title: Literature of Impact- Literary (R)evolutions of the Oppressed

Panel Description: