An international conference titled PLASTIC TURN will be held on 3rd and 4th of August, 2023, at the University of North Bengal, India. The keynote speakers are: Haun Saussy (University of Chicago), Karen Thornber (Harvard University), and Olga Solovieva (University of Chicago). Although the title of the conference is PLASTIC TURN, following on Ranjan Ghosh’s book The Plastic Turn and how he introduces this term into our critical discourse, this international conference broadens the ambit of intervention by emphasizing on plastic studies from a variety of fields and perspectives. Engagements and critiques of Ghosh’s book are welcome but also papers ranging across a variety of subjects incidental to plastic will be entertained.

International Journal of Humanities, Art and Social Studies

*** May Issue***

https://flyccs.com/jounals/IJHASS/Home.html

Submission System

Scope

EXTENDED DEADLINE (30 June for abstracts, 30 October for full articles)

Global Folios: Books about Shakespeare from around the World

NALANS Journal (Special Issue) https://nalans.com/index.php/nalans

Guest Editors: Amrita Sen, Anna Forrester and Murat Öğütcü

Contact email: turkishshakespeares@gmail.com

Call for Articles

Pratiques de l’hésitation : pour une observation des tremblements 

Si, p. ex., quelqu’un disait « je ne sais pas s’il y a là une main », on pourrait dire : « Regarde de plus près ». – Cette possibilité de se convaincre de quelque chose fait partie du jeu de langage. (Wittgenstein 1969, 16) 

Depuis, j’ai tout oublié de l’inconnu, mais le timbre de sa voix, au creux de cette houle, résonne encore en moi. Émoi définitivement présent :

 – Ma main en tremble encore, disait-il, regardez!  (Djebar 1985, 162)

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The past six years have seen a resurgence of the radical right. In this resurgence, art and literature have played a prominent role. Senior advisors to the Trump administration cited novels as specific influences on federal policy; Jordan Peterson has disguised right-wing manifestos as self-help volumes, hoodwinking young men to the tune of millions; the internet has seen an overwhelming explosion of white supremacist digital art. Walter Benjamin’s dictum that fascism seeks to “aestheticize politics” endures. 

2023 marks one-hundred years since Italo Calvino’s birth in 1923. Even before his death in 1985, he was considered a classic of 20th century literature; his career spans various crucial historical moments, from the Resistance to the Years of Lead, and encompasses various genres and modes of writing, from Neorealism to postmodernism.

(Deadline Extended)

In 2022, about 35.04 million printed books were sold that classified as Young Adult Literature (Curcic 2023). In fact, it’s the fastest growing category since 2018, with almost a 50% increase in sales to date (Curcic 2023). And, if trends hold, the numbers will continue to rise, making the YA category a multibillion dollar opportunity for publishers. It’s also no surprise that media adaptations of popular Young Adult novels have become big business, raking in millions of dollars, skyrocketing actors to celebrity status, and providing another mediated experience for fans to embrace.

The 48th European Studies Conference, which will be held on October 5-6, 2023, both online and in person at the University of Nebraska Omaha, welcomes papers on European topics in all disciplines.

 Founded in 1975, our interdisciplinary conference draws every year participants from colleges and universities in the United States and from abroad.

Areas of interest include art, anthropology, history, literature, current issues and prospects in cultural, political, social, economic, or military areas; education, business, international affairs, religion, foreign languages, philosophy, music, geography, theater, and film.

 This year we will also offer special panels on the following topics:

Call for Proposals

The Science and Technology area of NEPCA encourages proposals for presentations that explore the relation of science and technology (broadly defined) to popular culture and to American culture. We are particularly interested in putting science, technology, culture, and the humanities in conversation with one another. How are science and technology represented in popular culture? How do we use popular culture to understand science and technology? And how do we use science and technology to understand narratives, art, and culture? What do we gain, what do we risk by approaching science and technology from the lens of the humanities, the humanities from the lens of science, by putting these disciplines in conversation with each other? 

CALL FOR PAPERS

The 11th International Conference

Synergies in Communication (SiC 2023)

Bucharest, 26-27 October 2023 (hybrid)

Due in part to well-publicised advancements in generative AI technologies such as GPT-4, there has been a recent explosion of interest in – and hype around – Artificial Intelligence (AI) technologies. Whether this hype cycle continues to grow or fades away, AI is anticipated to have significant repercussions for fandom (Lamerichs 2018), and is already inspiring polarised reactions. Fan artists have been candid about using creative AI tools like Midjourney and DALL-E to generate fan art, while fanfiction writers have been using ChatGPT to generate stories and share them online (there are 470 works citing the use of these tools on AO3 and 20 on FanFiction.net at the time of writing).

Two volumes published in the late nineties—Susanne Wood’s notable monograph Lanyer: A Renaissance Woman Poet and Marshall Grossman’s edited collection Aemilia Lanyer: Gender, Genre, and the Canon—have largely shaped the trajectory of Lanyer scholarship. Following their lead, scholars in the past two decades have charted how Salve Deus Rex Judaeorum navigates intricate issues of gender, genre, patronage, courtly politics, religion, and poetic authority. This panel aims to expand this fruitful work by exploring new avenues for scholarship that consider Lanyer’s engagement with other contexts and discourses.

CFP: Judicial Rhetoric: A Symposium

April 5, 2024

University of Virginia School of Law

In collaboration with Case Western Reserve University

Judicial writing is a genre in flux. While court opinions remain both potent and controversial, many judges explicitly write for lay audiences or to entertain specialists. The resulting documents are quoted by the press, invoked at confirmation hearings, and memed in social media. Judges have been praised or blamed for cracking jokes, sharing hoary vignettes, and reciting song lyrics. Commentators might be forgiven for missing an older approach to judicial writing, one marked by a more technical, even tedious style.