UTPB’s 2020 Halloween Conference: “Witches, Warlocks and Wizards”

deadline for submissions: 

June 1, 2020

full name / name of organization: 

University of Texas Permian Basin Literature and Languages Department

4901 E. University Blvd.

Odessa, Texas

79762

Conference date: Oct. 30, 2020.

contact email: 

salcedo_m@utpb.edu

Online Workshop: Insect Entanglements 

deadline for submissions: April 30, 2020

Faculty of Arts, University of Bristol, 19 June 2020

Insects are everywhere, our (human) lives entangled with them, and yet we know surprisingly little about them. In the introduction to Insectopedia, Hugh Raffles writes the following:

Filmmakers’ theory and poetics – an (a new) approach to film theory?

Call for book chapters

The introduction of movable type print in late fifteenth-century Europe began with the noble aspiration of making the Word of God available for all, most famously exemplified by the Gutenberg Bible.  How could early printers have foreseen that their work would prepare the ground for the violence and social turmoil that would follow in the Reformation. Texts, broadly defined, were experiencing a powerful transformation. The trust that people placed in texts came under severe strain even as they were more readily available than ever before.  Texts of all kinds—the sermon of the local clergyman, a pamphlet expressing a political view, poetry, plays, even the Word of God itself—required new methods and systems for declaring their trustworthiness.

The Journal of Gender, Ethnic, and Cross-Cultural Studies is an interdisciplinary journal with the primary goal to facilitate the examination of the intersection among gender, cultural, and ethnic studies. Published biannually, this journal seeks to invigorate discussions of the global mobilization of people, ideas, and capital, and the ways in which this circulation has influenced conceptions of gender, ethnicity/race, migration, and culture. In the very same way, the journal examines the gendered nature of cultures and cultural encounters across borders. It is committed to facilitating intersectional, interdisciplinary dialogue which results from the crossing of disciplinary boundaries.

Critical Insights: Ralph Waldo Emerson (2021)

This is a call for essay proposals for a forthcoming edited collection on Ralph Waldo Emerson. This volume will be published in Spring 2021 as part of the following subset of Salem Press’s Critical Insights collection: https://www.salempress.com/ci_authors.

Designed for high school and undergraduate students, this collection will provide a comprehensive introduction to Ralph Waldo Emerson.  

The format of each volume includes:

On behalf of the Editorial Board of Culture, Theory and Critique, I would like to provide an update on our journal’s operations during this difficult time. We recognise that many authors and reviewers will have been impacted by the COVID-19 pandemic in different ways and may thus not be able to meet deadlines or to carry out tasks that seemed entirely feasible but a few weeks ago at all. Please know that we understand entirely and reach out if ever you wish to discuss how we can work together for a positive result – and please forgive any automated reminders that still fly your way from our systems.

 We are launching the CFP for issue 5 of "Tecmerin: Journal of
Audiovisual Essays"

"Tecmerin: Journal of Audiovisual Essays" is a biannual,
peer-reviewed journal, published by the research group Tecmerin
(Television, Cinema, Memory, Representation and Industry) of Universidad
Carlos III de Madrid (Department of Journalism and Media Studies).

The journal focuses on Spanish and Latin American cultural production,
although not exclusively. Consequently, we especially invite scholars,
researchers and creators to send pieces centered on the production,
consumption, circulation and cultural exchange within these geographical
areas.

*Instructions for authors:*

[When this call for abstracts was submitted two months ago, we all lived in a different world.  Recognizing that academic lives have been disrupted as we have adjusted to online teaching as well as other responsibilities at home, I have extended the deadline for abstracts.  I also realize that many scholars have not been able to go to their offices or institution library during this time and consult materials.  If this is your situation and you still want to submit an abstract, please send me an email and I will work with you.]

We are seeking one or two chapters to fill out our edited collection Religion and the Medieval and Early Modern Global Marketplace (already under contract with Routledge). Ideally the chapter(s) would provide a case study that addresses some intersection of economy (market, exchange) and religion (faith, sprituality) in medieval and/or early modern Africa. How did matters of faith enter the marketplace in a specific region of Africa? How did religion facilitate or provide resistance to the growing slave trade? How did religions adapt to changing markets? 

Please send inquiries and/or abstracts to Scott Oldenburg (soldenbu@tulane.edu)

CFP: Verge: Studies in Global Asias

Issue 8.1: Indian Ocean Studies, Afro-Asian Affinities

Edited by Emmanuel Bruno Jean-Francois (Penn State) & Neelima Jeychandran (Penn State)

Deadline: November 1, 2020*

Email: verge@psu.edu

ON-LINE CONFERENCE

CFP:

It is widely known that ideologies of racism, nationalism, and xenophobia are dangerous and spread all over the world. We want to examine these terms as much as possible, from many perspectives and variable aspects: in politics, society, psychology, culture, and many more. We also want to devote considerable attention to how the phenomena of racism, nationalism and xenophobia are represented in artistic practices: in literature, film, theatre or visual arts.

    Our first conference on racism, nationalism and xenophobia took place in March 2016. The second adition was held in June 2017. We hosted over 80 scholars representing universities and research institutions from all over the world.

Political protest has long been central to literary and cinematic histories from ideological and artistic manifestos to political pamphlets to satirical novels and realist cinema. They remain powerful vehicles for stimulating public debate, issuing calls to action, speaking truth to power, and heightening awareness of social ills.  Despite censorship, marketplace economics, and national politics, literature, film, and numerous other modes of cultural / aesthetic production continue to play an important role not only as agents of social critique but also as agents of social change.

Call for Papers for Politics, Civic Life, and Pop Culture Area for NEPCA

• 2020 Northeast Popular Culture Association (NEPCA) Conference
• Southern New Hampshire University in Manchester, New Hampshire
• Friday, October 23 and Saturday, October 24
• Proposal due: June 1, 2020

The Politics, Civic Life, and Pop Culture Area of NEPCA invites proposals from scholars of all levels for papers and/or panels that explore any aspect of the role of political actors, institutions, ideology, rhetoric, and satire in popular culture. Papers may be drawn from all policy domains, both foreign and domestic.

Recent conferences featured panels on: