Reminder - Historical Fictions Research Conference, Manchester, 13th & 14th February 2025
Call for Papers
Historical Fictions Research Conference, Manchester, 13th & 14th February 2025
Deadline for proposals: 28th June 2024
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Call for Papers
Historical Fictions Research Conference, Manchester, 13th & 14th February 2025
Deadline for proposals: 28th June 2024
Historically Black Colleges and Universities (HBCUs) serve as pivotal cultural and educational institutions, fostering academic excellence and community engagement. However, within the HBCU workplace, Black women often navigate complex dynamics shaped by pervasive stereotypes and societal expectations.
CFP: Serial Killers: Fact into fiction
30th International Population Conference (UIESP/IUSSP)
13-18 July 2025
Brisbane (Australia)
https://ipc2025.iussp.org/
Thematic Session n°62
Theme: Data and methods
Analyzing fiction in demographic research. What can we learn? What are the specific challenges?
Organisers: Carole Brugeilles (Université Paris Nanterre), Mathieu Arbogast (Cresppa-GTM et CEMS), and Virginie Rozée (INED)
For a special issue of TDR: The Drama Review, a journal of performance studies, co-editor madison moore and consortium editor Rebecca Schneider seek submissions that engage the “knowing how” of queer nightlife. “Knowing” here finds kinship with feeling, glitter on the floor, skin on skin, tactility, sweat, diffraction, dissolution.
We are interested in the many elemental gestures, performances, forms of labor, mess, doing/undoing, imagination, making/unmaking as well as the failures, exhaustions, and obstacles that power or foreclose the rhythms of community, pleasure, and ecstasy at
night.
Call for Chapters
Popular Music and Politics in the UK
Supported by the Wellcome Trust-funded Future of Human Reproduction Project
In-Person: Thursday 24th October 2024
Online: Monday 28th October 2024
Keynote: Heather Latimer, University of British Columbia
This conference takes place over two days: one day in-person at the University of Lancaster, and one day online. This is to maximize accessibility and international engagement.
The Reframing Hollywood series features dynamic and original short monographs and edited collections, each of which explore a single film of significant cultural impact which has emerged from the American film industry since the turn of the new millennium. These vibrant critical explorations of contemporary American film will offer a stimulating, academic, yet accessible interrogation of a single work from a variety of critical perspectives.
This session at the 2024 Pacific Ancient & Modern Language Association (PAMLA) conference will explore the tendency of contemporary literary works to portray non-human entities through a racial lens. We invite papers that examine this trend in the context of techno-Orientalism, which often reduces and objectifies the image of Asians to that of the hyper-modern. Submissions may adopt either a theoretical or a literary analysis approach. Please check the details here: View Session (ballastacademic.com).
Here's general information about the conference: 121st Annual Conference (Palm Springs, CA) - Nov. 7-10, 2024 - PAMLA
Conference online: 29-30 July 2024
ABOUT CONFERENCE:
Seeking panelists for the NeMLA convention in Philadelphia March 6-9, 2025, on Percival Everett's James (2024).
“To create a broad analogy, monster is to ‘normality’ as homosexual is to heterosexual” (Benshoff, 1997). This quote, well worn within the pages of academic criticism, speaks to how the connection between queer identity and the horror genre is now so established as to become indivisible. From Frankenstein’s Creature to Dracula, the Babadook to Jennifer Check, in fiction and in film these monstrous queers “live in a world that hates them. They’ve adapted, they’ve learned to conceal themselves. They’ve survived” (Machado, 2020). Kirsty Logan, in the Foreword to It Came From the Closet, suggests that “horror [never] gives us LGBTQIA+ people accurate representation.
Though the term was coined in 1986, ‘body horror’ dates back to the beginnings of Gothic literature—Shelley’s Frankenstein (1818); Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde (1886)—and extends into contemporary fiction, film, and new media. From seminal works including David Cronenberg’s The Fly (1986) to contemporary zombie films and portrayals of the digital-corporeal connection, as in the Unfriended franchise and Jane Schoenbrun’s recent I Saw the TV Glow, embodiment remains central to the horror genre. Mirroring the porousness of the body itself, the category evades compartmentalization and definition.
Special Issue CFP for TWC: Disability
Robert McRuer writes in Crip Theory that at some point in every person’s life, if they live long enough, they will be disabled. Yet, while disablement is an extremely common experience and ableism a hegemonic form of marginalization, disability is largely understudied across fields (Minich 2016, Ellcessor 2018). Fan studies has neglected to consistently explore disability or acknowledge the presence of ableism, resulting in a dearth of peer-reviewed publications on this intersection and a silencing of crip critique from disabled fans and scholars.
South Atlantic Modern Language Association conference, 15-17 November 2024 (Jacksonville, Florida)
Counterfactuals in games have started to catch the attention of various disciplines, aiming to understand just what pasts are (and are not) reckoned with. The fields of historical game studies, media studies and archeaogaming have begun untangling the conceptual and theoretical underpinnings of counterfactual play to focus on player experience. In this two-day workshop held at Leiden University on August 28th and 29th, we aim to approach counterfactuals from the other side of the same coin: the processes at play in counterfactual game design and development.
Borders in the English-Speaking World: Mapping and Countermapping
Journal: Angles. New Perspectives on the Anglophone World
https://journals.openedition.org/angles/
Guest editors: Gwendolyne Cressman, Timothy A. Heron, Marianne Hillion
Deadline for proposal submissions: September 1st 2024
Call for proposal:
'Bhopal at 40: Remembering and storytelling' Special Issue of South Asian Review
Guest editors: Clare Barker (University of Leeds), Antara Chatterjee (IISER Bhopal) and Lynn Wray (University of Leeds)
Panel Session: Early Latinx Literature and the Archive
Moveable Type is the graduate, peer-reviewed journal of the University College London (UCL) English Department. The theme for this year's journal is 'Promise'. We welcome all academic articles; book, art, music or film reviews; creative writing; and original art or film which respond to this year's theme.
Journal “Temas de Integração”
2024 – No. 44
The journal "Temas de Integração" was created almost 30 years ago by the Association of European Studies of the Faculty of Law of the University of Coimbra and has gained particular recognition and impact among audiences in Portuguese-speaking countries.
Call for Papers | PhD and Early Career Conference
“Popular Culture and Democracy: Opportunities, Challenges, and the Way Forward”
University of Freiburg, Germany | October 24-26, 2024
Deadline for Submission: July 31, 2024
Call for Chapters - ReFocus: The Films of Guy Ritchie
Deadline for submissions:
September 30th 2024
Editors
Dr Pete Turner (Oxford Brookes University) and James Shelton (Buckinghamshire New University)
Contact Email
Call for Chapters - ReFocus: The Films of Guy Ritchie
Dennis Wheatley sold around one million books a year at the height of his popularity and over 50 million in total. Britain’s ‘occult uncle’ shaped modern popular understanding of the weirdly esoteric and the darkly satanic in a way without parallel, but his books equally celebrated the luxuries of good wine and cigars, were adapted into successful films by Hammer, taught suspicion of the foreigner, described sex and sexuality in surprisingly frank terms for the era, influenced the Bond stories and the course of the Second World War, and drew on copious research.
The SAMLA 96 General Call for Abstracts will be used to build programming from abstracts that did not resonate with any of our currently published CFPs. SAMLA will review all submissions internally, and accepted abstracts will either be placed on an extant panel or combined with other General Call abstracts to create new sessions. The General Call is open to any and all disciplines.
Unfortunately, we cannot guarantee acceptance and placement, though we will work earnestly and diligently to place all abstracts.
Although there is no proscription against submitting multiple abstracts, each participant may present only one traditional paper per SAMLA conference.
The Victorians Institute Journal is now accepting submissions for volume 52.
In addition to publishing traditional scholarly articles and book reviews, VIJ also features shorter essays on active digital humanities projects (Digital Deliverables) and critical editions of rare and previously unpublished texts (most recently a cache of letters by John Stuart Mill, a rare pamphlet by members of the nascent Indian National Congress seeking to influence England's 1885 general election, and a new English-language translation of a Danish travelogue written by a woman painter born in Poland).
The fashion system has been questioning for years how to decrease its negative impact on the environment and people, trying to improve individual elements: from natural, organic or recycled materials to zero-waste design methodologies, from slower production processes to socially responsible actions, from development of local supply chains to inclusive communication campaigns, from blockchain traceability of products to more reliable trend forecasts through artificial intelligence, from social engagement to large scale regulation. Thanks to the contribution of researchers, practitioners, and activists, a new awareness in civil society about the finite nature of materials and resources has been achieved, and the
After the encouraging success of last year’s panel, we want to continue our discussion on “bad art.” We are not interested in "bad" as a judgment of quality or technique, but rather "bad" as a judgment of ethics or politics.
Electricdreams - Between fiction and society III / CONFLICTS AND MARGINS: IMAGINING OTHERNESS, ECOCATASTROPHES, PERPETUAL WAR, TECHNOLOGICAL IMBALANCE, AND SYSTEMIC INJUSTICE THROUGH SPECULATIVE FICTION
Call for papers for an international in-person three-day conference on speculative fiction, science fiction and fantasy fiction to be held in Milan, Italy, October 9-10-11, 2024. The conference is organized and hosted by IULM University of Milan, in collaboration with Complutense University of Madrid and the HISTOPIA research group.
Fields of interest: literature, cinema, TV series, comics, games/videogames, new media, performative arts, cultural studies.
The adaptation of short stories goes back to the beginning of cinema and continues today, yet the practice receives relatively little critical attention. While much energy has been spent theorizing film adaptation of the novel, there exists virtually no systematic treatment of the practice of adapting short fiction.[1] Despite this lack, a close look suggests that the adaptation of short fiction represents differences of kind, and not just of degree, from that of the novel, differences that yield fertile ground for the adaptation-critic.