Call for Abstracts for Issue 18 (Spring 2025)

Frames

Frames are ever-present. We read, use, and propagate them in our daily, as well as academic life. Their definition is difficult to put into words, just like it boggles the mind to imagine in how many ‘frames’ we are entangled ourselves. Frames serve many functions. They reduce the complexity of the world through the art of selection. Be it four pieces of ornamented wood that surround the canvas, an imaginary line on a map dividing one nation from another, or a set of tools used to present an argument, innumerable frames (‘models’, ‘schemas’, or ‘attitudes’) organize our experience. 

Ex-position Feature Topic Call for Papers

Community Dynamics: Urban Spaces, Rural Places, and the In-Between

Guest Editors: Carolyn F. Scott, National Cheng Kung University

Laurent Cases, National Taiwan University

Edward Eugene Nolan, National Taiwan University

Publication Date: December 2025 (Issue No. 54)

Submission Deadline: March 31, 2025

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CFP:

Women Wandering Purposefully:

The Flâneuse in Literature and Popular Culture

(Edited Collection)

“I love walking in London. Really, it’s better than walking in the country.”

—Virginia Woolf’s Mrs. Dalloway

International Society for Philosophy in Film (ISPiF)

Call for Abstracts

Third Annual Meeting

August 29th-31st, 2024

London, England 

Mission Statement:

Don’t be a wet blanket, come to our two-day conference on Water in Legend and Tradition, to be held on Saturday 31st August and Sunday 1st September as the eighteenth Legendary Weekend of the Folklore Society, in the medieval grandeur of St Peter’s by the Waterfront, College Street, Ipswich IP4 1BF. Whether you’re into holy wells or woe waters, hauntings or hydromancy, we’d like to hear from you. Contributions are welcome on eerie ponds, inland mermaids, canal culture, early spas, baptismal customs, lake monsters, and the lore of fords, falls, fountains, floods and fishpools. Anyone can join us – folklorists, healers, hydrologists, bargees, dowsers and storytellers.

Generative AI promises to revolutionize many facets of social and economic life. The creative power of generative machine learning has been held up as a tool that will transform the work of artists and creators. Yet generative models have also been implicated in the unfair use of intellectual property, the propagation of existing social biases, and the facilitation of a wide range of disruptions to an already precarious labor market.

This guaranteed panel will address the ethical issues of generative AI, focusing on the overlap between creativity and harm. How can the literary humanities help foster an ethics for creativity in the age of generative AI?

With the advent of 2021, there has been a perceptible shift in gothic focus. Viewers have been treated to network hauntings – CBS’ Ghosts (USA) and GhostsUK, cinematic –The Voyage of the Demeter, and streaming – The Fall of the House of Usher. This year marks the 215th anniversary of Edgar Allan Poe’s birth and the 175th anniversary of his death in Baltimore. In February, Dr. Martens released its gothic line of footwear.

Indigenous scholar and game developer Jason Edward Lewis has argued that the involvement and agency of Indigenous communities in the video game industry allow Indigenous artists and creatives to “stake out our own territory in a common future” (Lewis, 2014). After Lewis, and in light of the meteoric increase in video games titles and other works of digital media by, about, and for Indigenous communities, this session will explore the intersection of Indigenous cultures and cosmologies, storytelling, and video games.

This area of the Northeast Popular Culture Association encourages paper submissions that explore the relation of science and technology to popular culture and American culture, with science and technology broadly defined. We are particularly interested in putting science, technology, culture, and the humanities in conversation with one another. How are science and technology represented in popular culture? How do we use popular culture to understand science and technology? And how do we use science and technology to understand narratives, art, and culture?

This panel aims to discuss how contemporary global Anglophone/multilingual writers are dismantling the hegemony of lingua franca and making marginalized tongues visible and unheard stories heard.  Topics may address, but not limited to: 1. Multilingual writings of postcolony2. Translation and politics of lingua franca3. Language and trauma4. Linguistic identity in global Anglophone literature.5. Linguistic identity, linguistic attrition.6. Language policies and Anglophone literature of postcolony.  Submit 250-300 words abstract  and 50-100 words bionote to namratadeyroy@gmail.com  

Deadline for submissions: Monday, 25 March 2024

Call for Papers: Dramatherapy

Special Issue: ‘Diasporas in Dramatherapy’

Guest Editor: Taylor Mitchell, Independent dramatherapist

taylorrgmitchelldramatherapy@gmail.com

Deadline: 20 July 2024

View the full call here>>

https://www.intellectbooks.com/dramatherapy#call-for-papers

Critical Perspectives on the Intersection of Breast Cancer and Academic Identity Abstract Proposal

The International Society for Eighteenth-Century Studies invites early-career scholars active in eighteenth-century studies to apply to take part in the ISECS ECS seminar, to be held over one week in central Barcelona. The Seminar, which is held yearly, is known for its role in fostering and consolidating scholarly vocations in eighteenth-century studies, as well as for attracting participants from all around the world. The 2024 seminar, to be chaired jointly by Dr John Stone (Universitat de Barcelona) and Prof Fernando Durán (Universidad de Cádiz), will be sponsored by the Spanish association for eighteenth-century specialists, the Sociedad Española de Estudios del Siglo XVIII.

The ASAP conference theme “Not a Luxury,” (10/17-10/19 in New York City) borrows Audre Lorde’s assertion that in times of crisis, poetry and creative expression are not extraneous to survive but necessities. Known for her community building and work with Kitchen Table Press, Lorde positioned her sense of self as developing from and within her social and artistic circles. This panel asks what contemporary  forms of community building--for example: edited collections, across-campus coalitions, unions, friend groups—are necessary for Black feminist survival and thriving in precarious times.